How to Draw a City Street View in 1-Point Perspective: Narrated

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Video Summary
AI GeneratedThis tutorial demonstrates how to create a street scene using one-point perspective. The instructor guides viewers through establishing a horizon line and vanishing points to draw buildings, roads, and vehicles. By focusing on the relationship between vertical lines and receding diagonals, the lesson teaches how to create depth and spatial accuracy in an urban environment.
Hi, Tom here. In this week's Circle Line Art School video,
I'll show you one way to draw a street scene in one point perspective.
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First, draw a horizontal line just below the middle of your page.
Next, we can draw a vanishing point
to the right of the center of the page,
on the horizon line.
We will use this vanishing point to draw a building on the left,
So we need some lines going left,
one below the horizon line and one above the horizon line.
Now we can draw a vertical line
between these two diagonal lines
for the corner of a building,
next draw another diagonal line below the top line,
now using the vertical line draw a short
line going left and then another short line going right parallel
to the horizon line.
We can use these two short lines to make the overhang of the building
and the overhang of the
roof. Draw another vertical going down
from the short line, then we will have, then we need one
more diagonal for the overhang of the top floor of the building
and one more line for the edge of the roof
In one point perspective, vertical lines stay vertical but lines
and edges of things that are going away from us, that are receding will
be going towards a single vanishing point if they are parallel lines.
We could draw a series of small windows
and divide the top of the building
into a series of smaller structures
as we already have the basic shape.
For this drawing we need to leave space
at the lower part of the building so that
we can add a car
or a bus
on the road later on.
Next, draw a series of boxes in perspective
for some distant buildings.
Again, the sides of the buildings which are all
parallel to each other, they are parallel lines as well, but
they'll look like they are receding and getting closer together
as they recede all the way to the vanishing point
Next we could add a small group of buildings
in the middle of the drawing using vertical and
horizontal lines to make a sort of rectangle
and using the vanishing point for the diagonal lines,
for the lines of the side of the building that are going away from us.
For this rectangle we
could add a roof and maybe a poster display
and a few buildings behind the front one.
It's always easier to draw the buildings behind the first building
because they're sort of
Partly obscured or hidden by the building in the foreground.
So these buildings in distance can just be
sketched in. So far all the buildings are parallel
and so use the first vanishing point, the single
vanishing point that we've used
so far in this one point perspective drawing. But now we can
add another vanishing point for some buildings
on the right that are also in one point perspective
but as they are not parallel
to the first group of buildings on the left.
They need a new vanishing point.
As long as the vanishing point is on the horizon line,
on your horizon line, then that's fine.
So for the next group of buildings I'll draw them in
a similar way to the first group,
the first group of buildings that we drew on the left.
Start with some diagonal lines
and then we could add a vertical line in between for the corner of
the building. We could use
the two horizontal lines, the two
short horizontal lines again,
Again, the overhang of the building and the roof.
We could add some tonal values at this stage
to the top of the buildings only.
For this drawing I'm using a 4B pencil.
The smaller buildings in the distance can just be
indicated, implied, using a single vanishing point for each building.
So each building is
in one point perspective
and each building only uses one of our vanishing points. And in the
background I think I'll add a building with some domes,
with some points on top of the domes.
So a big
building
very far
away. Now
using the
original
vanishing
point we
can draw
a few more
lines for a road coming towards us.
I think for this drawing I'll draw a bus on the left.
To do this start by thinking about where the bus will go
and then to draw
Two lines going towards the vanishing point
for the top and bottom of the bus
that are going away from us
and we need to use the same vanishing point that the road's on
because the bus is going to be more or less parallel to the road.
Now draw a big rectangle for the front of the bus.
Taller than it is wide and we could add a curved top to the bus too
so it's not just a box shape.
Choose carefully how long you want the bus to be.
Don't make it too short and definitely don't make it too long.
In perspective, you have to think if it goes all
the way to the horizon it's basically endless,
so a really long train would go all the way to the horizon,
but a bus would be quite a lot shorter.
Once you have the basic shape, you can add the wheels.
The bus wheels are pretty big,
and remember we're looking at the wheels at an angle,
so they'll sort of be looking at the side,
and each wheel will have a thickness too.
Next we can move on and draw a car.
Start with the front of the car,
just a rectangle of the front forward part of the car,
and then we could draw the baseline of the windscreen,
and then the line of the top of the windscreen,
and a curve for the roof of the top of the car,
and then by using our vanishing point again,
we can draw the lines for the side of the car,
which will go towards the vanishing point.
Once you have the basic shape, you could add some details,
some headlights and some wheels.
On the right I think I'll draw a man standing next to a bike,
push bike. To do this just draw two
thin wheels which are quite tall as he is quite near us,
quite near, close to us and then we can
just sketch in a very simple person a head
and some baggy clothes and just a line for the base
of the foot. Now I think it's time to erase some
of the guidelines to clear up the drawing a little bit.
The next stage is to add some more tonal values to this drawing.
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If you have any ideas for drawings that you'd like me to
make a video on, please leave your thoughts in the comments section
and
I'll
try
and
make
a
video
of
one
of
the
ideas
every
week.
This
is
drawing
number
367.
Thank you very much for watching this drawing tutorial,
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