Handel Op.1-12 HWV 370 Violin Sonata 韓德爾 小提琴 奏鳴曲 作品370 ヘンデル ヴァイオリン ソナタ Score Sheet 譜 乐谱 楽譜付き 【Kero】
【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Handel Op.1-12 HWV 370 Violin Sonata Op.1 No.12 in F major
韓德爾 小提琴 奏鳴曲 作品370 作品1-12 F大調
韩德尔 小提琴 奏鸣曲 作品370 作品1-12 F大调
Händel Sonata para Violín Op.1-12 en fa mayor
ヘンデル ヴァイオリン ソナタ ヘ長調
Classical music Música clásica クラッシック 古典音樂 古典音乐
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00:00 I Adagio
04:17 II Allegro
08:09 III Largo
12:45 IV Allegro
The _**Violin sonata in F major**_ (HWV 370) is a work for violin and basso continuo that was originally thought to have been composed by George Frideric Handel. Modern scholars however believe it doubtful that the work was composed by Handel, and have labelled it as "spurious". The work is also referred to as _Opus 1 No. 12_, and was first published in 1732 by Walsh . Other catalogues of Handel's music have referred to the work as HG xxvii,42; and HHA iv/4,40.
Both the Walsh edition and the Chrysander edition "XV Handel solo sonatas " indicate that the work is for violin, and published it as _Sonata XII_.
The work consists of four movements.
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Solos for a German Flute a Hoboy or Violin with a Thorough Bass for the Harpsichord or Bass Violin Compos'd by Mr. Handel was published by John Walsh in 1732. It contains a set of twelve sonatas, for various instruments, composed by George Frideric Handel. The 63 page publication includes the sonatas that are generally known as Handel's Opus 1 (three extra "Opus 1" sonatas were added in a later edition by Chrysander).
The 1732 edition was mostly reprinted from the plates of an earlier 1730 publication, titled Sonates pour un Traversiere un Violon ou Hautbois Con Basso Continuo Composées par G. F. Handel—purportedly printed in Amsterdam by Jeanne Roger, but now shown to have been a forgery by Walsh (dated well after Jeanne Roger's death in 1722). There was also a third edition of a later, uncertain date, which bears the plate no. 407.
Each sonata displays the melody and bass lines—with the expectation that a competent keyboard player would supply the omitted inner parts based on the figured bass markings. By modern-day standards, the music in the publication has a primitive appearance—with squashed notes and irregular spacings, stems and bar widths—as can be seen in the image of page 1 (reproduced below in this article).
Despite the titles in both editions, four of the sonatas in each are for a fourth instrument: the flauto (recorder).