如何畫風景－畫北海

Hey my friends, welcome back. As you can see, in today's video, we're going to paint another big landscape slash seascape painting. Starting here with this F4 base colors that I use to mix the color for the sky background. Then I apply the 50 by 100 cm canvas colors. Looks a bit rough, a bit weird now at the moment. Basically, I'm splitting up the canvas into parcels, more or less. Then I start to blend those different colors. Very soft brush, as you can see here. This works really well with these oil colors that I'm using. I mean, you don't have to use the water mixable oils that I'm using. You can also use other oil colors. But the key point here is to really use colors that don't dry the moment you put them on. Then I start to build up the seascape, as you can see here. Carefully kind of mixing, connecting color of the sky that is still wet with the color of the sea itself. Basically, in the same manner, I'm applying the color darker on the left side and lighter on the right side. Then I start to mix the next set of colors for the beach part. As you can see here, pretty bluish grayish color. Perhaps you might like to see this video here in a full-time version. Then make sure you check out my Patreon here. You can get this video, I think, around five hours or so in a full-time version for the color mixing process and lots of tips and tricks. I already tried to establish some base shapes here, more or less. But still kind of mid-shape, mid-tone values, more or less. We don't have any very dark tones. No really highlights here. We just have this base color that I'm applying here. See some greenish tones, a bit more bluish ones, some grayish, brownish grayish, darker bluish tones here. Yeah, already starting to add some fuzzy details here and there. As you can see here, color, the background from the sand is still wet. So I can basically let those colors melt into each other, more or less. But the base point here is to really establish the base mid-tone values for those parts here. Establishing the rough shape, rough size. And you also can see that I'm kind of going darker, more or less, step to the front. I'm heavily using the background color in this case here. All those fine little grass details, reed details, basically are established by blending those two colors together. This darker one and the lighter one from this reed here. Then I let the whole thing dry for a couple of days. Then I go back and start to add over the complete dry surface the water details. Those waves that are coming in. Establishing some smaller waves here and there. The color is pretty thinned down. Whenever I feel the need to soften down those darker wave parts here, I just grab a brush and start to blend in this darker color into the dry background color. This is what I do here now, for example. Just darkening a bit the seascape here. Then we already start to build up the light reflection that we have here from the sun. Very rough at the moment on the right side. Already kind of blending them on the edges. Just to really make sure that we have a very nice, kind of softer transition in the background. Then I grab a smaller brush, actually a very small one for this painting. Look at the size of the painting. Start to add those very fine highlights, reflections on those single waves here. Then I go back and dry brush. Basically the final layer of color onto the beach. You can see here. It kind of looks like wet on wet, but it's really dry brush blending. Just using the color here and rubbing it with a very thin amount into the dry background color. Then we start to build up those rocky areas here. You also see I'm using different colors. Some brownish ones, a bit more grayish, reddish ones. Rocks don't have the same color all over the place. They have different colors here and there. Then I go back and add basically the darkest colors to those rock formations here. Kind of pre-blending beforehand. Then I grab a brush without any color to it and start to refine those blobs of color, those darker ones. To really get a nice flow, really get a nice transition between those colors. The same is done with the next layer. We have a bit more on the front. And again some color variation here. A bit more of a reddish tone to the shadow area. Adding details already here. Carving out stone details, rocks that can be seen here. They kind of reflect the sunlight here and there. Then I already start to build up a bit more to the front, those grass details here. Again, lots of color variation, greenish tones. A bit more brownish, whitish, yellowish ones. Adding details here and there. Color variation. Base color wise, pretty much the same. But we still have those a bit more reddish tones, a bit more bluish tones, a bit more whitish, palish tones here. Don't forget to do this. Then I basically reshape the sand part here. You also see we have different colors here. A bit more brownish ones. This lighter one here now. I'm heavily using the background color that I applied before, this darker color we have on here. Already establishing some more finer rock details that we have here. Then I build up the greens here. There are also a ton of color variations. Also note this bluish shadow that we have here. Also note that the darker colors here get darker, have more black to it. The more we step to the front, this again also helps to communicate the distance that we want to show here in this painting. Then I put on some lighter colors over the darker underpainting. On those spots where we saw the darker color from the underpainting, I start to build up little footsteps that we can see here. In this sand beach area here. You have seen I put them on very rough in the beginning. Then I start to blend. To really enhance those little footsteps, prints. You also need to put on kind of a highlight on the left edge where the sun hits more or less. This really helps to furthermore communicate the distance that we have here. Not the distance, the depth, sorry. Here I'm building up the shadow area on the right side. The very front part. It's also bluish color more or less. Here are very important parts. This is in the very front and you need and want lots of details here. Therefore I grab this color, this lighter sand color and start to reshape those little kind of entries to those grass parts here. Basically poking holes into them. And really getting more details, redefining the edge. And then I get even darker. Put on some darker tones here. To basically define the location of the very dark parts here on those grass parts. Again I'm intermixing here and there using some brownish tones. Some raw sienna mixing in to really get in some color variations. And then I start to build up those details here. Water is still wet. Color we have here is kind of the underpainting. Second stage, second level of the underpainting. So this darkest color is not yet dry. I did the whole thing in just one sitting. Of course you just can't paint the lighter grass parts. You also need and want some darker parts here. Again note that we have here greenish tones, brownish tones. And the color is very thinned down to get a really nice flow as you can see here. Also using very fine brushes here for the edges. Basically follow the location or the direction of the single bits of grass here. Again adding some greens here. Then I get lighter. Build up more details, more grass parts. Already building up those kind of final details more or less. Final detail layer. As you can see, sometimes just painting those parts where the sun hits. The upper parts, leaving the rest out. Just hinting those grass parts here and there. Don't really paint every single bit of grass from the top to the end. But just hinting them here and there. Getting even lighter, some parts like here for example. Again the color is thinned down pretty much to get a really nice flow to it. Here getting even lighter again. Some grass parts here are very dry. Dead grass parts more or less. And they need to be put in. Then I grab a soft blender brush and start to push back some areas again. Where I think the grass bits were a bit too dominant. Then I'm adding the final details here and there. Some very dead grass bits more or less. Kind of. And then we start to do the same to the right part here. Adding first the dark areas. Then I'm establishing more of those details in the shadow areas. And then on the light areas here. Starting darker, some darker colors. Always follow the direction of the grass bits of course. And then I again get lighter. Lighter and lighter. Again just painting those very fine highlights. Parts where the sun hits. Again changing the colors here and there. And we're basically finished. That's it again for today. Leave a comment down below here if you like this video. And also make sure you check out one of these other two videos here before you leave. by bwd6