The Great Gatsby | Chapter 4 | Audiobook | F. Scott Fitzgerald

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This is a audio recording/book of The Great Gatsby Chapter 4 by F. Scott Fitzgerald.
Set in 1925, this is a novel of the Jazz Age; of ambition, of the careless rich, of wild parties and flappers and bootleg booze; and the efforts of a dreamer to reunite with his lost love. - Summary by Kara.
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Read by Kara Shallenberg
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Audio source by librivox.org
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Video Summary
AI GeneratedThe narrator explores the superficial nature of Jay Gatsby's lavish parties and the mystery surrounding Gatsby's identity. As Gatsby attempts to curate his image and reveal his past, it becomes clear that his wealth and status are calculated tools designed for a single purpose: to reclaim a lost romance with Daisy Buchanan.
Chapter 4. On Sunday morning, while church bells rang
in the villages along shore, the world and its mistress returned
to Gatsby's house and twinkled hilariously on his lawn.
He's a bootlegger, said the young ladies,
moving somewhere between his cocktails and his flowers.
One time he killed a man who had found out that he was nephew
to von Hindenburg and second cousin to the devil. Reach me a rose,
honey, and pour me a last drop into that there crystal glass.
Once I wrote down, on the empty spaces of a timetable,
the names of those who came to Gatsby's house that summer.
It is an old timetable now, disintegrating at its folds,
and headed, this schedule in effect, July 5th, 1922.
But I can still read the grey names,
and they will give you a better impression than my generalities
of those who accepted Gatsby's hospitality
and paid him the subtle tribute of knowing nothing whatever about him.
From East Egg, then, came the Chester Beckers, and the Leeches,
and a man named Bunsen, whom I knew at Yale, and Dr. Webster Sivett,
who was drowned last summer up in Maine, and the Hornbeams,
and the Willie Voltaires, and a whole clan named Black Buck,
who always gathered in a corner and flipped up their noses like goats
at whosoever came near, and the Ismays, and the Christies,
or rather, Hubert Auerbach and Mr. Christie's wife.
And Edgar Beaver, whose hair, they say,
turned cotton white one winter afternoon, for no good reason at all.
Clarence Endive was from East Egg, as I remember.
He came only once, in white knickerbockers,
and had a fight with a bum named Eddie in the garden.
From farther out on the island came the Cheetles,
and the O.R.P. Schraders,
and the Stonewall Jackson Abrams of Georgia,
and the Fishguards, and the Ripley Snells.
Snell was there three days before he went to the penitentiary,
so drunk out on the gravel
drive that Mrs. Ulysses Sweat's automobile ran over his right hand.
The Danseys came too, and S.B.
Whitebait, who was well over sixty,
and Maurice A. Flink, and the Hammerheads, and Beluga
the tobacco importer, and Beluga's girls.
From West Egg came the Poles and the Mulreadies,
and Cecil Roebuck and Cecil Schoen,
and Gulick, the state senator,
and Newton Orkid, who controlled films par excellence,
and Eckhaus and Clyde Cohen,
and Don S. Schwarza, the son,
and Arthur McCarty,
all connected with the movies in one way or another,
and the Catlips and the Bembergs and G. Earl Muldoon,
brother to that Muldoon who afterwards strangled his wife.
Da Fontano, the promoter, came there, and Ed Legros,
and James B. Rotgut Ferret, and the de Jongs and Ernest Lilly.
They came to gamble,
and when Ferret wandered into the garden it meant he was cleaned out,
and associated traction would have to fluctuate profitably
the next day. A man named Clipspringer was there so often and so long
that he became known as the Border. I doubt if he had any other home.
Of theatrical people, there were Gus Weza and Horace O'Donovan
and Lester Meyer and George Duckweed and Francis Bull.
Also from New York were the Cromes and the Backeysons
and the Denikers and Russell Betty and the Corrigans and the Kellehairs
and the Dewars and the Scullies and S.W. Belcher and the Smirks
and the Young Quinns, divorced now, and Henry L. Palmetto,
who killed himself by jumping in front
of a subway train in Times Square.
Benny McClenahan arrived always with four girls.
They were never quite the same ones in physical person,
but they were so identical one with another
that it inevitably seemed they had been there before.
I have forgotten their names—Jacqueline,
I think, or else Consuela, or Gloria, or Judy,
or June—and their last names were either the melodious names of Flowers
and Months, or the sterner ones of the great American capitalists,
whose cousins, if pressed, they would confess themselves to be.
In addition to all these,
I can remember that Faustina O'Brien came there at least once,
and the Bedecker girls, and young Brewer,
who had his nose shot off in the war,
and Mr. Albrechtsberger and Miss Haag, his fiancée,
and Ardita Fitzpeters and Mr. P. Jewett,
once head of the American Legion,
and Miss Claudia Hipp, with a man reputed to be her chauffeur,
and a prince of something, whom we called Duke,
and whose name, if I ever knew it, I have forgotten.
All these people came to Gatsby's house in the summer.
At nine o'clock one morning late in July,
Gatsby's gorgeous car lurched up the rocky drive to my door
and gave out a burst of melody from its three-noted horn.
It was the first time he had called on me,
though I had gone to two of his parties,
mounted in his hydroplane,
and at his urgent invitation made frequent use of his beach.
Good morning, old sport.
You're having lunch with me today,
and I thought we'd ride up together.
He was balancing himself on the dashboard of his car
with that resourcefulness of movement
that is so peculiarly American.
That comes, I suppose, with the absence of lifting work
or rigid sitting in youth,
and even more, with the formless grace
of our nervous, sporadic games.
This quality was continually breaking through
his punctilious manner in the shape of restlessness.
He was never quite still.
There was always a tapping foot somewhere,
or the impatient opening and closing of a hand.
He saw me looking with admiration at his car.
It's pretty, isn't it, old sport?
He jumped off to give me a better view.
Haven't you ever seen it before?
I'd seen it.
Everybody had seen it.
It was a rich cream color, bright with nickel,
swollen here and there in its monstrous length
with triumphant hat boxes and supper boxes and tool boxes.
And terraced with a labyrinth
of windshields that mirrored a dozen suns.
Sitting down behind many layers of glass
in a sort of green leather conservatory,
we started to town.
I had talked with him perhaps half a dozen times in the past month,
and found, to my disappointment, that he had little to say.
So my first impression that he
was a person of some undefined consequence
had gradually faded,
and he had become simply the proprietor
of an elaborate roadhouse next door.
And then came that disconcerting ride.
We hadn't reached West Egg Village before Gatsby began leaving
his elegant sentences unfinished
and slapping himself indecisively
on the knee of his caramel-colored suit.
Look here, old sport, he broke out surprisingly.
What's your opinion of me, anyhow?
A little overwhelmed, I began the generalized evasions,
which that question deserves.
Well, I'm going to tell you something about my life, he interrupted.
I don't want you to get a wrong idea
of me from all these stories you hear.
So he was aware of the bizarre accusations
that flavored conversation in his halls.
I'll tell you God's truth.
His right hand suddenly ordered divine retribution to stand by.
I am the son of some wealthy people in the Middle West, all dead now.
I was brought up in America, but educated at Oxford,
because all my ancestors have been educated there for many years.
It is a family tradition.
You look at me sideways.
And I knew why Jordan Baker had believed he was lying.
He hurried the phrase,
educated at Oxford,
or swallowed it,
or choked on it,
as though it had bothered him before.
And with this doubt,
his whole statement fell to pieces,
and I wondered if there wasn't something
a little sinister about him after all.
What part of the Middle West?
I inquired casually.
San Francisco, I see.
My family all died,
and I came into a good deal of money.
His voice was solemn,
as if the memory of that sudden extinction of a clan still haunted him.
For a moment I suspected that he was pulling my leg,
but a glance at him convinced me otherwise.
After that I lived like a young Raja in all the capitals of Europe,
Paris, Venice, Rome,
collecting jewels, chiefly rubies, hunting big game,
painting a little, things for myself only,
and trying to forget something very sad
that had happened to me long ago.
With an effort, I managed to restrain my incredulous laughter.
The very phrases were worn so threadbare
that they evoked no image except that of a turbaned character,
leaking sawdust at every pore as he pursued
a tiger through the bois de boulogne.
Then came the war, old sport.
It was a great relief, and I tried very hard to die,
but I seemed to bear an enchanted life.
I accepted a commission as first lieutenant when it began.
In the Argonne forest,
I took two machine gun detachments so far forward
that there was a half-mile gap on either side
of us where the infantry couldn't advance.
We stayed there two days and two nights, 130 men with 16 Lewis guns,
and when the infantry came up at last,
they found the insignia
of three German divisions among the piles of dead.
I was promoted to be a major,
and every allied government gave me a decoration.
Even Montenegro, little Montenegro down on the Adriatic Sea,
little Montenegro.
He lifted up the words and nodded at them with his smile.
The smile comprehended Montenegro's troubled history
and sympathized with the brave struggles of the Montenegrin people.
It appreciated fully the chain of national circumstances
which had elicited this tribute from Montenegro's warm little heart.
My incredulity was submerged in fascination now.
It was like skimming hastily through a dozen magazines.
He reached in his pocket, and a piece of metal,
slung on a ribbon, fell into my palm.
That's the one from Montenegro.
To my astonishment, the thing had an authentic look.
Ordre di Danilo, ran the circular legend.
Montenegro, Nicholas Rex.
Turn it.
Major J. Gatsby, I read.
For valor extraordinary.
Here's another thing I always carry, a souvenir of Oxford days.
It was taken in Trinity Quad.
The man on my left is now the Earl of Dorchester.
It was a photograph of half a dozen young men in blazers,
loafing in an archway through which were visible a host of spires.
There was Gatsby, looking a little, not much, younger,
with a cricket bat in his hand.
Then it was all true.
I saw the skins of tigers flaming in his palace on the Grand Canal.
I saw him opening a chest of rubies to ease,
with their crimson-lighted depths, the gnawings of his broken heart.
I'm going to make a big request of you today,
he said, pocketing his souvenirs with satisfaction.
So I thought you ought to know something about me.
I didn't want you to think I was just some nobody.
You see, I usually find myself among strangers,
because I drift here and there,
trying to forget the sad thing that happened to me, he hesitated.
You'll hear about it this afternoon, at lunch.
No, this afternoon.
I happened to find out that you're taking Miss Baker to tea.
Do you mean you're in love with Miss Baker?
No, old sport, I'm not.
But Miss Baker has kindly consented to speak to you about this matter.
I hadn't the faintest idea what this matter was,
but I was more annoyed than interested.
I hadn't asked Jordan to tea in order to discuss Mr. J. Gatsby.
I was sure the request would be something utterly fantastic.
and for a moment i was sorry i'd ever set foot upon
his overpopulated lawn he wouldn't say another word his correctness
grew on him as we neared the city we passed port roosevelt
where there was a glimpse of red-belted ocean-going ships
and sped along a cobbled slum lined with the dark undeserted saloons
of the faded gilt nineteen hundreds
then the valley of ashes opened out on both sides of us
And I had a glimpse of Mrs. Wilson straining
at the garage pump with panting vitality as we went by.
With fenders spread like wings,
we scattered light through half Long Island City.
Only half, for as we twisted among the pillars of the elevated,
I heard the familiar jung-jung-speck of a motorcycle,
and a frantic policeman rode alongside.
All right, old sport, called Gatsby.
We slowed down.
Taking a white card from his wallet, he waved it before the man's eyes.
Right you are, agreed the policeman, tipping his cap.
Know you next time, Mr. Gatsby.
Excuse me.
What was that? I inquired.
The picture of Oxford?
I was able to do the commissioner a favor once,
and he sends me a Christmas card every year.
Over the great bridge, with the sunlight through the girders
making a constant flicker upon the moving cars,
with the city rising up across the river
in white heaps and sugar lumps,
all built with a wish out of non-olfactory money.
The city seen from the Queensboro Bridge
is always the city seen for the first time,
in its first wild promise of all the mystery
and the beauty in the world.
A dead man passed us in a hearse heaped with blooms,
followed by two carriages with drawn blinds,
and by more cheerful carriages for friends.
The friends looked out at us with tragic eyes
and short upper lips of southeastern Europe,
and I was glad that the sight of Gatsby's splendid
car was included in their somber holiday.
As we crossed Blackwell's Island,
a limousine passed us, driven by a white chauffeur, in
which sat three modish Negroes, two bucks and a girl.
I laughed aloud as the yokes
of their eyeballs rolled toward us in haughty rivalry.
Anything can happen now that we've slid over this bridge, I thought.
Anything at all.
Even Gatsby could happen, without any particular wonder.
Roaring noon, in a well-fanned 42nd Street cellar,
I met Gatsby for lunch.
Blinking away the brightness of the street outside, my eyes picked
him out obscurely in the ante-room, talking to another man.
Mr. Carraway, this is my friend Mr. Wolfsheim.
A small, flat-nosed Jew raised his large head, and regarded me
with two fine growths of hair which luxuriated in either nostril.
After a moment I discovered his tiny eyes in the half-darkness.
So I took one look at him, said Mr. Wolfsheim,
shaking my hand earnestly.
And what do you think I did?
What? I inquired politely, but evidently he was not addressing me,
for he dropped my hand and
covered Gatsby with his expressive nose.
I handed the money to Cat's Paw, and I said,
All right, Cat's Paw, don't pay him a penny till he shuts his mouth.
He shut it then and there.
Gatsby took an arm of each of us and moved forward into the restaurant,
whereupon Mr. Wolfsheim swallowed a new sentence he was starting,
and lapsed into a somnambulatory abstraction.
Highballs? asked the head waiter.
"This is a nice restaurant here," said Mr. Wolfsheim,
looking at the Presbyterian nymphs on the ceiling.
"'But I like across the street better.'
"Yes, highballs," agreed Gatsby.
And then to Mr. Wolfsheim.
"'It's too hot over there.'
"Hot and small, yes," said Mr. Wolfsheim.
"But full of memories. What place is that?" I asked.
"'The old Metropole.'
"The old Metropole," brooded Mr. Wolfsheim gloomily.
Filled with faces, dead and gone.
Filled with friends, gone now forever.
I can't forget so long as I live
the night they shot Rosie Rosenthal there.
It was six of us at table and Rosie had eaten, drunk a lot all evening.
When it was almost morning, the waiter came up to him with a funny look
and says somebody wants to speak to him outside.
All right, says Rosie, and begins to get up.
Then I pulled him down in his chair.
Let the bastards come in here if they want you, Rosie,
but don't you, so help me move outside this room.
it was four o'clock in the morning then
and if we'd raised of the blinds we'd have seen daylight did he
go I asked innocently sure he went Mr. Wolfsheim's nose flashed
at me indignantly he turned around in the door and says
don't let that waiter take away my coffee
then he went out on the sidewalk
and they shot him three times in his full belly and drove away four
of them were electrocuted i said remembering five with becker
his nostrils turned to me in an interested way i understand
you're looking for a business connection the juxtaposition
of these two remarks was startling gatsby answered
for me oh no he exclaimed this isn't the man no
mr wolfsheim seemed disappointed this is just
a friend i told you we'd talk about that some other time i beg
your pardon said mr wolfsheim i had the wrong man
A succulent hash arrived, and Mr. Wolfsheim,
forgetting the more sentimental atmosphere of the old metropole,
began to eat with ferocious delicacy.
His eyes, meanwhile, roved very slowly all around the room.
He completed the arc by turning to inspect the people directly behind.
I think that, except for my presence,
he would have taken one short glance beneath our own table.
Look here, old sport, said Gatsby, leaning toward me.
I'm afraid I made you a little angry this morning in the car.
There was the smile again, but this time I held out against it.
I don't like mysteries, I answered,
and I don't understand why you won't come
out frankly and tell me what you want.
Why has it all got to come through Miss Baker?
Oh, it's nothing underhand, he assured me.
Miss Baker's a great sportswoman, you know,
and she'd never do anything that wasn't all right.
Suddenly he looked at his watch, jumped up,
and hurried from the room, leaving me with Mr. Wolfsheim at the table.
He has the telephone, said Mr. Wolfsheim, following him with his eyes.
Fine fellow, isn't he?
Handsome to look at, and a perfect gentleman.
He's an Oxford man.
Oh, he went to Oxford College in England.
You know Oxford College?
I've heard of it.
It's one of the most famous colleges in the world.
Have you known Gatsby for a long time?
I inquired.
Several years, he answered in a gratified way.
I made the pleasure of his acquaintance just after the war.
But I knew I had discovered a man
of fine breeding after I'd talked with him an hour.
I said to myself,
There's the kind of man you'd like to take home
and introduce to your mother and sister.
He paused.
I see you're looking at my cuff buttons.
I hadn't been looking at them, but I did now.
They were composed of oddly familiar pieces of ivory.
Finest specimens of human molars, he informed me.
Well, I inspected them.
That's a very interesting idea.
Yeah.
he flipped his sleeves up under
his coat yeah gatsby's very careful about women he would never
so much as look at a friend's wife when the subject
of this instinctive trust returned to the table and sat down
mr wolfsheim drank his coffee with a jerk
and got to his feet i have enjoyed my lunch he said
and i'm going to run off from you two young men before i outstay
my welcome don't hurry meyer said gatsby without enthusiasm
Mr. Wolfsheim raised his hand in a sort of benediction
You're very polite, but I belong to another generation,
he announced solemnly.
You sit here and discuss your sports and your young ladies and your...
He supplied an imaginary noun with another wave of his hand.
As for me, I am fifty years old,
and I won't impose myself on you any longer.
As he shook hands and turned away, his tragic nose was trembling.
I wondered if I had said anything to offend him.
He becomes very sentimental sometimes, explained Gatsby.
This is one of his sentimental days.
He's quite a character around New York.
A denizen of Broadway.
Who is he, anyhow?
An actor?
No.
A dentist?
Meyer Wolfsheim?
No, he's a gambler.
Gatsby hesitated, then added coolly.
He's the man who fixed the World Series back in 1919.
Fixed the World Series?
I repeated.
The idea staggered me.
I remembered, of course, that the World Series had been fixed in 1919.
But if I had thought of it at all,
I would have thought of it as a thing that merely happened,
the end of some inevitable chain.
It never occurred to me that one man could start
to play with the faith of fifty million people,
with the single-mindedness of a burglar blowing a safe.
How did he happen to do that?
I asked after a minute.
He just saw the opportunity.
Why isn't he in jail?
They can't get him, old sport.
He's a smart man.
I insisted on paying the check.
As the waiter brought my change,
I caught sight of Tom Buchanan across the crowded room.
Come along with me for a minute, I said.
I've got to say hello to someone.
When he saw us, Tom jumped up
and took a half-dozen steps in our direction.
Where've you been? he demanded eagerly.
Daisy's furious because you haven't called up.
This is Mr. Gatsby, Mr. Buchanan.
They shook hands briefly.
And a strained, unfamiliar look
of embarrassment came over Gatsby's face.
How've you been, anyhow? demanded Tom of me.
How'd you happen to come up this far to eat?
I've been having lunch with Mr. Gatsby.
I turned toward Mr. Gatsby, but he was no longer there.
One October day in 1917,
said Jordan Baker that afternoon.
Sitting up very straight on a straight chair
in the tea garden at the Plaza Hotel,
I was walking along from one place to another,
half on the sidewalks and half on the lawns.
I was happier on the lawns because I had on shoes from England
with rubber knobs on the soles that bit into the soft ground.
I had on a new plaid skirt, also, that blew a little in the wind.
And whenever this happened, the red, white,
and blue banners in front of all the houses
stretched out stiff and said,
Tap, tap, tap in a disapproving way.
The largest of the banners
and the largest of the lawns belonged to Daisy Faye's house.
She was just eighteen, two years older than me,
and by far the most popular of all the young girls in Louisville.
She dressed in white, and had a little white roadster,
and all day long the telephone rang in her house,
and excited young officers from Camp Taylor
demanded the privilege of monopolizing her that night.
Anyways, for an hour.
When I came opposite her house that morning,
her white roadster was beside the curb,
and she was sitting in it with a lieutenant I had never seen before.
They were so engrossed in each other
that she didn't see me until I was five feet away.
Hello, Jordan, she called unexpectedly.
Please come here.
I was flattered that she wanted to speak to me.
Because of all the older girls, I admired her most.
She asked me if I was going to the Red Cross and make bandages.
I was.
Well, then would I tell them that she couldn't come that day?
The officer looked at Daisy while she was speaking,
in a way that every young girl wants to be looked at sometimes.
And because it seemed romantic to me,
I have remembered the incident ever since.
His name was Jay Gatsby,
and I didn't lay eyes on him again for over four years.
Even after I'd met him on Long Island,
I didn't realize it was the same man.
That was 1917.
By the next year, I had a few bows myself,
and I began to play in tournaments,
so I didn't see Daisy very often.
She went with a slightly older crowd, when she went with anyone at all.
Wild rumors were circulating about her,
how her mother had found her packing her bag one winter night
to go to New York and say goodbye to a soldier who was going overseas.
She was effectually prevented,
but she wasn't on speaking terms with her family for several weeks.
After that, she didn't play around with the soldiers anymore,
but only with a few flat-footed, short-sighted young men in town,
who couldn't get into the army at all.
By the next autumn, she was gay again, gay as ever.
She had a debut after the armistice,
and in February, she was presumably engaged to a man from New Orleans.
In June, she married Tom Buchanan of Chicago,
with more pomp and circumstance than Louisville ever knew before.
He came down with a hundred people in four private cars,
and hired a whole floor of the Seelbach Hotel,
and the day before the wedding,
he gave her a string of pearls valued at $350,000.
I was bridesmaid.
I came into her room half an hour before the bridal dinner
and found her lying on her bed as lovely
as the June night in her flowered dress
and as drunk as a monkey.
She had a bottle of Sauternes in one hand and a letter in the other.
Gratulate me, she muttered.
Never had a drink before, but oh, how I do enjoy it.
What's the matter, Daisy?
I was scared, I can tell you.
I'd never seen a girl like that before.
Here, dears.
She groped around in a wastebasket that she had with her on the bed
and pulled out the string of pearls.
Take 'em downstairs and give 'em back to whoever they belong to.
Tell them all Daisy's changed her mind.
Say, Daisy's changed her mind.
She began to cry.
She cried and cried.
I rushed out and found her mother's maid,
and we locked the door and got her into a cold bath.
She wouldn't let go of the letter.
She took it into the tub with her
and squeezed it up into a wet ball
and only let me leave it in the soap dish
when she saw that it was coming to pieces like snow.
But she didn't say another word.
We gave her spirits of ammonia
and put ice on her forehead
and hooked her back into her dress
and half an hour later,
when we walked out of the room,
the pearls were around her neck
and the incident was over.
Next day at five o'clock,
she married Tom Buchanan
without so much as a shiver.
And started off on a three-month trip to the South Seas.
I saw them in Santa Barbara when they came back,
and I thought I'd never seen a girl so mad about her husband.
If he left the room for a minute, she'd look around uneasily and say,
Where's Tom gone?
And wear the most abstracted expression
until she saw him coming in the door.
She used to sit on the sand with his head in her lap by the hour,
rubbing her fingers over his eyes
and looking at him with unfathomable delight.
It was touching to see them together.
It made you laugh in a hushed, fascinated way.
That was in August.
A week after I left Santa Barbara,
Tom ran into a wagon on the Ventura Road one night
and ripped a front wheel off his car.
The girl who was with him got into the papers too
because her arm was broken.
She was one of the chambermaids in the Santa Barbara Hotel.
The next April, Daisy had her little girl
and they went to France for a year.
I saw them one spring in Cannes, and later in Deauville,
and then they came back to Chicago to settle down.
Daisy was popular in Chicago, as you know.
They moved with a fast crowd, all of them young and rich and wild,
but she came out with an absolutely perfect reputation,
perhaps because she doesn't drink.
It's a great advantage not to drink among hard-drinking people.
You can hold your tongue, and moreover,
you can time any little irregularity of your own,
so that everybody else is so blind that they don't see or care.
Perhaps Daisy never went in for amour at all,
and yet, there's something in that voice of hers.
Well, about six weeks ago,
she heard the name Gatsby for the first time in years.
It was when I asked you, do you remember,
if you knew Gatsby in West Egg?
After you had gone home, she came into my room and woke me up and said,
What Gatsby?
And when I described him, I was half asleep.
She said in the strangest voice
that it must be the man she used to know.
It wasn't until then that I connected
this Gatsby with the officer in her white car.
When Jordan Baker had finished telling all this,
we had left the plaza for half an hour
and were driving in a Victoria through Central Park.
The sun had gone down behind the tall apartments
of the movie stars in the West Fifties.
And the clear voices of girls,
already gathered like crickets on the grass,
rose through the hot twilight.
I'm the Sheik of Araby.
Your love belongs to me.
At night, when you're asleep, into your tent I'll creep.
It was a strange coincidence, I said.
But it wasn't a coincidence at all.
Why not?
Gatsby bought that house so that Daisy would be just across the bay.
Then it had not been merely the stars
to which he had aspired on that June night.
He came alive to me, delivered suddenly
from the womb of his purposeless splendor.
He wants to know, continued Jordan,
if you'll invite Daisy to your house some afternoon,
and then let him come over.
The modesty of the demand shook me.
He had waited five years,
and bought a mansion where he dispensed starlight to casual moths,
so that he could come over some afternoon to a stranger's garden.
Did I have to know all this before he could ask such a little thing?
He's afraid. He's waited so long.
He thought you might be offended.
You see, he's a regular tough underneath it all.
Something worried me.
Why didn't he ask you to arrange a meeting?
He wants her to see his house, she explained.
And your house is right next door.
I think he half expected her to wander into one
of his parties some night, went on Jordan.
But she never did.
Then he began asking people casually if they knew her.
And I was the first one he found.
It was that night he sent for me at his dance,
and you should have heard the elaborate way he worked up to it.
Of course, I immediately suggested a luncheon in New York,
and I thought he'd go mad.
I don't want to do anything out of the way, he kept saying.
I want to see her right next door.
When I said you were a particular friend of Tom's,
he started to abandon the whole idea.
He doesn't know very much about Tom,
though he says he's read a Chicago paper for years
just on the chance of catching a glimpse of Daisy's name.
It was dark now, and as we dipped under a little bridge,
I put my arm around Jordan's golden shoulder, and drew her toward me,
and asked her to dinner. Suddenly I wasn't thinking of Daisy
and Gatsby anymore, but of this clean, hard,
limited person, who dealt in universal skepticism,
and who leaned back jauntily just within the circle of my arm.
A phrase began to beat in my ears with a sort of heady excitement.
There are only the pursued, the pursuing, the busy,
And Daisy ought to have something in her life, murmured Jordan to me.
Does she want to see Gatsby?
She's not to know about it.
Gatsby doesn't want her to know.
You're just supposed to invite her to tea.
We passed a barrier of dark trees, and then the façade of 59th Street,
a block of delicate pale light beamed down into the park.
Unlike Gatsby and Tom Buchanan,
I had no girl whose disembodied face floated along
the dark cornices and blinding signs.
and so i drew up the girl beside me tightening
my arms her wan scornful mouth smiled
and so i drew her up again closer to my face
