Winged Eyeliner for Mature & Hooded Eyes

Makeup Fashion
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Video Summary
AI GeneratedThis tutorial provides a comprehensive guide to creating a soft, smoky winged eyeliner specifically designed for hooded eyes. The instructor explains how to work with the natural fold of the eyelid to prevent the liner from distorting or disappearing, emphasizing a diffused look that lifts the eyes without fighting the skin's natural shape.
Sometimes when you try to do a winged liner on hooded eyes,
it looks perfect until you relax your eyes.
Suddenly the wing bends, it disappears into the crease,
or looks completely distorted.
Today I'm going to show you a soft smoky wing
that works with your eye shape and not against it.
So what are hooded eyes?
Hooded eyes simply means that a fold of skin
overlaps part of the eyelid,
covering some of the lid space when your eyes are open.
Some people are born with hooded eyes,
while others notice them developing over time
as the brows gradually lower
and the skin around the eyes becomes less firm.
You may have two hooded eyes,
or you may be like me,
where one eye is more hooded than the other.
Either way, the technique I'm going to show you
works beautifully.
So let's get started.
The first thing I want you to do is curl your lashes.
This might seem unrelated to eyeliner,
but it actually makes a huge difference.
Lifting the lashes opens up the eyes
so you can see your natural eye shape much more clearly.
If you have downturned eyes or very heavily hooded eyes,
spend a little extra time curling the outer lashes
because that's what creates that subtle lifting effect
at the corners.
Next, take a black or a dark brown eyeliner
and tightline your upper lash line.
Tightlining simply means placing the liner
between the lashes
rather than drawing a visible line across the lid.
This creates the illusion of fuller, thicker lashes
without taking up any of your precious lid space.
Now, it's important to understand the differences
between tightlining and waterlining
because they're often confused.
Tightlining is placing the liner between the lashes.
Waterlining is applying it to the inner wet rim of the eye.
If you have watery eyes
or you often notice your eyeliner transferring
to your lower waterline throughout the day,
I recommend skipping waterlining
and keep the liner between the lashes.
Otherwise, as your eyes water,
the pigment will transfer down
and make the lower waterline look darker
than maybe you wanted.
To make the liner last even longer in the tightline,
I like to set it with a matching matte eyeshadow.
I am using a tiny liner brush.
This is refer number 29
and I gently press the shadow into the base of the lashes
before lightly sweeping upwards.
This locks the pigment in place
without adding visible thickness to the lash line.
Already you can see the difference here.
My lashes look fuller and denser.
My eyes look defined
but they also don't look like they're wearing any eyeliner
and notice how my lower waterline
is still completely clean.
That's because I kept the liner between the lashes
and I set it with a matching powder.
Before we create the wing,
I just want to mention that the eyeliner
that I'm using is my Mature Beauty Velvet Eyeliner.
I actually created this product
because I couldn't find an eyeliner
that behaved the way I wanted on mature eyelids.
Most pencils on the market are way too dry
so they tug on the eyelids
and they skip through all of the little fine lines.
They are also so sticky
so they feel impossible to soften and blend out
and they end up leaving a really harsh
and unflattering result.
This is a kajal-based formula
so it glides on effortlessly
without pulling on delicate skin
but after you give it about a minute
it sets and becomes beautifully long-wearing
while still staying soft enough to blend.
That's what makes it perfect for techniques
like the soft smoky wing.
If you'd like to check it out,
I'll leave a link in the description box below
at maturebeauty.shop.
Now let's create the wing.
Start by looking straight into the mirror
with your eyes completely relaxed.
This is really important
because we want to design the wing
for how your eyes actually look
not how they look when you're stretching the skin
or raising your eyebrows.
With your eyes relaxed,
place a small dot where your upper
and your lower lash lines meet.
Then using an angled brush
with the pointed end facing towards your eyes,
gently stretch that dot outwards.
Notice that I'm pulling it out, not up.
If you angle the wing too high,
you're gonna run into the crease again
which is exactly what we are trying to avoid
and why we are struggling in the first place, right?
So go out, not up.
Once I have that first line where I want it,
I flip my brush
so the pointed end is facing outwards
and I connect it back into the outer corner of the eye.
Now you'll probably notice
that my right eye is much more hooded than my left eye
and that's actually very common.
Most of us don't have perfectly symmetrical eyes
and trying to force these identical wings
usually can lead to a lot of frustration.
So if one eye is more hooded than the other,
I suggest always starting with the more hooded eye first.
It has more limitations
so it's a lot easier to match your less hooded eye to it
than it is the other way around.
Now it's time for my favorite part
and that is softening the wing.
This is really what makes this technique
so flattering on hooded eyes.
A crisp graphic line tends to highlight every fold and crease
while a soft diffuse edge blends beautifully
into the natural contours of the eyes.
I like to use a small pencil brush for this.
I'm using Nikkie's N21 today
and I dip it into a deep shade
that's just a little softer than black.
Today I'm using a dark brown
but I often reach for charcoal as well
when I'm doing this look.
Starting at the outer edge of the wing,
gently buff the liner to diffuse the edges.
As you do this, keep most of the shadow
concentrated on the outer third of the eye.
Try not to carry the shadow
too far towards the center of the lid.
If you smoke the entire eyelid out,
you'll create more of like a classic smoky eye
which is still beautiful
but it will close the eye in more.
So by keeping the depth on the outer corners,
you maintain that lifted winged effect
while leaving the center of the lid
looking brighter and more open.
Now if your liner tends to transfer
onto your crease throughout the day,
here's a little trick that makes a huge difference.
Take a small fluffy brush,
dip it into a translucent setting powder
and lightly buff it through the crease.
This helps absorb excess oil
and creates a smoother surface
making it much less likely
that the liner will stamp onto the crease
as you blink throughout the day.
If you'd like a little more separation
between the crease and the eyelid,
which is what I like,
you can also sweep a neutral mid-tone brown
through the crease with a fluffy blending brush.
This will give just enough definition
to give the eye more shape
without taking away from the soft wing.
And then finish it off with mascara
making sure to really lift those outer lashes.
Now if you accidentally make the wing
a little thicker than you wanted
or you just want it to look a little bit sharper,
here's my favorite cleanup trick.
Take a tiny concealer brush like Nikkie's N23,
dip it into a small amount of foundation
and use it like an eraser to clean up the edges.
It's a really simple way to sharpen the shape
without having to start all over again.
I actually prefer using foundation for this
instead of concealer
because concealer is much thicker
and much more opaque
so it's easy to apply too much
and accidentally erase more liner than you wanted.
Foundation gives you a little more control
making it much easier to perfect the shape
while still blending seamlessly into the skin.
Now this last step is completely optional
but I never skip it
because I think it makes the eyes look so much bigger.
Using Ruffer's Shotto 2 brush,
I like to pick up that same soft neutral
that I used in the crease
and lightly buff it under the lower lash line.
This will give the illusion of larger,
more open eyes
without making them look darker or heavier.
Next, I take a matte ivory
or a soft white eyeshadow on that same brush
and I apply it to the inner corner.
This will instantly brighten that area too
and help you look much more awake.
The one exception to this
is if you have very wide set eyes.
Brightening the inner corners
can make them appear too far apart
but if you have average or even close set eyes,
this little trick can make a surprisingly big difference.
Finally, I finish with a coat of mascara
on my lower lashes as well.
And here is the finished result.
Once you get the hang of it,
this technique is surprisingly quick
and very easy to do
and I think it looks polished
in just about every situation.
It's soft enough to wear to like the grocery store
but it's elegant enough to wear to a wedding.
I really hope this tutorial gives you the confidence
to keep wearing winged liner
no matter how your eye shape has changed
because our features are going to change over time
and with age
and that's okay
because our techniques can change
right along with them.
I'll see you in the next one.
