On the eve of the Phillips Geneva Watch Auction XXIII, Aurel Bacs presents four highlights from the sale – a rare Louis Audemars Pocket Watch that was the most complicated timepiece of its day, a fabulous Cartier Mystery desk clock adorned with different métiers d’arts, a Patek Philippe Ref. 2523 with a rare map of South America, and a Patek Philippe Ref. 2499-100 perpetual calendar chronograph with moon phases.
Discover the in-depth stories behind each of these incredible pieces from our senior consultant, Aurel Bacs.
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Chapters: 00:00 Introduction 00:08 Four highlights from the sale 01:28 The Louis Audemars Pocket Watch 03:36 The Cartier Mystery Clock 05:12 The Patek Philippe Ref. 2325 07:44 The Patek Philippe Ref. 2499-100 08:55 Conclusion
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It's an absolute pleasure, just before we opened the exhibition at the Hotel President in Geneva
for the Geneva Watch Auction, to show you four items, four watches, four timekeepers
that have absolutely nothing in common, but actually they do. What do they have in common?
First, none of them was made at a time when watchmakers could make good use of computers.
No CAD, no CAM, no laser, whatever great technologies we have today.
And I also believe they have in common that at every given moment when these were made,
it was absolutely the very best one could possibly, and I say possibly acquire, they were
never readily available, but one could possibly acquire given the funds and the understanding
were available. We have four timekeepers going from the late 19th century, first quarter of the
20th, mid 20th, and late 20th, so spanning over 100 years of the finest watchmaking at any given
moment in history. Why don't we go chronologically, and I start with this enormous super complication
made by Louis Audemars. The connoisseurs will probably agree the master of grand complications,
and this one here is the most complicated watch in the world when it was presented in 1878
at the Paris exhibition. As a matter of fact, Louis Audemars won a prize for this watch.
The watch has unthinkable complications. First and foremost, to power all these functions,
the watch is not one, not two, it is actually three mainsprings. One, the so-called going train,
and it shows a perpetual calendar, a double chronograph. No, not a split second. Listen
carefully. A double chronograph, that means two separate chronograph mechanisms superimposed,
one on top of each other, two time zones, age and phase of the moon. It even has a temperature
indication at the bottom of the dial, and I mentioned the retrograde perpetual calendar.
The second train powers the repeating train. Not only does it repeat, but it has also a grand
sonnery. And the third train, for what quite naughtily is called the devilish,
it is a jumping fifth seconds that we see here beautifully performing. What does it feel like
to hold the world's most complicated pocket watch in 1878 in one's hand? It's unimaginable
what a showstopper it has been back then. This watch now comes for the first time ever
to the auction market, and I really believe it should go into a fabulous private collection.
Going to the mid-twenties, well, Cartier, Mr. Kueh, the mystery clocks, they have been
second to none in a mechanical aspect, because think once more how fascinating it is to have
an hour and a minute hand floating in space. But once again, Cartier's design, how to pair
our deco elements with traditional Chinese motifs. The dial, if I may call this the dial,
but the clock itself sits on the back of a chimera carved in agate, sitting on a rose quartz
rock. All this on a fabulous mother of pearl block with beautiful mosaic, depending how you
look at it, shines in so many different patterns. You've got pearls, you've got turquoise, you've
got sapphires, the hour markers are in diamonds. This one here is one of the rare occasions where
Cartier has indeed delivered a certificate confirming its authenticity. And we understand
it was at one point at Cartier, in Cartier's collection. So it's quite a treat for this
first ever on the auction market for now being available to the collecting community.
If we move on to the 1950s, the world has changed. We're now in the so-called jet age.
And if you do jet around the world, if you're a jet setter, what did Patrick Philippe have for you?
Patrick Philippe had for you a world time wristwatch. Based on the new concept of Mr. Cartier,
the world time mechanism where you have the cities on a ring outside with the diurnal and
nocturnal hours going in the opposite direction. But the greatest of all visual elements of the
watch, yes, are these faceted locks, but equally important, the handmade croissant enamel dial
depicting the map of South America. We know very few of these references to 523. This one was made
in the early 50s. And we know guilloche dials, we know North America, publicly in museums,
in private collections, Eurasia, even plain blue dials. This is so far the only one that has ever
been traded or offered or sold publicly at auction depicting the map of South America.
No, not last year, not 10 years ago. No, in the late 80s. That's probably more than two
generations of watch collecting ago. And since then, the watch has not been available at auction.
Why are there so few? Well, it's obviously a matter of speculation, but my take is that it's
too good, too much technology for the time. I believe that once you landed in New York
or in Los Angeles, it was enough to just pull the crown of your regular time only watch and
move it six or nine or three hours forward and backward. No, I think here Patrick Philippe and
Mr. Cotier solved the problem that nobody asked to solve. And therefore these pieces weren't a
great commercial success. We know that because so many have remained unsold for years until the
60s, 70s, and in some instances, even in the 80s. That's one of my personal favorites. And if you
were the gentleman horologist in the 1980s, right at the beginning of the renaissance of mechanical
watchmaking, you could not not fall in love with the last iteration, the fourth series of the 2499.
Enough has been said about its fabulous case with the lug design that started in 1951,
which still today Patrick Philippe uses. In fact, just now at Watches and Wonders,
a new iteration of the perpetual calendar split second chronograph, the 5204 was launched.
And yet still today, this is the design that makes a Patrick Philippe chronograph with perpetual
calendar instantly recognizable. This watch is a premium example with absolutely wonderful
definition, crisp hallmarks, a beautiful unrestored dial with only two owners since new.
And I still believe it is difficult to find a watch, a wristwatch, a complicated watch,
a complicated Patrick Philippe wristwatch that gives more visual, intellectual, emotional
satisfaction than a 2499-100. These four watches or timekeepers and many others will be shown
in our upcoming exhibition here in Geneva. We look forward to welcoming you. We would be delighted to
present you these four and many other watches together with highlights from our New York and
Hong Kong auctions. See you there. Don't miss it.