Haydn Hob.I:94 Symphony No.94 Surprise 海頓 交響曲 第94號 驚愕 ハイドン 第94番 びっくり Score Sheet 譜 Partitura【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Haydn Hob.I:94 Symphony No.94 Surprise in G major
海頓 交響曲 第94號 驚愕 G大調
海顿 交响曲 第94号 惊愕 G大调
Haydn Sinfonía n.º 94 en sol mayor La sorpresa La del toque de timbal
ハイドン 交響曲 第94番 ト長調 びっくり
Classical music Música clásica クラッシック 古典音樂 古典音乐
#kero #Haydn #Symphony
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**G大調第94號交響曲**，作品號**Hob. I:94**，是約瑟夫·海頓十二首倫敦交響曲的第二首，寫於1791年，於1792年3月23日在倫敦漢諾瓦廣場音樂廳首演。據說因為當時的觀眾聆聽演奏會時，總是一不小心就睡著了，因此海頓譜了這首曲子。演奏到第二樂章時，睡著的觀眾總是被這巨大的聲響給嚇醒，藉此提醒觀眾不要睡著了。因為第二樂章的力度有強烈的變化，所以作品又名 驚愕交響曲。

The **Symphony No. 94** in G major (H. 1/94) is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the **Surprise Symphony**.

The Surprise Symphony is scored for a Classical-era orchestra consisting of two each of flutes, oboes, bassoons, horns, trumpets, plus timpani, and the usual string section consisting of violins (first and second), violas, cellos, and double basses. Performances of the Surprise Symphony last about 23 minutes.

Haydn's music contains many jokes, and the Surprise Symphony includes probably the most famous of all: a sudden fortissimo chord at the end of the otherwise piano opening theme in the variation-form second movement . The music then returns to its original quiet dynamic as if nothing has happened, and the ensuing variations do not repeat the joke. In German, the work is referred to as the Symphony _mit dem Paukenschlag_, or, with the kettledrum stroke.

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Franz Joseph Haydn(31 March 1732 – 31 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String Quartet".

Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe.

He was a friend and mentor of Mozart, a tutor of Beethoven, and the elder brother of composer Michael Haydn.