The speaker argues that mainstream historical timelines are inaccurate, claiming that ancient ruins across the globe exhibit precision and metallurgical sophistication far beyond the capabilities of the primitive hunter-gatherer societies credited with building them. This evidence suggests the existence of a lost, technologically advanced pre-flood civilization that shared knowledge across continents.
The true irony of this grand deception, however, being the fact that the deeper one understands
this mainstream narrative, the longer one studies these permitted timelines, the tool
and metallurgical developments throughout the ages. Academics undoubtedly become astutely aware
that these constructions, and their constructor, not placed within the academically accepted
chronology, with these countless examples of astonishing ancient feats, inevitably becoming
out of place. These ancient ruins must obviously begin to appear as complete contradictions to the
tale they tell. They acquire an in-depth knowledge of just what it is that these claimed groups were
up to, many of which having largely been hunter-gatherers enacting primitive practices.
Yet, these same tribes they must continue to claim, also responsible for the constructions
of these many ruins. Earth's many astonishing, yet incredibly eroded, ancient mausoleums being
a perfect example. Clearly, once structures of astounding accuracy and grandeur, with the clear-cut
precision which can be found exhibited across many of its surviving stones, all but revealing
the truth behind just who could have once built these places, and just how inaccurate
current assertions truly are. With some sites of particular note, including that of
Belevi Mausoleum, which although claimed is that of the work of Macedonian general and king Lysimachus,
once one takes a closer look at its surviving stones, however, stones still exhibiting its
original pre-flood intricacies. The work of the same clearly once highly sophisticated
lost civilization suddenly appears. However, it is again within India that one can find the most
impressive examples of ancient apparent machined stones, with its countless precision-cut columns,
with many who have studied their proportions, their perfect diameters, and the astonishing
accuracy once incorporated into these masterpieces overall, often concluding that they must have
somehow once been cut with the use of some form of gigantic ancient lathe. Often exhibiting ancient
stone sculpting of such extraordinary detail, they have given rise to many theories as to what they
could all possibly be depicting. Perhaps sound waves as seen forming within water, ancient
amplifiers, some even hypothesizing that they, like the many enigmatic sculptures found across
South America or found within the Guatemalan rainforest, all displaying what we today
recognize as jet turbines. Although some of these claims on the surface may initially appear
preposterous, I do concur that they must have once served a purpose, perhaps even as a message
to future generations. One I believe they left encoded within many of Earth's most astounding
pre-flood structures. The symmetry found throughout the statues of the Giza Plateau,
or Persepolis, a site we shall soon visit a bit further in the book, although all claimed as the
work of separate civilizations, often via the differing religious iconography, a vast array
of varying styles and themes now having been heavily studied and academically documented.
Which although this does suggest that they were once created by differing tribes,
the evidence I am now presenting is also indicative that whoever did undertake these tasks
did so with shared knowledge. With all having once undeniably been in contact with each other
across continents, the evidence for which I now feel all but overwhelming. Pumapunku,
found upon the high plateaus within Tiwanaku, with its many perfectly level, perfectly cut stones,
and its countless inexplicable anomalies, all once cut with incredible precision,
is another clear example of these lost ancient activities. Whether it be the tool marks,
the size of the blocks, the ancient clamping methods, the scars left by precision instruments,
the artistic ability, or even the laser-like precision, the fact that nearly all the sites
covered so far have at least two, or in many cases several of these overlapping identifiable
features, undeniable evidence in itself of a now lost civilization which once dwelled upon our
planet. One that at some point within the distant past experienced a cataclysm, an event which also
deposited a substantial amount of evidence across the planet's many ancient landmasses,
often collected and quietly removed over the modern age with the covert disposal of layers
of thick ancient sea salt, even one secretly excavated from the lower chambers of the great
pyramids, as but one example of this. Substantial evidence as all but proof of this mysterious event
and thus whoever they academically claim as having once built these places, not their true creators.
For not only do these individuals who attest to knowing the age and origins of many of these sites
unable to explain how, who they claim built them, but it will continue to become ever more obvious
and prevalent to our overall historical understandings that they do not even know
what many of these places were originally built for. It is a mystery which I hope you too
continue to find highly compelling. My first book, Life Before the Flood, a definitive guide to the
lost world, is now available on Amazon so don't forget to check it out. The new refined second
edition paperback is now available along with the hardback and the full audiobook.