ExclusiveBach: Sonata in D Minor for Violin & Harpsichord, BWV 1014 巴赫：D小調小提琴與大鍵琴奏鳴曲，BWV 1014

【Classical music and nature 古典音樂小站】Johann Sebastian Bach: Sonata in d minor for violin & harpsichord, BWV 1014. This beautiful piece was played by Josef Suk and Zuzana Ruzickova. It has Creative Commons license (PDM 1.0 DEED, Public Domain Mark 1.0 Universal) and is provided through www.musopen.org.

Johann Sebastian Bach's son, Carl Philipp Emanuel Bach, wrote that his father's sonatas for violin and harpsichord BWV 1014-1019 contained "some adagios that could not be written more melodiously (literally: "sangbarer" German for singable) today". And indeed, it is often the slower movements that move us most directly. This was true in Carl Philipp's day as well as today. The first movement is actually a melancholy aria for violin - and it doesn't get much more 'singable' than that.

In 1774, Carl Philipp Emanuel Bach remarked of his father's sonatas for violin and harpsichord that they were still very enjoyable "although more than 50 years old". In his day, it was certainly not taken for granted that music would still be played half a century later. Unlike Baroque sonatas for solo instrument and continuo, where the realisation of the figured bass was left to the discretion of the performer, in the sonatas the keyboard part was almost entirely specified by Bach. This was a novelty in chamber music.

As Carl Philipp's comment suggests, Bach probably wrote these sonatas during his time in Köthen, around 1717-1723. However, he continued to refine them throughout his life: a clear sign that he, too, considered these works to be a success.

The full moon was filmed by Simone Schlegel and the video was editet by Wenjing Ma.

【古典音樂小站】巴赫：D小調小提琴與大鍵琴奏鳴曲，BWV 1014。這首美麗的樂曲由約瑟夫·蘇克和祖贊娜·魯茲科娃演奏。它擁有創作共用授權（PDM 1.0 DEED，公共領域標記1.0通用）並通過www.musopen.org提供。

約翰·塞巴斯蒂安·巴赫的兒子，卡爾·菲利普·埃馬努埃爾·巴赫寫道，他父親為小提琴和大鍵琴所作的奏鳴曲BWV 1014-1019中包含了“一些不能更加旋律化（字面意思是：‘sangbarer’德語為可歌唱的）的慢板”。的確，通常是較慢的樂章最直接地感動我們。在卡爾·菲利普的時代如此，今天亦然。第一樂章實際上是小提琴的憂鬱詠嘆調 - 它不會比這更加‘可歌唱’了。

1774年，卡爾·菲利普·埃馬努埃爾·巴赫評論他父親的小提琴和大鍵琴奏鳴曲時說，儘管“超過50年的歷史”，它們仍然非常令人愉悅。在他的時代，音樂能在半個世紀後仍被演奏，這絕非理所當然。不同於巴洛克時期為獨奏樂器和持續低音所作的奏鳴曲，其中數字低音的實現留給演奏者的自行詮釋，在這些奏鳴曲中，鍵盤部分幾乎完全由巴赫指定。這在室內樂中是一種新穎之舉。

正如卡爾·菲利普的評論所暗示的，巴赫可能在他在科騰的時期，大約1717-1723年間寫下了這些奏鳴曲。然而，他在有生之年不斷地完善它們：這清楚地表明，他也認為這些作品是成功的。

滿月的拍攝由西蒙娜·謝勒格爾完成，視頻剪輯由馬文璟完成。





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