ExclusiveBeethoven: Violin Concerto in D major, Op. 61 - III. Rondo: Allegro 貝多芬：D大調小提琴協奏曲，作品61 - 第三樂章：迴旋曲：快板
【Classical music and nature 古典音樂小站】Ludwig van Beethoven: Violin Concerto in D major, Op. 61 - III. Rondo: Allegro. This beautiful piece was preserved by European Archive. It has Creative Commons license (PDM 1.0 DEED) and is provided through www.musopen.org.
The Concerto for Violin and Orchestra in D major op. 61 by Ludwig van Beethoven is Beethoven's only completed concerto in this genre.
Beethoven composed the work for his friend and violin virtuoso Franz Clement (1780-1842), who premiered it on 23 December 1806 in one of his concerts at the Theater an der Wien. The Viennese critic Möser wrote about it in the theatre newspaper:
"The excellent violinist Klement played, among other excellent pieces, a violin concerto by Beethofen, which was received with exceptional applause due to its originality and many beautiful passages. In particular, Klement's proven artistry and grace, his strength and confidence on the violin, which is his slave, were received with rapturous bravos. It struck the educated world how Klement could stoop to many a jest and farce to amuse the rabble, as he was able to express beauty and sublimity in every former production. We do not disagree with this opinion. The judgement of connoisseurs on Beethhoven's concerto is undivided, conceding to it some beauty, but admitting that the context often seems quite disjointed, and that the endless repetitions of some common passages could easily tire. It says that Beethhoven should use his recognised great talents more appropriately and give us works that resemble his first symphonies in C and D, his charming septet in E flat, the witty quintet in D major, and several of his earlier compositions, which will always place him among the first composers. At the same time, however, it is feared that if Beethhofen continues on this path, he and the public will fare badly. The music could soon get to the point where anyone who is not thoroughly familiar with the rules and difficulties of the art would find no enjoyment in it at all, but would leave the concert with an unpleasant feeling of weariness, depressed by a multitude of incoherent and heaped-up ideas and a constant tumult of a few instruments that were supposed to characterise the entrance. The audience generally liked this concerto and Clement's fantasies extraordinarily."
The Beethoven biographer Alexander Wheelock Thayer reports "that Clement played his solo a vista (Italian: to play from sight) without prior rehearsal." The first edition was published by the Vienna Bureau des arts et d'industrie and was dedicated to Stephan von Breuning. Beethoven dedicated the version for piano published by the same publisher to Breuning's wife Julie, née von Vering (1791-1809).
Source: Wikipedia
The landscape was filmbed by Simone Schlegel in Aeschiried, Switzerland, the video was edited by Wenjing Ma.
【古典音樂小站】貝多芬：D大調小提琴協奏曲，作品61 - 第三樂章：迴旋曲：快板。這件美麗的作品由歐洲檔案館保存。它擁有創意共用授權（PDM 1.0 DEED），並通過www.musopen.org提供。
貝多芬的D大調小提琴與管弦樂協奏曲作品61，是他唯一完成的該類型協奏曲。
貝多芬為他的朋友、小提琴大師弗朗茨·克萊門特（1780-1842）作曲，克萊門特於1806年12月23日在維也納劇院首演了這部作品。維也納評論家默澤在劇院報上寫道：
「優秀的小提琴家克萊門特演奏了貝多芬的小提琴協奏曲，除了其他出色的作品外，由於其原創性和許多美妙的樂段，此協奏曲獲得了特別的掌聲。特別是克萊門特所證明的藝術性和優雅，他在小提琴上的力量和自信，他的小提琴就像他的奴隸一樣，都獲得了熱烈的喝彩。讓有教養的世界感到驚訝的是，克萊門特如何能屈就於許多玩笑和滑稽戲，以取悅庸俗之眾，因為他能在每一個以前的作品中表達美和崇高。我們對這個觀點並不反對。鑑賞家對貝多芬協奏曲的評價是一致的，承認它有一些美，但也承認內容經常顯得相當零碎，而且一些普通樂段的無休止重複很容易令人厭煩。有人說貝多芬應該更恰當地使用他公認的巨大才能，給我們帶來像他的C大調和D大調第一交響曲、迷人的E大調七重奏、機智的D大調五重奏，以及他的幾部早期作品那樣的作品，這些作品將永遠使他位列第一流的作曲家之列。然而，同時也擔心，如果貝多芬繼續這條路，他和公眾都將遭遇不利。音樂可能很快就會到達這樣一個地步：任何不完全熟悉藝術規則和困難的人都找不到樂趣，但會帶著疲憊的不愉快感離開音樂會，被一堆雜亂無章和堆砌起來的想法以及一些樂器不斷的喧囂所壓抑，這些樂器本應該標誌著入場。觀眾普遍非常喜歡這場協奏曲和克萊門特的幻想曲。」貝多芬傳記作家亞歷山大·惠洛克·塞耶報告說「克萊門特在沒有事先排練的情況下，視奏（意大利語：即席演奏）了他的獨奏。」首版由維也納藝術與工業局出版，並獻給斯蒂芬·馮·布呂寧。貝多芬將同一出版商出版的鋼琴版本獻給布呂寧的妻子朱莉，娘家姓為維林（1791-1809）。
景觀由西蒙娜·施勒格爾在瑞士艾希里德拍攝，視頻由馬文璟編輯。
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