Why This Extremely Expensive Doll Is So Controversial
1 Video View·Sep 29, 2026
Since 1986, American Girl dolls have taught millions of kids about history,
empathy, and resilience. They've represented groups not typically seen in the toy aisle,
and taken on subjects most other toys wouldn't touch with a 50-foot slip and slide. At the same
time, they can't seem to go more than a few years without stepping into some controversy.
And that's why today we're taking a look at American Girl, the doll that can't seem to
The story of American Girl begins with a woman named Pleasant Rowland. Yes,
that is her real name, and yes, it is perfect. Rowland was the oldest of five children,
and grew up in the suburbs of Chicago. After graduating from Wells College in 1962,
she spent several years as an elementary school teacher before becoming a news anchor and reporter
for KGO-TV in San Francisco. She eventually moved into educational publishing, where she
developed reading programs for children. By the mid-'80s, Pleasant had built a career around
one central belief, children learn best when the material captures their imagination.
The idea for American Girl came to her during a 1984 vacation to Colonial Williamsburg in Virginia.
Rowland was struck by how powerfully the living history experience brought the past to life.
She would later recall sitting on a bench in the shade, thinking about what a poor job schools do
of teaching history, and wondering if there was a way to bring that history alive for kids
the way Williamsburg had for her. Using $1.2 million she saved from textbook royalties,
she founded Pleasant Company in 1986 and got to work making dolls.
The first three American Girls launched were Kirsten Larsen, a Swedish immigrant settling
in 1850s Minnesota, Samantha Parkington, a well-to-do orphan living in the Edwardian era
of 1904, and Molly McIntyre, a girl navigating life on the American homefront during World War
II. Each one came with a six-book series written at a third-grade level, which included surprisingly
difficult subjects like poverty, child labor, and war, albeit handled in ways appropriate for
young readers. The company made $1.7 million in its first year, and $7.6 million in its second.
Given that success, over the following years they expanded the family with characters including
Felicity Merriman, a spirited girl during the American Revolution, Addie Walker, a formerly
enslaved girl escaping to freedom during the Civil War, Josefina Montoya, living on a rancho
in New Mexico in 1824, Kit Kittredge, navigating the Great Depression, and Rebecca Rubin, a Russian
Jewish girl growing up in New York in 1914. Referring to American Girls' ability to wrap
history lessons in a fun package, Rowland called the dolls chocolate cake with vitamins,
and in 1998, she sold that vitamin cake to toy giant Mattel for $700 million.
Since then, Mattel has sold over 36 million American Girl dolls.
Before we get to the controversies, it's worth taking a moment to appreciate what American Girl
actually got right, because they did get a lot right. At a time when the dominant doll options
in the toy aisle were baby dolls and Barbie, American Girl offered something different,
characters with inner lives, historical context, and real struggles. They introduced young readers
to immigration, racial injustice, wartime sacrifice, and economic hardship through the
eyes of girls their own age. For many children, these were their first brushes with those parts
of American history. The dolls also made a deliberate effort to represent groups that
were largely absent from the toy market. Addie Walker, for example, was the first Black American
Girl doll, and was introduced in 1993. This was also the first doll in the line with a different
face mold, hair texture, and skin color. Josefina brought Latina heritage to the line. Kaya Atonmay
represented the Nez Perce people, with American Girl working directly with the Nez Perce advisory
board in her creation. In fact, the company consulted historians and cultural advisors
extensively for each character. As a result, the Addie books alone, vetted by Black historians
and written by author Connie Rose Porter, sold over a million copies within a year of publication,
an impressive figure for book sales by any standard. Beyond the historical line, American Girl
expanded to offer dolls with hearing aids, wheelchairs, crutches, and hair loss options.
The Truly Me line introduced over 100 different doll variations to allow kids to find a doll
that genuinely looked like them. And these variations weren't afterthoughts. They were
built right into the brand's stated mission from the beginning. And then there are the fans.
American Girl has cultivated one of the most devoted fan communities in toy history. There
are adult collectors, historians, and even a podcast called Dolls of Our Lives. Hosted by
two actual historians, it explores the books chapter by chapter and received coverage in
the New York Times. Not surprisingly, the brand was inducted into the National Toy
Hall of Fame in 2021. There's even an unofficial stage musical. What we're saying is,
the American Girl doll love is real, and it runs very, very deep.
So here's the thing about trying to represent all of American history. It is very, very hard
to get it right every time. And unfortunately, American Girl, for all its genuinely good
intentions, has stumbled more than once. Addie Walker is one of the most meaningful
and most debated dolls in the line's history. Introduced in 1993, she was American Girl's
first black character, and American Girl's deliberate choice was to make her story one
of escape from slavery during the Civil War. The books, written by Connie Rose Porter and vetted
by black historians, were even praised for their authenticity and earned widespread acclaim.
The question that has followed Addie ever since, however, is a real one. Namely,
why was the first black American Girl doll an enslaved person? Many in the African American
community didn't particularly love the idea that the first doll to look like them was defined by
bondage, even if her story was ultimately one of courage and liberation. As writers and scholars
have noted, there's a meaningful difference between a story that includes slavery and a
story whose very premise positions a black girl as someone escaping rather than living freely.
In other words, the concern wasn't that Addie's story wasn't important or beautifully told. It
was about what it means to make slavery the entry point. American Girl's second black historical
character, Cecile Ray, was notably different. Cecile was a well-to-do free black girl in New
Orleans, and the contrast was not lost on anyone. In 2005, American Girl's girl of the year was
Marisol Luna, a dancer and the first girl of the year of color. She was meant to represent the
Chicano-Mexican community of Pilsen in Chicago. Her book described the neighborhood as dangerous,
and it featured a story about her leaving Pilsen for the suburbs. However, the residents of Pilsen,
which was actually a vibrant community, weren't all that thrilled by the depiction. As a result,
they protested outside the American Girl store in Chicago. American Girl responded by saying the
passage had been taken out of context. The book's author, Gary Soto, however, retired from children's
literature following the controversy. You can draw your own conclusions as to why.
In 2009, a friend doll named Gwen Thompson was introduced as a companion to that year's girl
of the year. Gwen's story involved homelessness. She had lived in a shelter and at one point in
her mother's car. The intention was to acknowledge a real and often invisible part of American life.
The problem that critics immediately pointed out, however, was that the doll cost $95. In other
words, the communities most directly affected by homelessness were unlikely to ever be able to
afford the doll meant to represent them. It was a bad look, and American Girl stepped back from
tackling heavier social issues in their storylines for several years afterward. In 2014, American Girl
announced it was discontinuing four characters, including Cecile Ray and Ivy Ling, the only
Asian-American historical doll in the collection. The company described it as a business decision
to move away from the character-friend strategy, but fans didn't seem to want to move in that
direction. The public, particularly Asian-American and African-American advocates, pushed back
hard. American Girl, however, discontinued the dolls anyway. Since then, five more Black American
Girl characters and two more Asian-American characters have been added to the line.
However, both of the new Asian-American characters, Corinne, who is of Chinese descent,
and Kavi, who is of Indian descent, are contemporary dolls, not historical ones. As of today, there has
been no Asian-American historical character released since Ivy was discontinued.
The 2021 Girl of the Year, Kira Bailey, was an animal lover who visits her aunt's wildlife
sanctuary in Australia, and those aunts, Mamie and Lynette, were a married same-sex couple.
Conservative groups, most notably One Million Moms, petitioned to have the doll and its books
discontinued, viewing it as attempting to normalize same-sex marriage. American Girl, however,
stood by Kira and refused to pull the doll. It was one of four times the brand had been the
target of anti-LGBTQ plus boycott campaigns, but the only one tied to a specific character.
Throughout all of this runs a tension that American Girl has never fully resolved.
Namely, the dolls were created to represent communities that were underrepresented
and underserved, but their pricing has put them largely out of reach for many members
of those very same communities. A standard 18-inch American Girl doll today, for example,
starts at $135, and that's not including accessories. A beach car accessory for the doll
costs $275, and the flagship store experience in New York City, with a doll salon, cafe,
and photo studio, can easily run $600 for a single visit. In other words,
across most of the brand's history, the high price and limited retail locations have meant
that the dolls are often completely inaccessible to the very communities they're designed to honor.
A doll that represents a homeless girl costs nearly $100, and a doll representing immigrant
communities requires a trip to a flagship store in a major city or an online order that isn't in
the budget for many families. Again, it's not such a great look. American Girl turns 40 in 2026,
and the brand is at an interesting crossroads. At its mid-2010s peak, the line generated over
$600 million in annual sales. By 2023, that number had fallen to roughly $200 million.
The brand has since posted five consecutive quarters of sales growth,
but analysts seem to see that as stabilization rather than a full recovery. Meanwhile,
the dolls continue to create new and interesting controversies. For example, in early 2026,
to mark the toy's 40th anniversary, American Girl announced a new Modern Era line.
The new line features updated versions of the classic characters in contemporary clothing,
but the new versions are notably slimmer, a detail that has not gone unnoticed by their fanbase.
And the response from that devoted fan community was swift. Social media filled with reactions like,
what in the Bratz doll is this? And, did they snatch their waists? And perhaps most pointedly,
Kirsten didn't endure six weeks on a boat across the Atlantic and lose her best friend to cholera
for you to give her the Ozempic treatment and space buns. The historical dolls were always
about honoring the past. In that spirit, the fans now seem to feel that should include honoring the
pasts of the dolls themselves. American Girl was built on a belief that history matters,
that representation matters, and that children deserve stories that take them seriously.
That belief is still evident in everything the brand does. Now, after 40 years, the question
is whether a company can keep getting better at living up to its own ideals. And the fans
are clearly watching. From a bench in Colonial Williamsburg to $36 million
sold, American Girl has spent four decades trying to do something genuinely hard,
make history interesting for kids, and make them feel like they belong in it.
They haven't always gotten it right, but those who ignore history are doomed to repeat it.
And if there's one thing we can say about American Girl dolls, it's that they rarely ignore history.

