Bruch 8 Pieces Op.83 No.7 83-7 Allegro vivace, ma non troppo 布魯赫 小品 作品83 ブルッフScore Sheet 譜 乐谱 【Kero】
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bruch 8 Pieces for Clarinet, Viola and Piano Op.83
No.7 83-7 Allegro vivace, ma non troppo
布魯赫 8首小品 作品83 單簧管 中提琴 鋼琴大提琴
布鲁赫 8首小品 作品83 单簧管 中提琴 钢琴大提琴
Bruch Ocho piezas para clarinete, viola y piano Op.83
ブルッフ 8つの小品 クラリネット ヴィオラ ピアノ
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bruch #Pieces #布魯赫
8 Pieces for Clarinet, Viola and Piano, Op.83
No.1 83-1 Andante
No.2 83-2 Allegro con moto
No.3 83-3 Andante con moto
No.4 83-4 Allegro agitato
No.5 83-5 Rumänische Melodie: Andante
No.6 83-6 Nachtgesang: Andante con moto
No.7 83-7 Allegro vivace, ma non troppo
No.8 83-8 Moderato
Bruch's most well-known chamber work is the eminently worthy collection of Eight Pieces for Clarinet, Viola and Piano, op. 83 of 1910. Bruch composed them for his twenty-five-year-old son, Max Felix, who was just beginning his career as a professional clarinetist at the time. It would seem that several aspects combine to grace this work with intimate significance: the musical inspiration of Bruch’s own son, the special character of the clarinet, the “halo” of historical trios from Brahms and Mozart, Bruch’s own advanced, fragile age, and, finally, the very twilight of a Romantic style that would soon be banished to a lost epic of the past.
Although they comprise a collection of individual, short “miniatures”, Bruch’s pieces are much more than brief character sketches for the salon: They are beautifully scored chamber trios with lyrical melodies, romantic harmonies and articulated forms full of passionate expression and elegant design. While Bruch inevitably evokes Brahms, one also hears ample reflections of Schumann, Schubert and Beethoven and a clear, ripe tradition of German Romanticism. Commentators often point out the predominance of minor keys yet many of the pieces eventually transform their initial melancholy into a kind of resolved, illuminated nobility. Along with a variety of mood and tempo, the music offers a fluid variety of scoring featuring each of the three instruments in the strong relief of intimately interactive chamber textures. A year later, Bruch would pursue these unique sonorities with another work for his son, the Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88 of 1911.