Best Papers and Surfaces For Colored Pencils

Classical Kids Arts
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Video Summary
AI GeneratedThis video provides a comprehensive guide to the best paper surfaces for colored pencil drawing. The instructor evaluates seven different options, discussing the \"tooth\" (texture) of each surface, its capacity for layering, availability, and specific advantages or disadvantages to help artists choose the right medium for their project.
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The surface on which you create a colored pencil drawing
is just as important as the quality of pencil
you choose to use.
And in this video, I'm gonna share with you
my favorite surfaces slash papers
for colored pencil drawing.
Hello there, everyone.
Matt here with the virtualinstructor.com
and in this video, I'm gonna share with you
my favorite surfaces
for creating drawings with colored pencils.
Now I've had quite a bit of experience
drawing with colored pencils
and I love colored pencils.
Colored pencils are one of my favorite
drawing mediums to work with.
And I've found some pretty exciting surfaces over the years
and they all have their advantages
and disadvantages, obviously.
In this video, I'm gonna share with you
each one of those surfaces
and I'm gonna share with you the advantages
and disadvantages of each one of those surfaces
along with the unique characteristics
of each one of those surfaces.
So let's go ahead and get started.
Now the first paper I'm gonna share with you
is Bristol paper.
Now this is specifically the vellum surface.
Bristol paper comes in other surfaces other than vellum
and those are smoother surfaces.
Bristol paper, even with the vellum surface,
is relatively smooth.
But the vellum surface does have a little bit of tooth
or texture associated with it
so it is capable of accepting multiple applications
of colored pencils but it's still limited
because of the overall smoothness of the paper.
Now this paper is a little bit heavy.
It's very similar to cardstock
but its rigidity makes it a great surface
for working with colored pencils as well.
Now the advantages to using this paper is,
first of all, it's easy to find.
You can find Bristol paper with the vellum surface
just about anywhere at any art store.
It's, of course, easy to order online as well
and it's relatively inexpensive.
Now it's easy to develop, find details quickly
with this paper because there's not a lot
of tooth associated with it.
It doesn't really require multiple layers
to create a smooth application
of colored pencils on the surface.
So it's really easy to develop, find details.
But this is also a disadvantage
because you're limited by how many layers
you can actually apply to the surface
because the tooth is not as pronounced
as some of the other papers that we'll take a look at.
Now another disadvantage to the Bristol paper
with the vellum surface is that it comes in white only
or at least I've only seen it in white,
meaning that you're gonna have to push the values darker.
So when we work on a toned surface,
we can kind of start in the middle of the value scale
and push the range of value outward from there.
But when we start with white,
we're basically starting on one end of the value scale
and we have to push the values darker.
Now the second surface that I love to work with
with colored pencils is Canson Mitton's pastel paper.
Now even though this paper is called pastel paper,
it is a wonderful surface for colored pencils.
This paper features two distinct sides.
One side is a little bit heavier in texture
compared to the other side,
but both sides have ample texture or tooth
for multiple layered applications of colored pencil.
This paper is easy to find
and it comes in a variety of different colors.
So if you wanna allow that color to show through
some of your colored pencil applications,
or if you just want some of that color
to be your background, this is a major advantage.
As I mentioned, this paper comes in two distinct sides
or it has two distinct sides associated with it.
One side has a very heavy tooth,
which will require multiple layered applications
of colored pencils to fill in the tooth.
The other side has a less pronounced tooth,
but it's still enough texture
to accept multiple layered applications of colored pencils.
And in fact, this paper encourages layering.
So if layering is something
that you're not really used to with colored pencils,
then this paper might be a good paper to get introduced to
to start that layering process.
One of the disadvantages though,
is that the texture may be too heavy for some folks.
Some folks might want a little bit more
of a relaxed tooth or texture or a smoother surface
to work on with colored pencils,
because this paper does have a heavy tooth or texture.
But I absolutely love Canson Mitton's Pastel Paper.
Now the third paper that's absolutely fantastic
for colored pencil drawing
is Pastel Matte Paper by Claire Fontaine.
Now this paper is a very interesting paper.
It has a heavy tooth that doesn't really seem
like it has a heavy tooth or heavy texture.
It's almost like fine grit sandpaper.
And this paper definitely encourages layering.
It is a great surface for use
with other media like soft pastels,
specifically soft pastels.
Again, this paper is called Pastel Matte Paper,
but even though it's called Pastel Matte Paper,
it's still great for colored pencils.
But if you wanna use soft pastels
in conjunction with the colored pencils,
then this is a great surface for that.
This paper comes in a variety of colors.
So you have that middle value to start with, of course,
and that's going to encourage a full range of value
in your drawings.
This paper is heavy and it is a high quality paper.
But because of that, it's gonna be expensive.
In fact, compared to the other papers,
this is probably the most expensive paper on the list.
And it is hard to get in some locations.
For where I am in the world, I do have to order it online
and it does take quite a while to get to where I am.
This is a heavy tooth surface, as I mentioned before,
so it will require frequent sharpening
of the colored pencils if you work with it.
But I absolutely love Pastel Matte Paper,
especially when I'm combining it with a pastel media
like soft pastels or even pan pastels.
Number four on the list is definitely one of my favorites
and that is Stonehenge Paper.
Now Stonehenge Paper is a soft paper,
but it does feature a fairly heavy tooth.
So you can easily create multiple layered applications
on the surface, which again is so important
to building up that depth and color that you want
in your colored pencil drawings.
It is 100% cotton, so it's really soft.
And as I mentioned, there's plenty of tooth for layering.
It's available as large sheets and smaller pads.
Of course, if you want to create
larger colored pencil drawings, you've got that option.
It's probably my favorite surface
for colored pencil drawing.
It's pretty high on the list.
And it's great for using other drawing mediums
such as graphite.
So if you're interested in creating graphite drawings
and colored pencil drawings, Stonehenge Paper
might be a paper for both graphite applications
and colored pencil applications.
Some of the disadvantages for this paper are
it is expensive and it may be harder to find.
You may have to order this paper online.
It may not be available at your local art store.
And it's limited in colors.
I've only found different versions of white.
So warm white, polar white, which is a cooler white.
So you are limited as far as color choices go.
But I absolutely love Stonehenge Paper.
Now, one of the major disadvantages
to using colored pencils that you may have noticed
is that they can be extremely difficult to erase.
But this next paper on the list
takes care of that problem for us.
And that next paper is Duralar Paper,
which is a Mylar surface.
Now, this paper is unique on this list
because it has a very, very smooth surface.
So the tooth of this paper is very, very weak.
And that means that it's gonna be very difficult
to create multiple layered applications.
There is a limit to how many layers
you can apply to the surface.
So you really have to think about your color choices
when you're using this paper.
But of course, the major advantage
is that this paper is very easy
to remove colored pencils from it.
You can erase from the surface
and you can even use tools like the slice tool
to remove the colored pencil from the surface.
Almost like there has never been colored pencils
applied to the surface at all.
It's really fantastic for that.
So it is unique among the other papers
because all of the other papers,
none of them have that characteristic
of that easy erasability and removability from the surface.
This paper is also semi-translucent,
meaning that tracing and transferring images is pretty easy.
Now, one of the disadvantages of this paper, of course,
is the smooth tooth or texture.
It can only handle a few layers on the surface,
but that disadvantage may be outweighed
by the advantage of erasing,
which is a completely unique aspect of this paper.
All right, number seven on this list
is somewhat of a bonus paper
because you do have to use it with another medium
to get the most out of it.
And the paper I'm referring to is marker paper.
So again, this is a paper that doesn't have anything
with colored pencils in the name,
but it's actually a pretty good surface for colored pencils
if, and that's a big if,
you are using it alongside alcohol-based markers.
So this paper is great for using with alcohol-based markers.
You can apply the alcohol-based markers
as a base, which will cover large areas
of the surface quickly, which of course saves time
because colored pencil drawing is a time-intensive activity,
but when we combine it with markers,
we save quite a bit of time.
The disadvantage, of course,
is that this paper is super smooth.
So layers are limited,
but when you're using them in conjunction with markers,
this isn't really a big deal.
So again, marker paper is a surface
that you might consider
that you might not have considered before,
but again, it's dependent on using it with markers
in order to get the most out of it with colored pencils.
So there you have it.
Those are my favorite surfaces
for working with colored pencils.
If you have a favorite,
you can leave it in the comments below.
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We have several courses
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You can go back and watch all of those.
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Thanks again for watching this video.
Hope you enjoyed it.
Hope you were able to pick up
a couple of things here and there.
And as always, I wish you all the very best
in your artistic success.
