In this watercolor tutorial I’m painting a simple winter landscape in watercolors. This can also be a good idea for painting Christmas cards. I’ll show you how to use a limited color palette to paint a cozy snowy winter landscape at night and adding some extra magic using shimmering golden watercolors.
Supplies: Watercolor book (sketchbook) from Hahnemühle, 250 gsm, 100 % cotton Prussian blue from Daniel Smith Warm yellow and orange from Winsor & Newton Masking fluid from Winsor & Newton Washy tapes Round synthetic watercolor brushes Gold watercolor from Colors by Vita
Hello friends and welcome to another watercolor tutorial with me Negin. Winter is here in Stockholm
and we had the first snow of the year, so I was inspired by this beautiful view to paint
today's landscape, which also can be turned into a Christmas card if you like so.
This sketchbook I'm using is a watercolor sketchbook or watercolor book from Hanemula.
It's 250 gsm thick and 100% cotton and as you can see I made a frame
around the painting with these washi tapes and now drawing some abstract shapes representing
hills. And a big golden moon will be in the middle of the night sky.
Now this is a masking fluid which I use to cover houses, these tiny houses, moon and
stars, tiny stars. So it makes the painting process much easier for me. I want to just cover
these areas and get back to them after I'm done with the background layer. So after it has dried
you can peel it off. And as usual I spray my palette, let it sit for a minute or so before
I start painting to get the perfect consistency. And I leave this first section and start painting
in this one. And what I'm doing is that I'm using this wet on wet technique
where I first wet this section only and then apply my paint. It's a Prussian blue and it's the only
blue I'm going to be using in this painting. I start with a very light layer of Prussian blue
so I have added a lot of water to this paint and it's important to start very light and
darken your layers as you go because with watercolors you can't do the other way around.
So I paint each of these sections, these hills, one by one using the same technique.
Wetting the surface inside, adding the paint and drawing each layer so that paint won't
flow over to the other sections. We want to create this, how do you say,
transition from lighter to darker paint like a gradient.
And an important thing about the masking fluid is that you need to let it dry completely before
you paint over them. And from my experience different brands can have different drawing
times so it's good to always read about it. And for this one, for the Winsor & Newton,
I usually let it sit for 10 to 15 minutes before I continue painting.
After painting the sky I felt like I needed to add more contrast and darken the hills so
I repeat the same process as before, just wetting these areas with the clean brush,
clean wet brush and apply more paint. As I mentioned earlier it's good to start with
lighter colors, lighter layers and building them up as you go.
After the painting has completely dried it's time to peel off the masking fluid
and paint in those areas.
For the houses I'm going with warmer tones of yellow and orange, dark orange,
to create this glowing effect, also nice contrast between the cool colors of the background and the
warm reddish or orangish colors. For the evergreen trees using the same Prussian blue color I'm
using this simple technique, creating some sort of triangle and leaving some space
in between each section to create the illusion of snow. Or this other technique where I start
from the top and create some sort of zigzag shapes going downwards. Now it's time for
the final golden details. I'm using golden watercolors from a Swedish handmade brand Colors by Vita
and no matter what brand you use I recommend to applying some water
on the metallic paints and let them sit for like two or three minutes so they
absorb the water and get this creamy consistency.
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and I hope you will have a great time painting and see you in the next one!