Tchaikovsky: Six Romances, Op. 25 (1875) V. I Never Spoke to Her. Andante semplice (A major)

Tchaikovsky: Six Romances, Op. 25
(1875)
V. I Never Spoke to Her (Я с нею никогда не говорил)
Andante semplice (A major)


Tchaikovsky's Six Romances (Шесть романсов), Op. 25 (TH 97 ; ČW 226-231) were written in February and March 1875 for the Saint Petersburg publisher Vasily Bessel.

Instrumentation:
Scored for high voice (Nos. 2, 3, 4), medium voice (Nos. 1, 6), or low voice (No. 5), with piano accompaniment.

Movements:

V. I Never Spoke to Her (Я с нею никогда не говорил) Andante semplice (A major)

I never spoke to her
But I was looking everywhere to meet her,
Pale and trembling, he followed her.
Her movements, look, smile, speech
I greedily, I carefully caught,
And after that, I ran away from everyone,
I imagined her in my dreams
I was sad, sighed, languished, and was jealous!

Don't tell me what happened to me.
Can't describe the magical beauty...
Magical beauty cannot be described!
With the spring sun, with the pink dawn,
With a tear from heaven that fell on the flowers,
With a ray of the moon, with an evening star
Her features merged in my dreams...
Her features merged in my dreams...
I remember only a bright vision, a bright vision,
My ideal, joy and torment,
My ideal, joy and torment!

Lev Mey from his poem Octaves (Октавы) (1844)

Composition:
The first reference to the projected romances occurs in Tchaikovsky's letter to Vasily Bessel of 9/21 November 1874: "I shall certainly write the romances, but do not rush me. I am again beginning to think about a new large-scale composition which, since I finished the piano score of the opera, has taken over all my thoughts. The romances will be written, assuredly, during the winter". The "large work" mentioned was the Piano Concerto No. 1, and the opera—Vakula the Smith

According to the dates on the manuscripts of the concerto, the draft was completed on 21 December 1874/2 January 1875, and the instrumentation on 9/21 February. In a letter to Modest Tchaikovsky of 13/25 February 1875, the composer reported that he had finished the piano concerto and was writing the Sérénade mélancolique, Op. 26.

On 22 March/3 April 1875, Tchaikovsky wrote to Vasily Bessel: "I have sent you the romances, together with the proofs. What should I put as the opus number? Shouldn't it be 25?". In this same letter, Tchaikovsky enclosed his receipt for the 150 rubles he had been paid for the opus 25 set by Bessel.

Publication:
They were published for the first time by Vasily Bessel in April 1875. In 1940 they were included in volume 44 of Tchaikovsky's Complete Collected Works, edited by Ivan Shishov and Nikolay Shemanin.

Autographs:
Tchaikovsky's manuscript scores of all six romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 133).

Dedication:
For the most part the romances are dedicated to performers from the first production of the opera The Oprichnik in 1874.

I. Aleksandra Krutikova (1851-1919), soprano, who performed the role of Morozova in the opera.
II. Dmitry Orlov (1842-1919), tenor, who premiered the role of Andrey.
III. Mariya Kamenskaya (1854-1925), mezzo-soprano.
IV. Wilhelmina Raab (1848-1917), soprano, who portrayed Natalya in The Oprichnik
V. Ivan Melnikov (1832-1906), baritone, who premiered Viazminsky in the opera.

The romance As They Kept Saying: "Fool" (VI) carries no dedication.