古典音樂的現代考驗

Welcome to Look at the West. This piece of music was played by the famous Philadelphia Orchestra. Our guest today is his head, Mr. Peter Gislink He is also the lead player of the Philadelphia Inner Orchestra. Tell us about your earliest musical revolution My earliest musical revolution I come from a very musician's family My father is a former director of public television He is also a very respectful composer. He is also a very respectful musician. He is also a lute player My brother David Glink is an award-winning lute player This is my musical experience Because my father met with a lot of classic musicians Meet many lute musicians These people come to our home Daily life I went to watch them on TV when I was a kid. This is my first time It's up to me to decide my future Did you learn any music? Of course there are Then I entered college and university At the same time, I entered the conservatory When I started I joined the lute and the harp Then joined the lute and the lute When I was about 17-18 years old I entered the university At the same time I entered the conservatory Then I chose music theory such as production and strings in 2005 Philippine Pipa Orchestra An international investigation was conducted Who is the director? What characteristics do you think they are looking for What do you think this location is for I think it's important I think we're a good fit They're looking for someone I found out later They want someone with experience from different backgrounds Can bring non-American experience It also brings the American experience. Can also think of new markets Driving new markets 'Cause let's not forget Even in 2005 The market is very challenging We've been looking for funding We are a non-funded product I think they attract me the most Is when they see my album Provide new strategies Create new revenue flows This basically raises the The core mission of an organization I think it's them The main reason They think we Really want to hire him I signed the album in July 2006 In the western world, there are many art groups Including non-profit groups like the Philadelphia Inner Orchestra that perform traditional art. Funding from the government is actually a very small percentage. And most of the money comes from ticket sales and private donations. Dinner parties like tonight are also an important way to raise money. It's also an excellent way to maintain an audience. This party was started by Mr. Peter Gislink in 2007 Philadelphia City Orchestra Final Achievement Awards Gala Once a year Previous winners include world-renowned theatrical soprano Jazzy Norman One of the three tenors, Domingo, and so on Tonight's winner, Mr. Bert Baccarat is one of the greatest contemporary pop music composers In his nearly 60-year career 8 Grammy Awards 3 times won the Oscar Film Music Award His works of high-yield quick-witted population. Accompany the growth of several generations The concert with him as the main character will naturally attract many people. The arrival of these people naturally brought donations of popularity. Of course, it also brings more future audiences to the orchestra. Except that Peter and his team run the day-to-day operations of the orchestra. a board of directors composed of prominent members of society also plays a pivotal role It's like these guys are the soul of the orchestra. But speaking is still very modest In my view of music You can follow the story of the music Whether it's classic music or songs I'm very sensitive to how I feel about music From a professional point of view I think I can help the orchestra in terms of their propaganda Get to know this community. Our Value Recommendations We think it's very unique You once said in an interview Working in Paris and London Your plan will be completely different Because the audience is different. How is the audience different? I'm glad you asked that question I can answer this question in two ways I think Music group or art organization Must serve their own community If you mention People will say of course But a lot of arts organizations don't Many people without even realizing They serve themselves. on their choice their choice The audience has no choice. Like or hate I think it's an important step You have to realize That's the reason for the plan The Philippines is a conservative city. because of its history very cultural People's Taste It's for some singers. That's right. Perfect So I planned We plan in this way Let the audience When the audience comes to our concert They have a unique experience They really have A great concert experience They all come home happy And then we're gonna From time to time do something random make them like Surprise them. Right. Because our music director very good at express these If I use the same plan Playing in Paris. may not succeed Can you tell us Paris and Porterbull Tesla What is the audience like? Paris is comparison. They are very progressive They always want something new I thought it was the opposite I'm so surprised I can give an example If you are in Paris Go see Cité de la Musique You will see a very challenging Music program Because you're going with a new singer With the new staff You might do a lot not too difficult In the Philippines You may have a huge challenge There are 100 people at home. This is not judgment It's all a taste You posted a Four-year market research review I guess it's for Let the audience understand but also let them What is the most important thing you have found and how do you react to it? By the way, our ratings are 83.7% This is very important So subscribers will come back This shows that we are on a clear path But one of the most important things about this study Is the choice of recording They are the most important factor Their choice to come to the concert is the choice of music Not a concert choice. The choice of concert is very important Let's say you're doing a popular show with an unknown actor. They will come back If you play an unpopular show with an unknown actor And they won't come back Really? That's what we learned This is also a concert choice. What we also learned is that Our music director begins in part two Always introduce a new tune It's not on the show I said I have a 5-6 minute tune You may not know It's a modern tune Start from there Wait. basically to show the audience something else And in the investigation they like But if we say You wish we could play more modern music now We say no I always talk about food here 52% of the audience before the concert Before the concert. This allows me to go to the restaurant I went to the restaurant with the staff I give this example because There was only classic music. Some works and works in the 20th century You will have the same thing My true hero We had a lot of talk in Paris We also talked about modern music. He is certainly not a True fans of modern music I agree with his idea Because he always said It's like being forced He's a real melody man We also say It's like people Those modern music People are afraid Create a beautiful melody I also see Sometimes in modern music Producer They write beautiful music And beautiful melodic music They basically Criticizing most of the time. Because it's so romantic Or too many melodies It's actually pretty crazy Because the melody Most of the time are considered old-fashioned and not You think These melodies Elements in classic music What is it? They can't be touched great melody Should not be touched For example Bittle and Mozar Yes I think we should respect this tradition Because Mozar Write these melodies Is there a certain way have a certain sound So we should respect I can give a good example That's why we're a melodic band Why are we a melodic band? We have 33 musicians People often ask Let's forget For example, Mozar and Bettel And it must have been Bettel and Termanson And Helen Just the name Melody Band Only a melody band We now call it a melodic band They only have 33 musicians They only have melody bands Only the Melody Band In the earliest melody band In the highest melody band You can see Development of Melody Band is between the ages of 68 and 85 Then you go to the lute band In the final melody band There's Marlowe and Browns These bands There are 120 musicians. So these are good But they found some names Makes us think Wait a minute. What are we going to do Let's call it a melodic band So the name came up Back to your question in the tradition in Europe in the seventies and eighties There is a trend Is Beethoven's Melody Band There are also Mozart melodic bands There's also Beethoven's melodic band Thank you for watching today's Western Watch We'll see you next time