The Bizarre Parties in Ancient Greece)

Heritage Horizons
23 followers
Nov 21, 2025
Imagine stepping into an ancient Greek party 2,500 years ago. The air is filled with the smell of
wine and perfume. Men recline on couches, drinking slowly, reciting poetry and debating philosophy
late into the night. Their wives and daughters are not allowed behind these closed doors,
only alluring ladies invited to entertain them. This isn't just a party, it's a symposium,
the most exclusive and elite gathering of the ancient Greeks. The symposium has very early
origins. In fact, one of the oldest fragments of the ancient Greek alphabet that was ever found
is from a cup believed to have been used in a symposium. It's called Nestor's cup and is
dated to around 740 BC, not long after the Greeks borrowed the alphabet from the Phoenicians,
which is why the Greek here is still written from right to left.
It was found on Pythikose, today the island of Ischia, where the Greeks founded their very
first colony in Italy. On it is written a little poem, which is the oldest reference to Homeric
poetry ever found. They believe this very ancient cup was used in a symposium because of this poem
that's carved on it. Translated from Greek, it reads,
So it's basically a playful joke, claiming to be the cup of a character from the Iliad, Nestor,
and promising that whoever drinks from it will suddenly become irresistible to women.
This kind of playful poetry, humor, sexual innuendo and reference to literary culture
and mythology was typical of Greek symposiums, or symposia for plural. This is why scholars
believe this cup was used in one, or in some early form of it, like an elite drinking party.
Of course, drinking parties were nothing new, they were as old as civilization itself,
and earlier banqueting practices from the Near East likely influenced the Greeks in this way.
But the symposium, as it later developed, was a uniquely Greek concept.
In ancient Greek it was called Symbosium, which literally means to drink together.
We have ancient literature that describes what took place at these events,
and lots of ancient art that shows what they look like, mostly on red-figure pottery from
the classical period, but also some earlier examples of black-figure pottery, as well as
tomb paintings in Italy. What characterizes it the most is the way the participants reclined
on elevated couches, with the left arm leaning on a pillow, and the right arm holding their
drinking cup, the kylix. This was an intimate, invite-only get-together, with maybe 10-20 people.
It was only the upper class who would enjoy it, and for men only. Respectable women like their
wives, daughters, and sisters were not allowed in. However, there was one type of lady that
was invited, which I will tell you about in the next chapter.
This message is sponsored by Raycon.
Apart from being a faceless YouTuber, what you didn't know about me is that I'm also a
window washer. I own and operate a window cleaning business in two cities in Canada.
It's good money, but it's boring and repetitive work.
Thankfully, Raycon sent me a pair of their Essential Open Earbuds,
which helps me with my daily grind. As you can imagine, this work has zero intellectual
stimulation, unlike my channel. So with these earbuds, I can listen to history podcasts and at
least learn something while I clean my clients' houses. But I also need situational awareness
while I clean, so that I work safely, and Raycon's Essential Open Earbuds are perfect for that.
They're designed to keep your ears open so that you remain aware of your environment,
while still delivering crystal clear sound. They sit just outside the ear canal,
so that I can stay tuned into traffic, clients talking to me, or whatever is going around around
me. But I still get really good quality audio, as good as the big brands, but at half the price.
The flexible multi-angular hook wraps around your ear so that they stay secure,
and I can be active and know that they won't fall off. And with an 8-hour battery life,
they keep me going for a full day. Plus the charging case has a 36-hour battery life.
I use them for my daily grind. Whatever your daily grind is, you should use them too.
It's Raycon's anniversary, and they're offering my viewers 30% off the Essential Open Earbuds.
To order, click the link in the description box, or go to buyraycon.com
slash streetgemsopen to get 30% off the Essential Open Earbuds.
And now let's get back to the video. The focus of the symposium was of course the drinking,
but before that, a light meal was served, with simple dishes like salted fish,
roasted meat, cheese, bread, barley cakes, olive oil, dates, figs, and honey cakes.
Then with a full belly, the drinking could begin. The participants would appoint a toastmaster
called a symposiarch. His job was to lead the party by deciding on the pace of the drinking,
how the evening would proceed, and most importantly, how strong to mix the wine.
The Greeks never drank their wine straight. Only barbarians like us moderns would do such a thing,
and Scythians too. They always diluted their wine with water, which they considered the
civilized way to drink it. It was generally one part wine to three parts water, but could be
mixed stronger or more diluted. The wine and water were mixed in a large pottery vessel called a
crater. Slaves would then take the diluted wine from the crater with pitchers and pour them into
the chalices of the participants. Depending on the reason for the celebration and the mood of the
night, the symposiarch would decide on how strong to mix it, and how much wine would be drunk in
total. Although these often did end up in drunken revelry at the end of the night,
the purpose of a proper symposium was not about getting wasted. It was about composure,
self-control, and intellectual stimulation, traits highly valued by the Greeks. Diluted wine gave
them that pleasant stimulating buzz, but without losing their self-control. Although we do have
visual evidence that shows it sometimes did get out of hand, with imagery of participants puking
their guts out, and their slaves helping them through it. The night would unfold with a series
of games and entertainment acts performed by special ladies called hetairai. These were high
class courtesans, and were the only women allowed in. You might think of them as a kind of elite
escort. Their job was to keep them in company, play music, dance, make conversation, and sometimes
even sexual intimacy. They were highly admired for their beauty, intellect, and social skills,
and they had access to these elite men's circles that regular women did not, which made them
influential. They would famously play the aulos for the men, a double pipe that was used widely
in the ancient Greek world. It's a kind of flute, but with a reed mouthpiece like a bassoon or an
oboe, and is the sound you're hearing right now. It's a fascinating instrument that's still being
played by only a handful of people in the world. One of these groups is called the Aulos Collective,
who are the ones playing. I highly recommend you check out their channel after you finish this
video. They show you how they make this instrument, and how they play it. The link is in the description.
Apart from sexuality, games, and sometimes drinking too much, the core component of the
Symposium was philosophical discussion, poetry reading, and political debate. The toastmaster
would decide on what topics should be discussed. This was the serious side of the Symposium,
an intentional setting where the participants were given the chance to show off their knowledge
and sophistication. This might also be where the modern meaning of the word Symposium comes from,
a gathering of intellectuals where talks are given about a high-level subject,
but the ancient Symposium also had religious undertones to it.
Before the drinking, they would pour a little bit of wine on the ground,
a libation, as an offering to Dionysus, the god of wine. As the night unfolded,
and they went deeper into this experience, it was like they were entering the divine
realm of Dionysus, who was also the god of ecstasy and revelry. By drinking wine,
it was as if they were taking in the essence of the god, bringing him into their body,
and becoming possessed by him. It was as if he was joining them in the Symposium,
sharing this divine experience together. In fact, their drinking cups were often painted with the
eyes of Dionysus on the bottom, so that when they tipped the cup to take the last sip,
it was as if they wore the mask of Dionysus, symbolically becoming the god himself.
Mythological scenes were a common motif on this pottery, but a lot of these vessels that were
actually used in Symposia were decorated with scenes of Symposia, which is most of the art
you're seeing in this video. The black background comes from a special clay slip that turns black
when fired in the kiln, while the red figures are simply the natural terracotta left exposed.
The Kylix itself was an interesting choice of drinking cup. It was very wide and shallow,
which means that if you tipped it too quickly, the volume of wine would come rushing towards
your face and could easily spill all over you. I'm sure that happened many times to
inexperienced drinkers. That seems less than ideal for a sophisticated drinking party,
but actually, it's believed that such a cup was especially designed for keeping the events
sophisticated and composed. In order to prevent spilling wine on yourself, you would have to hold
it steadily with one hand for a long time, which required a lot of self-control. A virtue, as we
said. And you would have to drink out of it carefully, which would maintain your air of
This type of cup would force everyone to drink slowly and make the night last longer,
which was the whole point. The Kylix also worked as a good catapult. Their unfiltered ancient wine
would have solid bits that settled at the bottom of the cup, called the dregs. They would swirl
those dregs around in the cup, then fling them onto a target in the middle of the room, in a
game called kotavos. It was often a disc balanced on top of a pole, which they would try to knock
off with their wine splashes. So as you can tell, the symposium had many sides to it. It could be
serious debate, or drunken revelry, composure or puking, philosophy or silly games, self-control
or sexuality, and the format of the night could have structure or spontaneity. The symposium
became a prolific institution in the Greek world, and was practiced far and wide throughout the
cities of the Mediterranean. But it also influenced other cultures. The Etruscans,
for example, had close cultural and trade connections with the Greeks of southern Italy,
particularly in Campania. Pithecuse, the very first Greek colony in Italy where Nestor's cup
was found, was a meeting point between Greeks, Etruscans and Phoenician traders. And the Etruscans
would have close cultural exchanges with the Greeks for centuries. They adopted the practice,
but fit it to their own societal norms. Surviving Etruscan art is not as abundant as Greek art,
but what we do see in this rare tomb painting is a very vivid scene of luxury. The participants
are dressed in colorful clothes, and slaves are attending their every need. Greek and Roman writers
described these banquets with tables overflowing with food and wine, sourced from the fertile
Etruscan lands, and the Etruscan elite spending most of their leisure time in lavish banquets.
Their love of feasting was legendary. Compared with the Greek symposium,
the Etruscan banquet appears more indulgent and animated. I especially like this tomb painting
depicting cooks preparing the food in the kitchen, to the tune of the aulos, giving us a behind the
scenes look into the preparation of the feast. But an even starker difference in the Etruscan
banquets is that they allowed their women to participate. Etruscan women were generally
freer than Greek women, and they were allowed to recline with their husbands in their banquets,
something the Greeks criticized as scandalous. This is depicted in Etruscan funerary art.
These burial sarcophagi would have contained the ashes of married couples,
and they show husband and wife reclining side by side, possibly banqueting together into the
afterlife. The woman is not some kind of high-class escort like the Greek Hetairai that I mentioned
earlier. We know them to be the wives because these are funerary monuments found in family tombs,
the husband and wife buried in the same tomb. The Romans would take this indulgence a step further,
with their own banqueting practice, the convivium. Adopted from the Etruscans or from the Greeks of
southern Italy, the convivium retained the wine and conversation element, but put more emphasis
on luxury and copious amounts of food. They also reclined during their banquets,
and this is very much indebted to the Greek tradition. But unlike the Greeks who served
simple dishes before the drinking, the Roman banquets celebrated excess and hedonism,
with rich dishes, a bun and wine, and a lavish atmosphere designed to impress and entertain,
with none of that self-control that the Greeks had. But even during the Roman Empire,
the traditional Greek symposium continued in the eastern provinces, which were culturally Greek.
The symposium as an institution lasted for a very long time, surviving into late antiquity.
But just like most Greco-Roman traditions, it eventually faded out with the rise of Christianity.
But its remnants lived on in the Byzantine period, with banquets still being enjoyed
in the reclining position, even though by then, those Dionysian undertones were long gone.
