Jan Jozef Rösler (1771-1813) - Sinfonie in C (1805)

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Composer: Jan Jozef Rösler (1771-1813)
Work: Sinfonie in C (1805)
Performers: Orchester Eisеnbеrg; Jіrі Sychа (conductor)

Sinfonie in C (1805)
1. Adagio maestoso, allegro 0:00
2. Andante 11:36
3. Minuetto 17:23
4. Presto 21:23

Drawing: Jakob Alt (1789-1872) - Wien von der Rampe des Gartenpalais Schwarzenberg aus gesehen
Image in high resolution: https://flic.kr/p/2mYqtRw

Further info: https://www.amazon.es/Rosler-Klavierkonzert-Es-Dur-Sinfonie-C-Dur/dp/B07QVZQ22R
Listen free: https://open.spotify.com/album/6v4teD4sGkoHj6AEHBtPNM

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Jan (Johann) Jozef (Joseph, Josef) Rösler [Roesler, Rössler]
(Banská Štiavnica, 22 August 1771 - Prague, 28 January 1813)

Bohemian composer. He studied music formally with his father but was mainly self-taught in composition. His earliest successes, the pantomimes Das Zauberhörnchen and Die Geburt des Schneiders Wetz Wetz Wetz, date from 1796. He wrote both Singspiele and Italian operas, most of which were given at the Nostitz Theatre in Prague; they include L’assassino per vendetta, given later in German and also Czech, and Elisene, Prinzessin von Bulgarien, his most famous opera, which was first performed in 1807 and later presented successfully at the Vienna court theatre (1809). Rösler went to Vienna in 1805 and worked for a while at the court theatre; he also spent some time in the service of the Countess Lobkowitz. Although renowned as a theatre musician, Rösler also won a reputation as a keyboard virtuoso and composer. His Piano Concerto in D op.15 is one of his most important works, and his keyboard sonatas and smaller piano pieces were popular in his day. Stylistically, Rösler, like so many of his contemporaries, falls between Mozart and Beethoven; his Cantate auf Mozart’s Tod (1798) shows his indebtedness to the former but his Piano Concerto leans towards the latter. #ClassicalMusic