Dmitri Baltermants - Photographs.

Visual Trick Lab
Visual Trick Lab

Dmitri Baltermants (1912–1990) was a Soviet photojournalist born in Warsaw, then within the Russian Empire, to a Polish family. He was raised in Moscow and graduated in mathematics from Moscow State University in 1939 before entering photography. He began working as a staff photographer for Izvestia in the late 1930s and was later associated with the illustrated magazine Ogonyok, one of the principal Soviet weekly publications for photographic reportage.

Between 1941 and 1945, Baltermants worked as a military photographer attached to Red Army units on the Eastern Front. He photographed in locations including Crimea, Ukraine, and the Caucasus, producing images of фронт-line conditions, civilian casualties, and military operations. In 1942 he photographed the aftermath of mass executions in Kerch; a group of negatives from this event later formed the image known as Grief. After submitting material that did not align with official narratives, he was temporarily removed from front-line duties and reassigned. Much of his wartime work remained unpublished until the post-Stalin period due to editorial controls within Soviet media.

After the war, Baltermants resumed work in Soviet photojournalism and became a senior photographer and later picture editor at Ogonyok, where he worked for several decades. His photographs were published in Soviet periodicals and later compiled into books including Dmitri Baltermants (1975) and Photographs (1982), which present selections from his wartime and post-war work. His archive consists of negatives and prints produced between the 1930s and 1980s and is held in Russian state collections and international institutions documenting Soviet photographic practice.

Dmitri Baltermants

Music
Mozart_ Piano Concerto No. 23 in A major, K. 488_ II. Adagio - Mira Ma

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