Handel Op.1-11 HWV 369 Recorder Sonata Op.1 No.11 韓德爾 直笛 奏鳴曲 ヘンデル リコーダー ソナタ Score Sheet 譜 楽譜付き【Kero】
Handel Op.1-11 HWV 369 Recorder Sonata Op.1 No.11 in F major
韓德爾 直笛 奏鳴曲 作品369 作品1-11 F大調
韩德尔 直笛 奏鸣曲 作品369 作品1-11 F大调
Händel Sonata para Flauta dulce Op.1-11 en fa mayor
ヘンデル リコーダー ソナタ ヘ長調
Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き 【Kero】
Classical music Música clásica クラッシック 古典音樂 古典音乐
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00:00 I I: Grave _or_ Larghetto
02:13 II: Allegro
04:25 III: Alla siciliana _or_ Siciliana
05:48 IV: Allegro
The **Sonata in F major** (HWV 369) was composed (before 1712) by George Frideric Handel for recorder and basso continuo. The work is also referred to as _Opus 1 No. 11_, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii, 40; and HHA iv/3,52.
Handel used an arrangement of the sonata in his Organ Concerto in F major (HWV 293).
Both the Walsh edition and the Chrysander edition indicate that the work is for recorder ("flauto"), and published it as _Sonata XI_.
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Solos for a German Flute a Hoboy or Violin with a Thorough Bass for the Harpsichord or Bass Violin Compos'd by Mr. Handel was published by John Walsh in 1732. It contains a set of twelve sonatas, for various instruments, composed by George Frideric Handel. The 63 page publication includes the sonatas that are generally known as Handel's Opus 1 (three extra "Opus 1" sonatas were added in a later edition by Chrysander).
The 1732 edition was mostly reprinted from the plates of an earlier 1730 publication, titled Sonates pour un Traversiere un Violon ou Hautbois Con Basso Continuo Composées par G. F. Handel—purportedly printed in Amsterdam by Jeanne Roger, but now shown to have been a forgery by Walsh (dated well after Jeanne Roger's death in 1722). There was also a third edition of a later, uncertain date, which bears the plate no. 407.
Each sonata displays the melody and bass lines—with the expectation that a competent keyboard player would supply the omitted inner parts based on the figured bass markings. By modern-day standards, the music in the publication has a primitive appearance—with squashed notes and irregular spacings, stems and bar widths—as can be seen in the image of page 1 (reproduced below in this article).
Despite the titles in both editions, four of the sonatas in each are for a fourth instrument: the flauto (recorder).