Anne Elliot describes Lady Russell as “her excellent friend”, but is she really so excellent? Should readers pay more attention to Lady Russell’s “prejudices on the side of ancestry” than we might on a first reading of Jane Austen’s novel Persuasion? The lecture analyses & close reads a passage describing Lady Russell’s plans to assist Sir Walter Elliot in his “retrenchment”. “Herself the widow of only a knight, she gave the dignity of a baronet all its due.” Does Lady Russell’s social class consciousness mean that she gives too much “due” to Sir Walter Elliot and his entitled daughter Elizabeth Elliot? How does Lady Russell’s view contrast with Anne Elliot’s plans for Sir Walter Elliot’s economising? Analysis of class in Jane Austen’s novel Persuasion.
KEYWORDS english literature analysis lady russell persuasion analysis jane austen analysis persuasion lady russell analysis social class persuasion lady russell persuasion novel jane austen persuasion sir walter elliot class persuasion anne elliot jane austen persuasion social class in persuasion lady russell persuasion analysis persuasion jane austen persuasion analysis persuasion class jane austen persuasion analysis persuasion social class lady russell persuasion analysis persuasion jane austen analysis class in persuasion persuasion novel analysis analysis of persuasion novel jane austen class persuasion lady russell analysis jane austen persuasion analysis english literature analysis lady russell persuasion analysis jane austen analysis persuasion lady russell analysis social class persuasion lady russell persuasion novel jane austen persuasion sir walter elliot class persuasion anne elliot jane austen persuasion social class in persuasion lady russell persuasion analysis persuasion jane austen persuasion analysis persuasion class jane austen persuasion analysis persuasion social class lady russell persuasion analysis persuasion jane austen analysis class in persuasion persuasion novel analysis analysis of persuasion novel jane austen class persuasion lady russell analysis jane austen persuasion analysis english literature analysis lady russell persuasion analysis jane austen analysis persuasion lady russell analysis social class persuasion lady russell persuasion novel jane austen persuasion sir walter elliot class persuasion anne elliot jane austen persuasion social class in persuasion lady russell persuasion analysis persuasion jane austen persuasion analysis persuasion class jane austen persuasion analysis persuasion social class lady russell persuasion analysis persuasion jane austen analysis class in persuasion persuasion novel analysis analysis of persuasion novel jane austen class persuasion lady russell analysis jane austen persuasion analysis english literature analysis lady russell persuasion analysis jane austen analysis persuasion lady russell analysis social class persuasion lady russell persuasion novel jane austen persuasion sir walter elliot class persuasion anne elliot jane austen persuasion social class in persuasion lady russell persuasion analysis persuasion jane austen persuasion analysis persuasion class jane austen persuasion analysis persuasion social class lady russell persuasion analysis persuasion jane austen analysis class in persuasion persuasion novel analysis analysis of persuasion novel jane austen class persuasion lady russell analysis jane austen persuasion analysis english literature analysis lady russell persuasion analysis jane austen analysis persuasion lady russell analysis social class persuasion lady russell persuasion novel jane austen persuasion sir walter elliot class persuasion anne elliot jane austen persuasion social class in persuasion lady russell persuasion analysis persuasion jane austen persuasion analysis persuasion class jane austen persuasion analysis persuasion social class lady russell persuasion analysis persuasion jane austen analysis class in persuasion persuasion novel analysis analysis of persuasion novel jane austen class persuasion lady russell analysis jane austen persuasion analysis english literature analysis lady russell persuasion analysis jane austen analysis persuasion lady russell analysis social class persuasion lady russell persuasion novel jane austen persuasion sir walter elliot class persuasion anne elliot jane austen persuasion social class in persuasion lady russell persuasion analysis persuasion jane austen persuasion analysis persuasion class jane austen persuasion analysis persuasion social class lady russell persuasion analysis persuasion jane austen analysis
hello and welcome to close reading
classic literature with me
dr octavia cox for jane austen july i
have been focusing on analyzing class
in jane austen's novels particularly
looking at pride and prejudice
and persuasion and i'm going to finish
this series off
on class in jane austen today by
analyzing the introduction
of lady russell a really interesting
character i think
the widow of only a knight
we're told in persuasion i'm going
mainly with a few added extras but i'm
mainly going to be close reading one
passage
in which i think we can see the
complexity with which jane austen
draws the character of lady russell
but particularly how jane austen sews
the seeds
of some elements of lady russell's
character that
we might find potentially problematic
and we might reflect back on later
as the novel progresses to get to the
analysis then
pride and prejudice as i was talking
about last week
is a comedy of manners it's
light-hearted in tone
but persuasion is far more solemn
and somber i want to contrast the
jovial knight sir william lucas who as i
said i discussed in that previous video
with lady russell and suggest that jane
austen was treating the same
civility to class distinctions more
seriously
in the later novel so pride and
prejudice was published in 1813
persuasion was published after jane
austen died and it's dated 1818 although
it was published in december 1817.
lady russell in persuasion is also of
the rank
the social class of night she had been
married to
one sir henry russell we're told
and like sir william lucas she is shown
to be deferential to those
who she considers to be above her
socially
in terms of class particularly the
eliots
the relationship between sir walter
elliott a baronet which i also
uh discussed in this lecture series
um so the relationship between sir
walter elliott
the baronet and lady russell the widow
of only a knight
is an example i think an excellent
example
of the anxiety about class status
uh in jane austen's period
and which austin particularly
interrogates
in persuasion so we have the crumbling
you might say of the old order
symbolized in figures like self-serving
sir walter elliott and the rise of a
more
meritocratic system of achievement
and reward and social usefulness
i say more meritocratic because
obviously it's by no means
perfect but
this idea of social usefulness
kind of going along with financial
reward is symbolized in the figures
of the navy professionals such as
captain
wentworth the class anxiety of the
old order and those who cling to it
like lady russell is dexterously
examined by jane austen in a revealing
quotation
from early in the novel that describes
lady russell's thinking
as she contemplates sir walter elliott's
and his daughter elizabeth elliot's
plans for retrenchment which basically
means
economizing so walter's
finances are failing he is growing
we are told in chapter one dreadfully in
debt
and lady russell is called on to advise
the elliot family
on how to remove their embarrassments
and reduce their expenditure without
involving the loss of any indulgence of
taste or pride
now you might think that sir walter's
behaviour
should involve the loss of
all indulgence of taste and pride
by its very nature indulgence is
not necessary already then from the
end of chapter one from lady russell's
being called on
by sir walter elliott in this way the
reader might suspect
that the indulgence of taste and pride
is not the only thing that sir walter
elliott
is used to having indulged
lady russell this precursor seems to be
suggesting
is going to indulge him too
indulge his vanity perhaps we remember
that vanity was the beginning and the
end
of sir walters character we're told in
the opening chapter
so let us see if she does this is the
passage that i'm going to be
interrogating
and analyzing and unpicking a bit today
lady russell
was most anxiously zealous on the
subject and gave it
much serious consideration she was a
woman rather of sound than of quick
abilities
whose difficulties in coming to any
decision in this instance were great
from the opposition of two leading
principles
she was of strict integrity herself with
a delicate sense of honour
but she was as desirous of saving to
walter's feelings
as solicitors for the credit of the
family as aristocratic in her ideas of
what was due to them
as anybody of sense and honesty could
well be
she was a benevolent charitable good
woman and capable of strong attachments
most correct in her conduct strict in
her notions of decorum
and with manners that were held a
standard of good breeding
she had a cultivated mind and was
generally speaking
rational and consistent but she had
prejudices on the side of ancestry
she had a value for rank and consequence
which blinded her a little
to the faults of those who possessed
them herself the widow
of only a knight she gave the dignity of
a baronet
all its jew and sir walter
independent of the claims as an old
acquaintance an attentive neighbor an
obliging landlord
the husband of her very dear friend the
father of anne and her sisters
was as being siwalter in her
apprehension
entitled to a great deal of compassion
and consideration under his present
difficulties frankly lady russell's
deference
enables sir walter to continue to behave
badly i'm now going to unpick some of
the details of this passage more closely
lady russell was most anxiously zealous
on the subject and gave it much
serious consideration she was a woman
rather of sound than of quick abilities
whose difficulties in coming to
any decision in this instance were great
from the opposition
of two leading principles
and this is a key point the opposition
of
two leading principles these paralyze
her decision making so on the one hand
she is we're told of strict integrity
herself
with a delicate sense of honor in other
words with
an internal sense of right and wrong
on the other there is deference to sir
walter
elliott's rank and which of these two
do we think is going to win out in terms
of giving
sir walter advice she was of strict
integrity herself with a delicate sense
of honor
but she was as desirous of savings
walter's feelings as solicitors for the
credit of the family
as aristocratic in her ideas of what was
due them
due to them as anybody of sense and
honesty could well be
that is such an austinian sentence in
its
complexity in the sort of multiplicity
of things that are going on
first in the delicate sense of honor
there is a dual meaning i think of honor
so we've got the external meaning honor
in terms
of title and status so looking back
at sir william lucas then as i quoted in
a previous video
he had risen to the honor of knighthood
and the language there is similar i
think to the way that sir walter elliott
describes
himself the eliots having risen to the
dignity of baronet but i'll get on to
that later so we
have the idea of rising to the honor
of knighthood that's the external
meaning of honor
but then we've also got the internal
meaning which is i think how we read
it's probably on
on a first read so honor in terms of
personal honor of integrity
but is jane austen hinting here perhaps
at the external influencing the internal
or at least
the blurring of the two in lady
russell's mind
that her sense of external honors
clouds her sense of someone's internal
honor because it's quite an interesting
word that austin uses to introduce it
there she says
she says delicate a delicate sense of
honor
what really actually does delicate mean
here
it's up for it's up to the reader to
decide because i
don't think it's necessarily terribly
clear from the text itself
note the positioning to within the
sentence
so we've got integrity herself
sense of honor sir walter's feelings
how much does her sense of honor veer
between the two her own integrity and
sir walter elliott's feelings and
we've got to note the importance of but
in this sentence when you first read as
anybody of sense and honesty could well
be
it seems as if the narrative voice is
suggesting that lady russell is indeed
a person of sense and honesty
but consider the balance of the sentence
in the way that it is structured
we have desirous of sir walters feelings
solicitous for the credit of the family
and there i think
we've got another dual meaning another
play
on um the meaning of the word credit
because of course that means on the one
hand kind of good
standing so the credit of the family
but also money um the credit
in that sense so solicitous for the
credit of the family
and aristocratic in her idea so we've
got those on the one hand and then
balancing them we have to some extent we
have
sense and honesty on the other
so we should note the qualifier but she
was
as x as anybody of
sense and honesty could well be
the construction of the sentence
suggests that the two
are in contrast with each other that
being
of sense and honesty
will necessarily limit how much you are
x simultaneously what this sentence i
think is
asking us to consider as readers is the
opposite of that
so how much are you x those first things
that lazy russell is described at
how much you are x will necessarily
limit how much sense and honesty
you have and that i think is what the
sentence is kind of challenging readers
to consider and then we've also got the
beautiful phrase that lady russell
is aristocratic in her ideas
and there's a play i think by jane
austen
a punning put down if you like by austin
on their commoner class
hoisting lady russell on her own patard
in
describing her as aristocratic in her
ideas
lady russell is the widow of only a
knight
and therefore she is not aristocratic
and so walter elliott being only a
baronet
is also not aristocratic either so as i
have been laying out in this series
on class in jane austen i've said
repeatedly and i'll just outline it
again very quickly one more time
that nobility is at the um
sort of top of the social class
hierarchy
so you have monarchy and aristocracy
nobility and they are the titled
landowners who derive their wealth from
the land
and then you have the gentry below them
who also make their money from the land
in that sense they are similar but they
are not
titled and as i was explaining when
i was talking about um siwalta and the
dignity of baronet
baronets occupy a strange position where
they are between the nobility
and the nobility aristocracy and the
gentry
because they are titled sir walter
elliott
but they are not members of the peerage
so they cannot sit in the house of lords
they are not therefore actually of the
noble
class they cannot go into the house of
lords so if they were to go into
parliament they'd have to go into the
house of commons
hence they are commoners
so there's a little joke here that lady
russell is aristocratic in her ideas
because
she can only be aristocratic in her
ideas she's not actually
aristocratic in terms of her social
status so is this a hint maybe
at her pretensions to grandeur well
potentially but i think also the idea
here is that external labels or
ranks govern the ideas of people
like lady russell so she
thinks in terms of rank the passage
continues she was
a benevolent charitable good woman
and capable of strong attachments most
correct in her conduct strict in her
notions of decorum
and with manners that were held a
standard of good reading
so socially she's
very kind of proper very refined
very polite she's got the polish of
somebody who is used to being
in polite and refined society
she had a cultivated mind and again that
use of the word cultivated is
interesting in what way has it been
cultivated
now we might when we first read this if
we are thinking positively of lady
russell we might take cultivated mind to
mean
well that she's cultured that she's well
read that she's
sensible and rational rational and
reasonable
and all those things but we might
revise our understanding of what
cultivated is me
means here as we interrogate
actually the way that lady russell is
depicted
so she had a cultivated mind and was
generally speaking
generally speaking she was rational and
consistent
but she had prejudices on the side of
ancestry she had a value for rank and
consequence which blinded her
a little to the faults of those who
possessed them
so the text tells us she was a
benevolent charitable
good woman lady russell is not a bad
person just like sir william lucas as i
was talking about last week is not a bad
person and i do not mean to suggest that
she is
but i do think that jane austen
in the character of lady russell aims to
show that
even benevolent charitable good
people can be blinded by their own
perhaps unperceived prejudices
so elizabeth bennett and mr darcy in
pride and prejudice
had to learn of their own prejudices and
confront them that's kind of the the
heart of the whole novel
pride and prejudice that they are
confronted with those both of them and
they have to sort of see themselves
afresh having been confronted by their
prejudices
but what if you go through life
without having that experience without
being confronted by your prejudices
and having to kind of deal with them and
overcome them
this seems to be the fate of lady
russell
in persuasion austin seems to be
challenging readers
i think to think about whether lady
russell
should have learnt better
and this will come to be particularly
important when
mr elliott returns on the scene
in the latter stages of the novel
so going back to the passage then note
austin's
repeated use of diction in the word
strict so before we'd had her
strict integrity earlier in the passage
and now we have
the description that she was strict in
her notions of decorum
and so the two are aligned those two
ideas are aligned in the
repetition of the word strict i think so
we have external
strict decorum that is learnt
social etiquette as i said lady russell
is clearly well trained we might say
well cultivated
in being polite in a polite
refinement so she has this strict sense
of decorum
and that is aligned with her
strict integrity it seems her
moral compass again then
we have i think a hint of the influence
of
external demarcations of politeness
and refinement decorum being aligned in
lady russell's mind
with goodness and rightness
as in the previous section of the
passage we have a very
important but and also note the
qualifier generally speaking before that
but lady russell was generally speaking
rational but she had prejudices on the
side of
ancestry so the text seems to be
suggesting
there that this is one of the ways in
which lady russell is not
rational lady russell's prejudices on
the side of
ancestry then make her
irrational she had a cultivated mind
but she had prejudices on the side of
ancestry
which again invites readers to consider
how cultivated her mind really
is if it can be so easily blinded by
ancestry
ancestry of course has nothing at all to
do
with reason or rational thinking it's
basically kind of completely arbitrary
you know you happen to be born
of a certain rank or you happen to be
born of a different rank
the structure of the sentence then
invites readers to consider
how much the first part is qualified
by the second part a
but b so how much then
does b affect a when you have that
structure that's what we're being asked
to consider
and i think the killer line in this
whole
extract is the next one she had a value
for rank and consequence which blinded
her a little to the faults of those who
possessed them
i don't think and if you disagree if you
have a
counter example then do leave
leave your counter example in the
comments but
i do not think that any
very admirable character in any
of jane austen's novels has this
character trait
i do not think any admirable character
has a value for rank and consequence
which blinds them
to the fault of to the faults of those
who possess
rank and consequence we might say that
this is true of emma woodhouse
perhaps but she is not a holy admirable
heroine it's a video for another time
why i think it's really
fascinating and interesting and brave of
austin to write a heroine at this time
who was not
admirable but it might perhaps apply to
emma woodhouse but
as i've said she's not really presented
as a wholly admirable
character for whom does this statement
apply
in jane austen's novels and how are we
guided to interpret those characters
well
we might think of the pharah'ses in
sense and sensibility perhaps
including of course fanny dashwood the
daughter of
mrs ferris we might think of mrs norris
in mansfield park or mr collins
and sir william lucas of course in
pride and prejudice and in persuasion we
have got
perhaps the character who represents
this most
uh strongly in austin's novels sir
walter elliott
and indeed his daughters so elizabeth
elliot
and mary musgrove but
i can't think of a character who we are
supposed to
like and think is admirable who
has this blindness who
values rank and consequence to such an
extent
that they can't see the faults of those
who have those
qualities the sense and judgment i would
say of all these characters is exposed
as
lacking precisely because they possess
this character trait their reverence for
rank
makes them overlook the faults of those
who possess
rank and i think in this line about lady
russell
in persuasion are asked to consider how
much
good sense and judgment she can actually
have if her value for rank and
consequence
means that she overlooks the faults of
those
of high rank if she can overlook the
faults
of sir walter elliott false which
as i shall get onto in a minute in a
minute ann
elliot his own daughter thinks are
immoral and
it's really interesting the way that
austin uses language i think here in
this what i would say was a killer
sentence
how much is a little
she was blinded a little well how much
is a little
how blinded actually is she
how insignificant or significant
is a fault
so in the language here there is some
severity softening
by the narrative voice but should the
reader accept this
without challenge
what i think this sentence also hints at
is the other ways in which lady
russell's value
for rank and consequence might blind her
just as her prejudice blinds her to the
faults of those who possess
high rank and social consequence might
it not also blind her to the virtues of
those who do not
possess high status ancestry
this is particularly relevant of course
in helping us piece together
what actually happened eight years ago
and the breaking up
of anne elliott and captain wentworth
the passage continues
herself the widow of only a knight
she gave the dignity of a baronet all
it's
due and sir walter independent of his
claims as an old acquaintance an
attentive neighbor
an obliging landlord the husband of her
very dear friend
the father of anne and her sisters was
as being sir walter
in her apprehension entitled
to a great deal of compassion
and consideration under his present
difficulties so
in this beautifully sort of revealing
line
herself the widow of only a knight that
is a
very very important only and actually we
can see perhaps that it's an echo
of the she was only anne
that appears in the first chapter so
she's the widow of only a knight
um she gave the dickenshi of baronette
all it's due and here we have
free and direct discourse which is the
technique the literary technique that
austin really honed
and developed and that is so free and
direct discourse is where
the narrative voice kind of slips into
the perspective and the thinking and the
language
of a character and takes on that
language that perspective that thinking
and takes it into what seems to be
perhaps
straightforward third person narrative
but you have to you have to watch out
for when austin does this when she uses
free indirect discourse and brings in
the thinking of a character um and
presents it
as though it were narrative fact rather
than
the the perspective the opinion of
of a character that's exactly what's
going on here in that
only herself the widow of
only a knight that is the thinking of
lady russell so it's revealing lady
russell's thinking to us here
through the use of free indirect
discourse the narrative voice has taken
on the thinking the perspective
of lady russell and adopted her language
it is she who places herself
her husband had been only a knight
beneath
the dignity of a baronet
imagine how far below sir walter elliott
she would place someone
who is not even a knight
and again we might think here
particularly of captain wentworth
and the passage here closes so walter
was in her and
sir walter in her apprehension was
entitled to a great
deal of compassion and consideration
under his present difficulties
why why is sir walter
entitled to compassion and consideration
he has brought
all this financial hardship on himself
lady russell is wrong he does not
deserve compassion or consideration
he deserves to be criticized and
condemned
for his terrible behavior for living
in luxury beyond his means and not being
able to pay
for all the fabulous stuff
that he and elizabeth desire
and you know if let's say that you
order a new dress from your local mantua
maker your local dressmaker
and you order all the fabric and you
employ that person to make that
outfit for you knowing that you cannot
pay for it
then you are essentially
stealing from that person particularly
if it's a local person who relies
on being paid to
keep themselves above water et cetera as
the narrative voice
tells us when sir walter's wife was
alive when lady elliot was alive
the elliot's finances had been kept
steady
so we're told in chapter one while lady
elliot lived there had been method
moderation and economy
which had just kept them within his
income
but with her had died all such
right-mindedness and from that period
he had been constantly exceeding it
so walter thinks he is entitled
to luxury just as
lady russell thinks he is entitled
to compassion and consideration
but i would suggest that the implication
in the opening chapters of the novel
is that lady russell should be included
along
with sir walter elliott and elizabeth
elliot
in that all all
such right-mindedness had died with lady
elliot
the right-mindedness here of course
being moderation and economy
and not using rank as an excuse
to behave badly lady russell shies away
from telling sir walter elliott the
truth now perhaps
it is not her place to do so i mean it
might be a tricky social
situation etc but
she does encourage sir walter elliott's
feelings of self-importance and his
belief
that he is entitled to special treatment
merely because of his birth and of
course there's a play
on the word entitled the dual meaning of
entitled
he behaves with entitlement because
of his title in encouraging
sir walters feelings of self-importance
his sense of entitlement
in that sense she is culpable
in terms of contributing to the
perpetuation
of harmful ideas and i would suggest
that the text is challenging readers
persuasion is
challenging readers to consider how
culpable
enablers like lady russell r
furthermore to look at the whole final
sentence of the extract more broadly
so and so walter
independent of his claims as an old
acquaintance an attentive neighbor an
obliging landlord the husband of her
very dear friend
lady elliot the father of anne and her
sisters
was as being sir walter
in her apprehension entitled to a great
deal of compassion and consideration
under his present difficulties and this
lays it out
starkly above all
else independent of all other
claims all of the rest of her of the
claims that you might imagine
that sir walter had on lady russell's
sort of personal feelings i suppose so
the fact that she's the husband of her
very dear
friend the fact that she is the father
he is the father of anne
and that they have this long-standing
relationship that he is an
old acquaintance so all those personal
considerations
are independent of all of those is the
very fact that he is siwalter
so walter is entitled to special
treatment because
he is sir walter
if none of the other claims existed for
lady russell
sir walter elliott because he is a sir
would still be entitled
to preferential consideration in
her apprehension so we can just cut out
the middle of the sentence and we can
see
really the um key
part of the sentence so take out
everything from
independent to her sisters
and you'll see what i mean so sir walter
was as being sir walter
entitled
that is the key kind of
nub of the sentence so walter
was as being sir walter
entitled entitled to live
a life of luxury apparently for lady
russell
rank ultimately out ranks
all other considerations so i'm going to
close by
turning to ann elliott the heroine
of course of persuasion as we learn
from the close and very first chapter
lady russell hopes to remove their
the elliot's embarrassments and reduce
their expenditure
without involving the loss of any
indulgence of taste or pride
ann elliott unlike lady russell does not
indulge sir walter's extravagance
in fact the text tells us clearly that
she thinks
it is immoral of sir walter
not to pay back his debts as quickly as
possible
this is from chapter two she considered
it
as an act of indispensable
duty so that means that it is a moral
necessity she considered it as an act of
indispensable duty you cannot get rid of
this duty it is your moral obligation to
do it
to clear away the claims of creditors
with all the expedition which the most
comprehensive retrenchments
could secure and saw no dignity
in anything short of it she wanted it to
be prescribed that means kind of imposed
she wanted it to be prescribed and felt
as a duty and she
and thinks that her friend's plans
are too gentle so she refers to lady
russell's
two gentle reductions and elliott then
thinks of dignity in terms of behavior
and performing your moral duty
that is real dignity
and this contrasts explicitly with sir
walter elliott and lady russell who both
associate the term dignity with
the rank of baronet expressly
so sir walter elliott as i discussed in
a previous video on the topic of sir
walter elliott and the dignity
of baronet he thinks explicitly of
dignity as a rank so
the eliots we learn rose to the dignity
of baronet
in the first year of charles ii and as i
outlined in that video um the fact that
they rose to the dignity of baroness in
the first year of charles ii rather
undermines the dignity of that
uh honor
but lady russell also uses the same
diction basically
in the passage that i've just outlined
lady russell gave the dignity
of a baronet all it's due
she's almost echoing sir walter
in terms of the alignment of their
thinking
in using the same diction here in anne's
thinking
that she saw no dignity in
sir walter elliot's behavior and lady
russell's plans
jane austen explicitly contrasts the two
camps of thinking the old order
who base dignity on rank
and the new order who base dignity
on behavior and fulfilling
your duties regardless of rank
and having a sense of duty feeling this
sense of duty
that's uh so earlier in the passage saw
no dignity and anything short of it
she wanted it to be felt as a duty
and that is what is lacking in
the old order that seems to be what the
text is suggesting
here ultimately we're told lady russell
felt obliged to oppose her dear anne's
known wishes why
because it that is anne's plan
for comprehensive retrenchment
would be too much to expect sir walter
to descend into
and considers it sir walter elliott's
moral duty to return the money he owes
as quickly as possible lady russell
thinks it would be too much to expect
sir walter
to do what anne thinks is his moral
duty so one of the faults it seems
that lady russell is willing to overlook
going back to the passage
is sir walter elliott's moral duty
we should also note i think that lady
russell
overlooks ann elliot's wishes here
known wishes just as much as anne's
father and sister do
she may be her dear anne
but her known wishes wishes furthermore
which the text asks readers to see as
sensible and moral are still
overlooked and regarded as secondary
secondary to sir walter elliott's
feelings
in pride and prejudice readers are
encouraged to view
sir william lucas as absurd elizabeth
loved absurdities we're told but she had
known
sir williams too long he could tell her
nothing new of the wonders of his
presentation and knighthood
and his civilities were worn out like
his information
sir william lucas is ridiculous and dull
and self-important but these are really
the extent
of his ills pride and prejudice as i
said was written several years before
jane austen embarked on
persuasion paraphrasing virginia woolf
in jane austen at 60 in the new republic
from 1924
there is an asperity in the comedy of
persuasion
which suggests that jane austen had
ceased to be
amused by vanity and snobbery
as arguably she had been in pride and
prejudice and
as the novel's heroine lizzie bennet
clearly is
and as we see in the depictions of the
character of sir william lucas which i
was talking about
last time where sir william lucas is
absurd lady russell is arguably
damaging particularly in relation to
enabling
sir walter elliott's profligacy and
as we later surmise two and eliot's
happiness
both in lady russell's past persuasions
against captain wentworth
but also we see it come out again later
in her plans for anne to become the
future
lady elliot by marrying mr elliott
lady russell's class snobbery is much
less brazen
than siwalter elliott's but is it any
less pernicious
later in the novel persuasion readers
are told it was now
some years since anne had begun to learn
that she
and her excellent friend lady russell
could sometimes
think differently and there's beautiful
understatement here and as i was talking
about earlier
this is a free indirect discourse we've
gone into
ann's thinking here she is thinking of
lady russell as her own
excellent friend but
i think us readers are supposed to pick
up on
the implications still anne is
unfailingly
charitable towards lady russell her
excellent
friend but are we readers supposed to be
as charitable towards her too
is lady russell really so
excellent something i'll leave you to
ponder
thank you very much indeed for watching
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i'd love to know your thoughts on lady
russell how do you
interpret her prejudices on the side of
ancestry
let me know in the comments below