50 Scandalous Facts About Grace Kelly Jewelry Collection

Antique
60 followers
Nov 27, 2025
Grace Kelly. Hollywood royalty turned real-life princess. Style legend. Academy Award winner. But did you know her jewelry might be one of the most scandalous of all time? Why did she have two engagement rings from the same man? And how did a quiet pearl necklace help launch a luxury empire?
In this video, we'll show you the most scandalous facts that will make you rethink everything you thought you knew about the Princess of Monaco.
Grace Kelly, Hollywood royalty turned real-life princess, style legend, Academy Award winner.
But did you know her jewelry collection might be one of the most mysterious
and scandalous of all time? Why did she have two engagement rings from the same man?
And how did a quiet pearl necklace help launch a luxury empire?
These 50 scandalous facts will make you rethink everything you thought you knew
about the Princess of Monaco. Ready to peek behind the polished curtain? Let the scandal begin!
Before there was a ring, there was a meeting that would rewrite not just Grace Kelly's life,
but the very image of Monaco itself. Picture it. 1955. Cannes Film Festival. Fresh off her Oscar
win for The Country Girl, Grace Kelly was in France as part of the American delegation
when a Paris match photoshoot led her to the Palace of Monaco and to Prince Rainier. Across
the Riviera, Prince Rainier III of Monaco ruled over a tiny but glamorous principality
that desperately needed a modern fairy tale to revive its post-war image. Their paths crossed
thanks to a carefully arranged photo opportunity at the Prince's Palace, a meeting orchestrated
with almost cinematic precision. Grace and Rainier corresponded in letters thick with warmth and
curiosity. Within months, a courtship had bloomed. And by Christmas of the same year, Rainier made a
bold transatlantic journey to Philadelphia to meet her family. He didn't come empty-handed.
Most women dream of a proposal. Grace Kelly had two. Prince Rainier III of Monaco first
offered her a Cartier Eternity band studded with rubies and diamonds in the red and white palette
of Monaco's national flag. The ring featured a quiet and simple design, and Grace wasn't
reportedly impressed. Thus, Prince Rainier headed to the Cartier shop to save the situation.
Rainier upgraded his proposal with a spectacular 10.48-carat emerald-cut diamond flanked by two
baguettes. The Prince reportedly paid a substantial sum of $40,000. The value of
Grace Kelly's engagement ring overwhelmed them all. Considering inflation, its current price
might exceed around $4 million. The Prince wanted to ensure his future wife would like it.
And she did. Now this was the ring of a coming princess.
In her final film, High Society, 1956, Grace played a socialite on the cusp of marriage.
Fitting, isn't it? Grace wore her real Cartier engagement ring on screen.
Watch closely, and you'll see it sparkle in close-up shots. No prop could compete.
Soon, everyone wanted what the princess had. From Elizabeth Taylor to Beyoncé,
emerald cuts became a standard of timeless elegance. Even decades later, Grace Kelly's
engagement ring continues to shape the jewelry world. Less trend, more blueprint. Today,
that diamond remains one of history's most recognizable engagement rings.
Now that you understand why Princess Grace had not one but two engagement rings,
let's move to her adorable tiaras. Prince Rainier's mother, Princess Charlotte,
owned several impressive diadems, such as Cartier pearl and diamond fringe tiaras.
Still, she was apparently unwilling to share them with her new daughter-in-law.
These tiaras were her personal property. Luckily, Grace received generous,
bejeweled presents from her husband and the principality's primary employer,
the Société des Bains de Mer, or SBM. Crafted by Cartier, the Bains de Mer tiara
was a wedding present from the Société des Bains de Mer. This powerful Monegasque institution
governs Monaco's grand casino and glamorous resorts. The tiara's design, composed of round,
brilliant, and baguette-cut diamonds with caboclon rubies set in golden platinum,
echoed the red and white of the Monegasque flag, symbolically uniting Grace with her new homeland.
It was a nice compliment, as only the rubies counted 49 carats.
But what makes this tiara truly exceptional is not just its beauty.
It's its ingenuity. Van Cleef & Arpels designed it with clever flexibility.
Each element of the tiara can be detached to serve other glamorous purposes.
Grace wears the three central jewels in some vintage photographs as hair ornaments,
clustered like stardust among soft waves. In others, they appear as brooches, pinned with
effortless style to a gown or jacket. Grace was very pleased with her first royal diadem.
She wore the diamond and ruby tiara at the pre-wedding gala, her first official portrait
as Princess of Monaco, and on a visit to the Vatican in 1957. Prince Rainier noticed his
joy and decided to complete the parure. He presented her with a ruby and diamond ring
and a pair of ruby and diamond drop earrings. Grace wore the jewels at numerous state events
throughout her life. The tiara itself is rarely seen in full regalia. The family prefers to wear
the pieces individually, slipping them onto gowns and lapels like coded messages from the past.
And while the original tiara remains in Monaco's private collection,
Cartier later recreated the piece for the 2014 film Grace of Monaco, starring Nicole Kidman.
The replica, though dazzling, could never quite match the soul of the original.
It was, after all, not just about stones in settings, but about a moment in history.
However, a question lingers. How many tiaras can boast such adaptability and purpose?
How many tell a love story wrapped in the colors of a flag?
It was the beginning of a legacy, set in ruby and diamond. That tiara story led seamlessly into
another chapter of grandeur. Within months, Monaco prepared for the wedding that would
define an era and enchant millions across the globe. This was the glittering scene at Monte
Carlo on the night before the civil wedding took place. The gaiety of illuminations was the feature
The wedding unfolded over two ceremonies, a civil service on April 18th and a religious one the next
day. The civil ceremony took place in Monaco's throne room, where Grace wore a pale pink lace
dress with a matching jacket. Simple, elegant, and modern, Rainier wore his military uniform
adorned with medals. Grace carried a bouquet of lilies of the valley, delicate, fragrant,
symbolic of purity and happiness. Her bridesmaids wore sunny yellow silk, a color chosen to mirror
the Riviera light. The next morning, 600 guests filled the cathedral for the religious ceremony,
broadcast to an estimated 30 million viewers worldwide, a record-breaking audience at the time.
It was the first global media spectacle of the television age.
It was April 19, 1956. The world watched, breath held, as Grace Kelly, Oscar-winning actress and
America's beloved sweetheart, married Prince Rainier III of Monaco. It was Hollywood's
grandest finale and Monaco's most glamorous beginning. Grace's wedding gown remains one
of the most celebrated bridal dresses in history, an icon that redefined bridal fashion forever.
It was a masterpiece of restraint and romance. Designed by MGM's chief costume designer Helen
Rose, the gown was a gift from the studio itself, a gesture both sentimental and symbolic,
Hollywood dressing its queen one last time. The creation took six weeks, 36 seamstresses,
and an endless amount of silk, lace, and imagination. The gown has a high collar,
long sleeves, and a modest silhouette. Her wedding dress is now preserved at the Philadelphia Museum
of Art, in her hometown, a symbol of how America gave its princess to Monaco,
but never fully let her go. Her veil, 90 yards of sheer tulle, edged with lace applique and a tiny
embroidered rose pattern, and instead of a tiara, Grace chose a Juliet cap adorned with orange
blossoms and pearls, a nod to purity in the European bridal tradition. When she stepped out
of the car at Monaco's St. Nicholas Cathedral, the crowd gasped. Her attention to detail didn't
stop there. Among the gardenias, lilies of the valley, and orchids that made up her graceful
bouquet, a tiny Bible was tucked away, an intimate inclusion she insisted on herself.
And as the world watched the fairy tale unfold, Monaco joined in the celebration.
To mark the wedding, the Principality's post office released special edition stamps,
featuring the portraits of the radiant couple. The result was a national frenzy. The stamps
sold out within days, snapped up by collectors, romantics, and royal watchers alike.
It wouldn't be the last time Grace's image graced a stamp. Years later, her serene beauty would
return once more, this time adorned with her iconic pearl suite. That same spirit of symbolism
continued right down to Grace's shoes. Designed by American shoemaker David Evans,
they whispered elegance with every step. Crafted from soft ivory silk and delicately embroidered
with tiny seed pearls, yet hidden inside one shoe, nestled out of sight, was a copper penny,
a quiet token for luck. Grace's wedding seemed built on symbols, luck in her shoes,
love in her bouquet, and legacy on display. And nowhere was that legacy sweeter than in the cake
itself. Forget dainty tears and subtle decoration, Grace and Rainier's wedding cake was a towering
five-foot spectacle, a sugary architectural marvel crowned with both the coat of arms of Monaco
and the Kelly family crest. It stood proudly at the center of their celebration, a symbol of union
between two worlds, Hollywood glamour and European royalty. Grace's fairy tale continued
with an avalanche of gifts that could fill a palace hall. The wedding gifts were legendary,
over 1,400 of them, including a Rolls-Royce, a sewing machine, and a lace parasol from
Hollywood Friends. The big day of Grace's wedding was called the wedding of the century,
and no bride walks into history empty-handed. Prince Rainier gifted her a suite of pearls
and diamond jewelry from Van Cleef & Arpels, which included a necklace, bracelet, earrings,
and ring. He came himself, albeit quite discreetly, into the store and bought the
necklace as well as a ring, ear clips, and a bracelet, says a source familiar with the purchase.
The necklace is often noted as a highlight in Princess Grace's impressive Van Cleef collection.
Each piece shimmered with the soft luster of pearls and the brilliance of diamonds.
The gesture was historic. The set was so exquisite that Van Cleef & Arpels earned
the official title, Patented Supplier to the Principality of Monaco. A branding coup and a
royal stamp of approval all in one. Grace didn't hide these treasures away in velvet boxes.
The pearl suite made its debut during her honeymoon, gracing portraits and early official
appearances. You'll see them in photographs where her gaze is serene, her hair pulled back,
and the pearls glowing against her skin like moonlight on marble.
One of the last notable appearances of the suite was in a series of portraits taken to
mark Prince Rainier and Princess Grace's silver anniversary, just a year before her untimely
death. Princess Grace's Van Cleef & Arpels Pair Suite passed into the Palais Princière collection
and has been displayed with some of her other jewels, though it has also been worn by her
elder daughter, Princess Caroline. Now, it's time to unveil the mystery. Grace had a penchant for
pearls. She often wore just a simple but adorable strand in her everyday life. As an actress,
Kelly also wore pearls in films. For example, she wore a pearl strand in Rear Window, 1954,
to complete her fashionable black and white ensemble. It has become one of the most glamorous
looks in Hollywood history. In the 1950s, when asked about her favorite gems, she stated,
I favor pearls on screen and in my private life. Of course, Prince Rainier eventually found out
about his wife's passion for good pearls. The princess amassed a vast collection of pearl
jewelry that her husband gave her. She considered pearls a necessity for a woman.
Once, Grace famously quoted in the 1950s, I favor pearls on screen and in my private life.
The Princess of Monaco adored the iridescent luster of natural pearls.
On screen and off, she often reached for a single-strand necklace, delicate pearl earrings,
or a timeless bracelet, never trying too hard but always hitting the perfect note.
She wore these special pieces for the rest of her life, sometimes all together, sometimes on their
own, and sometimes mixed with other pieces. In fact, when the post office issued its 1993
postage stamp to honor Grace Kelly, they depicted her in her iconic style, with a strand of pearls.
In fashion, pearls often go in and out of style. They can feel too formal, too stiff,
too vintage. But on Grace, they were never outdated. They were eternal.
Grace Kelly's jewels were more than accessories. They were symbols of her transformation.
From screen siren to sovereign, from ingénue to icon, and perhaps most importantly, she wore them
again and again. On screen, in portraits, on balconies overlooking the Mediterranean,
these weren't locked in safes. They were lived in. Today, her rings,
necklaces, and pearl sets still inspire collectors, brides, and designers around the world.
Because when Grace Kelly chose a jewel, it became part of the fairy tale. And the fairy tale never
fades. But even the most dazzling fairy tales have their quiet surprises. For all her fame and
Grace's jewelry box wasn't overflowing with royal tiaras. In fact, what came next might surprise you.
Grace Kelly only ever owned two tiaras. That's right, two. For someone who draped herself in
Cartier and Van Cleef & Arpels, who stood shoulder to shoulder with queens and empresses,
her royal diadem collection was surprisingly minimalist. Crafted after her fairy tale
marriage to Prince Rainier III, the diamond tiara was a gift that reflected Grace's evolving
royal image. A flexible diamond bandeau of festooned design, composed of looping diamond
swags set in white gold or platinum, the tiara's providence is unfortunately unknown to us,
nor who made it, when it was made, or how Princess Grace obtained it.
That tiara, sculpted from a constellation of 42 baguette diamonds and 214 modern-cut stones,
was a crown of transformation. She debuted in the early years of her reign, and it quickly
became her go-to diadem for the grandest occasions – state banquets, palace balls,
glamorous weddings. Princess Grace's big, elaborate hairstyles made her even more renowned in the
fashion circles. She tucked her tiara into her hair so that it was scarcely noticeable,
as if she preferred complex hairstyles to extravagant jewelry. That appears to complement
her timeless, sophisticated 1950s style. Incredibly, the diamond tiara was rarely
shared. It was unmistakably hers. But once, just once, it adorned another royal head.
Princess Grace lent it only once to her little diamond tiara, because it was her most beloved
jewel. In 1978, Princess Caroline wore it to the ball the evening before she married
Philippe Junot. And then, silence. The tiara hasn't been seen in public since Grace's tragic
death in 1982. Where is it now? Most likely still within the Grimaldi family vaults.
Some whisper that it may one day reappear on the head of Princess Grace's granddaughters,
Charlotte Casaraghi, perhaps, or even Princess Gabriella in decades to come.
But until then, it remains a jewel paused in time. Do you think the tiara should return?
Should it crown another Monaco princess at a modern-day gala? Continuing the story Grace began?
Or should it remain a relic of her reign, untouched, a diamond ghost of a bygone fairy tale?
Some jewels retire into silence, others keep speaking long after their owner is gone,
and few spoke louder than the gleaming coffee beans of Cartier's most unexpected masterpiece.
Enter Cartier's Grande Café necklace. Cartier's Grande Café line, first launched in 1938,
found its rebirth thanks to Grace Kelly. The collection, tiny golden coffee beans
sculpted into necklaces, bracelets, and brooches, became synonymous with her image.
Gifted by Prince Rainier, the necklace featured golden beans that shimmered like Riviera sunshine.
In an age of towering bouffants and stiff pearls, Grace's choice stood apart. It became her hallmark.
In fact, the design became so closely tied to her image that Monaco eventually minted
a postage stamp featuring the necklace, a literal stamp of royal approval.
Cartier itself acknowledges that the line's revival owes much to Grace's enduring glamour.
Decades later, the magic still lingers. Ella Fanning, channeling Grace's royal portrait,
wore a 1955 Grande Café necklace at the Met Gala. It was time folding in on itself,
proof that Grace's style didn't just belong to Monaco's past, but to fashion's eternal present.
And after the Grande Café's golden shimmer came another bloom entirely, Diamond & Sapphire
Marguerite Clip, created by Van Cleef & Arpels in 1956. Picture a daisy frozen mid-bloom.
Prince Rainier III gave it to Grace shortly after their marriage, and the stones were said to carry
a tale of their own. Rumors said that the sapphires and diamonds once belonged to Maria Caterina
Salle, a wealthy Genoese heiress who married Prince Honoré III of Monaco in the 18th century.
That means Grace wasn't just wearing a brooch, she was wearing a slice of Monaco's aristocratic
history. The brooch became one of her favorite jewels. She wore it like a second skin.
After her untimely death in 1982, the Marguerite Clip was placed into the Palais
Princière collection, where it remains a delicate testament to her legacy.
Grace also had a sense of whimsy when it came to her jewels.
Princess Grace loved brooches and had an extensive collection in the form of animals.
One of the most charming examples, the Cartier Poodle Brooch. Crafted from platinum and encrusted
with diamonds, this brooch was created by Cartier. In a touching moment revealed during a recent
Cartier exhibition in Paris, Prince Albert II shared a childhood memory. As a young boy cradled
in his mother's arms, he would reach for the little poodle on her coat, his tiny fingers
tugging at the sparkling pup. And if a diamond poodle wasn't enough to make you smile,
how about a golden chicken? Enter the Cartier Chicken Brooch,
an absolute gem of imagination and craftsmanship. Created from embossed gold, platinum, carved
diamonds, coral, and pearls, this haute couture hen even boasted a gleaming green emerald for an
eye. The brooch made a stylish reappearance in the 2014 film, Grace of Monaco, where Cartier
recreated five of Grace's most iconic jewels for Nicole Kidman's portrayal of the princess.
Among them, the cheeky chicken. Because what would a film about Grace Kelly be without a
little sparkle? And a bit of personality. And then, there was the duck. Yes, a duck.
In 1953, two years before Grace would ascend to royal life, Van Cleef & Arpels released a
One piece, crafted from roped gold, glittering diamonds, vivid sapphires, and a cheeky cabochon
emerald for an eye, became one of Grace's unexpected favorites. It's said that Grace
adored it, perhaps because it stood in contrast to the weighty symbolism of her other jewels.
It was the kind of piece that didn't ask for attention. It simply invited you to smile.
The brooch was later featured in the Victoria and Albert Museum's 2010 exhibit,
Grace Kelly Style Icon. By the 1970s, Grace had evolved from Hollywood's sweetheart
into Monaco's dazzling emblem of sophistication, and her jewelry followed suit.
Paris, 1973. The famous Battle of Versailles fashion show, in which five French designers,
Marc Bohan from Christian Dior, Pierre Cardin, Hubert de Givenchy, Yves Saint-Laurent,
and Emmanuel Ngaro faced off against five American designers, Stephen Burroughs, Anne Klein,
Bill Blass, Oscar de la Renta, and Halston, was the only event Grace was seen in this ruby tiara.
The goal? Raise funds to restore Versailles. Princess Grace of Monaco arrived draped in
one of the most captivating parures ever to grace the fashion world. A ruby and diamond
tiara from Van Cleef & Arpels, flanked by matching earrings and a necklace composed of vibrant,
velvety ruby clusters. It's widely believed that the Maison loaned the ruby set to her.
It's important to note that while many of her jewels were personal gifts or state-owned,
this particular ruby parure may never have entered her private collection permanently.
There are no verified auction records or palace confirmations suggesting ownership.
But that only adds to the mystique. Like a fairy tale crown lent to Cinderella for just
one unforgettable evening, the tiara exists in memory more than in a museum. But if that story
feels like the end of a fairy tale, think again. Grace's jewelry tales never ended with happily
ever after. They simply glittered into the next chapter. Because somewhere in a Paris atelier,
another masterpiece was taking shape. And this time, the ending would shock everyone.
There's a necklace so magnificent, so dazzling, it could stop conversations mid-sentence.
Imagine 800 diamonds, 70 rubies, set in luminous platinum, handcrafted over 14,000
painstaking hours. Fit for royalty? Absolutely. Designed for royalty? Yes. But worn by royalty?
Strangely, never. It was intended to grace the swan-like neck of one of the most elegant women
of the 20th century, Princess Grace of Monaco, born Grace Kelly. The piece was to be her wedding
gift, a show-stopping symbol of Monaco's devotion to their new American princess.
But instead of a fairy tale debut, the necklace became the centerpiece of a very real royal scandal.
Let's dive into the glittering mystery. At first, it was a storybook idea. Monaco's National
Council wanted to mark the momentous occasion of Rainier III's marriage to Hollywood's darling
by commissioning a truly breathtaking gift. The budget? Reportedly, $114,000. A jeweler
was selected. The design? A bold cascade of blood-red rubies and icy diamonds was drawn up.
The time-consuming artistry that followed spanned more than a year. A tribute to Grace's status
as not only a royal bride but a global icon. And yet the necklace would never reach her.
Just days before the scheduled delivery, clouds gathered over the palace.
Enter Roger Medicin, Vice President of Monaco's National Council. A respected figure, a former
lawyer, and now, suddenly, the rumored center of a financial controversy. Allegations began swirling
that the price tag had been grossly inflated. Whispers suggested the necklace's actual value
was closer to $50,000 USD, less than half of what was officially allocated.
Was this a royal gift? A gem-studded scheme? While no formal charges were ever made public,
the court of opinion rendered its verdict. The rumors alone were enough to sour the atmosphere.
When Prince Rainier caught wind of the alleged deceit, he was more than displeased. He was
devastated. But Rainier himself reportedly found the necklace hideous. Grace Kelly, after all,
was no lover of ostentation. She gravitated toward pearls, clean lines, and refined diamonds.
So, what became of this legendary jewel? No verified photos of Grace wearing the piece
exists. Because she never did. The necklace vanished from her wardrobe before it even
entered. Its fate? Unconfirmed. Some say it remains in a private vault. Others speculate
it was quietly returned or dismantled. What we do know is that it never made its grand entrance
on the woman for whom it was crafted. What would you have done in Prince Rainier's shoes?
Accepted the necklace despite the controversy? Or protected Grace from a gift that felt more
like a burden? Unlike European dynasties known for their centuries-old treasuries and
layers of glittering grandeur, Grace's jewelry box was more curated than colossal.
She chose carefully, preferring pieces that could adapt and speak across decades,
rather than just sparkle in one fleeting moment. She owned relatively few tiaras, and instead
leaned into versatile sweets and memorable necklaces, choices that balanced royalty with
relatability. One of her signature moves? Convertible jewels. In a world where appearances
mattered and public events were frequent, Grace cleverly opted for transformable pieces,
tiaras that became necklaces, brooches that could swing into pendants. In a principality
smaller than Central Park but under a global spotlight, versatility was golden.
One piece stood out for its quiet symbolism and enduring charm. The Van Cleef & Arpels
Alhambra Necklace. This wasn't just another glamorous trinket draped around a royal neck.
The Alhambra collection debuted in 1968, years after Grace's fairytale transformation from
Hollywood icon to Monaco's princess. Inspired by the Moorish quatrefoil motifs of the Alhambra
Palace in Granada, Spain, the design was intended to evoke luck, harmony, and timeless elegance.
Grace Kelly was among the first and most prominent wearers of this new design.
And not just once, but the Alhambra was something else entirely. Less formal,
it captured Grace off-duty. At ease, elegant, effortlessly royal.
And here's the twist. Her love for the Alhambra necklace didn't just boost its profile,
it defined it. The clover became synonymous with her brand of luck and grace. By the 1970s,
it had gone from a new release to a must-have symbol of chic, and Grace was its unofficial muse.
Today, that same Alhambra necklace is still a bestseller, a timeless classic worn by everyone
from modern royalty to red carpet regulars. But few wear it with the quiet authority Grace did.
She frequently wore it during the daytime on casual occasions.
Charlotte Casaraghi, as the granddaughter of Grace Kelly, has access to an array of
stunning pieces, ranging from historical heirlooms to modern bespoke creations.
When she married Dimitri Rossum in a 2019 civil ceremony in Monaco, the 33-year-old bride turned
to the princely jewel vaults to make a statement at the wedding reception. Charlotte chose a Cartier
diamond festoon necklace to complement her white strapless Chanel gown. Grace wore the
necklace on numerous occasions while she was princess, including for multiple portraits.
After Grace's tragic death in 1982, the jewel was given to the Palais Princière collection
in the Palace of Monaco. The jewelry piece has been a renowned member of numerous Cartier jewelry
worldwide exhibits, but it is still in the possession of the Royal Family of Monaco.
The choice of the valuable necklace wasn't a mere occasion. This way, Charlotte paid tribute to
Princess Grace's memory through jewelry. Casaraghi has often been compared to her royal grandmother
in the past for her charm, beauty, fashion sense, and choice of wedding clothes and accessories.
Just like Grace, Charlotte also had two weddings – civil and religious ceremonies.
The civil ceremony was more modest. The bride wore a grey brocade mini-dress with large grey
bows on its front, white stilettos, and minimalist jewelry. But now, decades after her tragic death
in 1982, there's one question that lingers. Where are Grace Kelly's jewels today?
The short answer? Mostly still in Monaco. Many of Grace's most iconic jewels, like the Van Cleef
and Arpels pearl and diamond wedding suite and the Cartier diamond festoon necklace, are believed
to remain in the Grimaldi family vaults. They are heritage pieces, passed down like royal secrets.
In fact, several of them have already made public cameos on Grace's descendants.
While a few of Grace's pieces have been displayed publicly, most notably in museum
exhibitions such as The Grace Kelly Years, the vast majority of her jewelry remains unseen by
the public eye. There are no verified auction records for her most famous jewels and no dramatic
Sotheby's headlines announcing their sale. That absence is telling. It suggests that the Grimaldi
family has held tightly to Grace's legacy, not just emotionally, but materially. And of course,
no royal mystery would be complete without a swirl of rumors. Whispers persist about certain items
being quietly sold, gifted, or locked away due to their emotional weight. Some speculate that a few
lesser-known pieces may have been dismantled or reset. But here's the thing, none of this is
confirmed. And when it comes to Grace Kelly, fantasy always dances close to fact. Stick with
us because next up, we're unraveling the secrets behind Jackie Kennedy's pearls, Princess Diana's
revenge jewels, and Princess Anne's rebellious tiaras. Click play and let the sparkle expose the scandal.
