House “La Nera”, Studio Scaramucci, Castel di Lama (Ascoli Piceno, Italy)
This contemporary “black box” residence is located in Castel di Lama, a town in the Marche region of central Italy, within the province of Ascoli Piceno. Set within a micro-industrial context, the house occupies a site previously developed with a 1950s building. Defined by clean lines and an essential architectural language, the project embraces a minimalist design approach that prioritizes space, structure, and functionality over decorative elements.
The entrance is approached through a tree-lined driveway framed by a bamboo grove, creating a striking and immersive arrival experience. Beyond the threshold, visitors are welcomed into a double-height open-plan living space where the interplay between expansive and compressed volumes generates a distinctive spatial dynamic. The ground floor features a split-level living area, with the kitchen serving as the social heart of the home, encouraging interaction between the different living zones.
Freestanding furniture was deliberately selected to preserve the flexibility and adaptability of the interiors. Exposed reinforced concrete and thermally treated oak flooring contribute to an authentic, handcrafted aesthetic, while intentionally visible building services add character and reinforce the home’s contemporary industrial identity. The main façade, crafted from laminated oak by a local artisan, reflects the project's attention to detail and strong connection to regional craftsmanship traditions.
On the upper level, the private sleeping area accommodates two bedrooms: the primary suite, oriented toward the mountains surrounding Ascoli Piceno, and a children's bedroom featuring canopy beds designed as playful, imaginative spaces. Bespoke glazing systems and custom-made furniture, produced by a local carpenter, further enhance the warmth, functionality, and uniqueness of the interiors.
Externally, the main volume is finished with a black heat-reflective render, while the southern elevation introduces a vibrant explosion of color. This portion of the house intentionally challenges formal consistency through the use of bold pop-inspired colors and expressive detailing.
Designed for long-term flexibility, the building can easily transition from a private residence to a studio or workshop with minimal alterations, embodying the spirit of the evolutionary architecture movement of the 1970s.
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Website: https://www.architetturaurbana.eu/ Instagram: / architettura_urbana Produced by: Architettura Urbana Photography: Gerta Collaku - Urbana Production Filming & Editing: Lorenzo Segato - Urbana Production
Project Information
Architecture Studio: Studio Scaramucci Lead Architect: Emanuele Scaramucci Project Name: La Nera Website: https://www.studioscaramucci.com
This black box is located in Castel di Lama.
We are in the province of Ascoli Piceno,
and it's a town with a micro-industrial vocation,
one of those situations where to do architecture,
you basically have to create your own micro-context every single time.
This house is home to my family.
Me, my wife, who is also an architect, and our two children.
The home was built to replace an old 1950s building
within a non-homogeneous cluster.
It shares two of its four sides with other properties,
and on the eastern side, it shares the garden in a kind of family co-gardening
with a neo-liberty style villa from the early 20th century.
Given the urban planning constraints,
since the house replaces a pre-existing volume
and sits adjacent to other properties,
the project aimed to renounce any formal ambition.
So, form, color, material,
everything is essentially reduced to space and structure.
The entrance to the home is through a small path
that winds through a pre-existing bamboo grove,
which becomes an opportunity to turn the house
into a continuation of this path through the bamboo,
the tree-lined avenue.
It's a sort of hollowed-out cave
where the structure and the reinforced concrete walls
become a continuation of this walk and turn into architecture.
Upon entering, we find this double-height open space,
where this large area contrasts with the compressed spaces
found in the rest of the house.
On the ground floor is the living room,
which spans two slightly staggered levels,
and the heart of the living area is the kitchen.
We wanted the kitchen to be the very hub of social interaction,
so whoever is preparing food
is always connected with those at the table,
on the sofa, or others living in the house.
In choosing and using materials,
we wanted to emphasize their handcrafted character.
So for the floors, we chose to use exposed reinforced concrete.
The same goes for the walls.
We wanted the holes from the tie rods
used during the formwork and pouring of the reinforced concrete
to remain in the walls.
The flooring, providing a tactile contrast to the cold concrete,
was actually made from heat-treated oak with visible knots.
The window frames were made of laminated oak
and have a very strong handcrafted character.
In particular, the main entrance façade
was entirely handmade on-site by a local craftsman.
Within this laminated oak grid,
the opening fixtures, the window and the entrance door,
were then positioned.
Going up to the first floor,
we find the sleeping area,
which essentially consists of the living room,
one for the parents and one for the children.
The master bedroom is characterized by a bed
placed in the center of the room.
Behind the bed, a curtain slides to reveal a window
that literally frames the mountain of Ascoli Piceno,
Mount Piseli.
The children's room is characterized by two canopy beds,
a reinterpretation of the classic style,
which allows the children to take ownership of the space.
The bed then becomes an element of play.
And then there's this glass partition
overlooking the living room,
framed by a custom wall unit
handcrafted by the carpenter we worked with.
The home's exterior is characterized by absolute minimalism.
In a way, formal research is stripped away.
A single material is used, at least for the main structure,
which is a heat-reflective black plaster.
However, this logic of reduction is countered
by an honest rejection of a perhaps overrated virtue,
consistency on the south side.
On the south side, the scene changes completely.
The connection with the Art Nouveau villa is gone,
as is the link to nature and the woods.
The paradigm shifts entirely toward absolute freedom,
playfulness, and pop culture references.
There are colorful tiles and round windows
evoking naval architecture,
and in a way, childhood itself.
We like to say that this black box
is at the moment being used as a residence.
By that, we mean it was not strictly designed
as a typical house,
but rather as a structure that is flexible
and can be adapted over time,
evolving as situations and needs change.
In just half a day,
by making some technical adjustments
or moving around the furniture,
it could easily become a workshop,
a laboratory,
or even an architecture studio,
depending on what is needed at the time.
This obsession with an adaptable home
stems from the legendary projects of 1970s architects
who sought the famous evolutionary house
that could adapt to changing times and circumstances.