Chopin Polonaise Heroic No.6 Op.53 A flat major 蕭邦 波蘭 舞曲 英雄 第6號 ショパン ポロネーズ Score Sheet 譜 楽譜付き 【Kero】

Chopin Polonaise Heroic No.6 Op.53 A flat major 蕭邦 波蘭 舞曲 英雄 第6號 ショパン ポロネーズ Score Sheet 譜 楽譜付き 【Kero】

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74 Video Views·Dec 21, 2022  #Chopin #Polonaise #波蘭舞曲

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Chopin Polonaise Heroic No.6 Op.53 in A flat major héroïque
蕭邦 波蘭 舞曲 第6號 作品53 降A大調 英雄
萧邦 波兰 舞曲 第6号 作品53 降A大调 英雄
Chopin Polonesa n.º 6 Op.53 en la bemol mayor heroica
ショパンポロネーズ 第6番 作品53 変イ長調 英雄
ピアノ 鋼琴 钢琴 Piano
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Chopin #Polonaise #波蘭舞曲



降A大調波蘭舞曲「英雄」,作品53號(Polonaise "héroïque" in A-flat major, Op. 53),是波蘭作曲家弗雷德里克·蕭邦創作於1842年的一首波蘭舞曲,獻給其好友——德國猶太銀行家奧古斯特·萊奧(Auguste Léo),是蕭邦最著名和最重要的鋼琴作品之一。作品標題「英雄」為後來音樂學家和鋼琴家所加。

The Polonaise in A♭ major, Op. 53 for solo piano, was written by Frédéric Chopin in 1842. This composition is one of Chopin's most admired compositions and has long been a favorite of the romantic piano repertoire. Pianist Arthur Rubinstein once called it "the composition which is the closest to my heart." The piece requires exceptional piano skills and great virtuosity to be interpreted at a high degree of proficiency. It is also very physically demanding, and according to his student Adolphe Gutmann, Chopin played it more gently than most performers. The polonaise was dedicated to Auguste Léo, a German banker and friend of Chopin.
George Sand, Chopin's longtime lover and companion, responded vigorously to the Revolutions of 1848 as did many intellectuals of the day. When the 1848 Revolution began in France, women had fewer rights than men. Sand believed women's rights were necessary for progress. Around this time, Sand started her own newspaper which was published in a workers' co-operative. This allowed her to publish more political essays, expressing her strongly felt convictions. In one of these, for example, she wrote, "I cannot believe in any republic that starts a revolution by killing its own proletariat."
On hearing Chopin's Polonaise, Sand was left with a deep symbolic impression which she communicated to Chopin in their private correspondence. In one of their letters, she wrote passionately, "L'inspiration! La force! La vigueur! Il est indéniable qu'un tel esprit doit être présent dans la Révolution française. Désormais cette polonaise devrait être un symbole, un symbole héroïque!" ("The inspiration! The force! The vigour! There is no doubt that such a spirit must be present in the French Revolution. From now on this polonaise should be a symbol, a heroic symbol"). In spite of Chopin's reluctance to bestow descriptive names on his music, music scholars and concert pianists have nevertheless associated the grand architecture of the music with this sobriquet, "Heroic."