Why buy when nature provides? In this video, I’ll show you how to find beautiful, free materials for cardmaking, journaling, or scrapbooking—right in your backyard!
You’ll learn: 🌿 How to collect and prepare real leaves for papercraft projects 🎨 My favourite creative ways to use them in cards, journals, and layouts 🕊️ Proven tips and tricks to help your leaves last as long as possible
Whether you’re a seasoned crafter or just getting started, this tutorial will inspire you to look at your garden in a whole new way.
Now, I love this time of year because
there are leaves everywhere, fallen from
the trees, and these are the perfect
free craft essentials you can use all
year round. So, this time of year,
autumn, of course, you get the beautiful
colors. You get the golds and the
yellows and those beautiful bright reds
as well, sometimes even purples in
leaves. Um, and definitely be taking
advantage of those. I'm going to show
you a number of techniques that I use in
my card making, scrapbooking,
journaling, using leaves. So, I went
into my garden. I collected some up and
then I laid them out on some kitchen
towel to dry. Patted the tops of them as
well. Um, you want to make sure they're
as dry as possible before you start
working. So, without delay, let's jump
into the first technique that I did to
start creating some of these beautiful
cards. So, I'm excited to try adding
foils to leaves because I just think
gold leaves would look absolutely
beautiful. I'm going to use some flake
and glitter glue and use the cold
foiling technique. I found hot foiling
doesn't really work. Uh, which is a real
shame because I think it would look
beautiful hot foiled, but cold foiling
this will be absolutely fine. So, it's
essentially using a glue that remains
sticky and tacky so that once it's
dried, you can still go ahead and add
the foils. So, you do have a little bit
of a time process with this because you
do need to allow this glue to dry, but
it does dry quite quickly. So, I'm just
spreading some on a breayer and I'm
going to come to the underside of my
first leaf. Now, as I say, all my leaves
are dry and they are all um made sure
there's no moisture in them at all. So,
I've pulled them out of the garden.
They've already fallen off the tree, so
they're just laying in the grass. So, of
course, for that reason, they are damp
anyway. Um, so I've picked them up and
I've brought them in and I've laid them
on kitchen towel, patted both sides.
Now, with the brer, because it's a
little bit harder to get into the center
of the leaf here, but there we go. So,
I've braided what I can. It's already
getting sticky, so I'm going to remove
it from there and allow that to dry a
few more minutes. My fingers are really
tacky. So, when you're using this, it's
important to have a wipe just to clean
up your tools as soon as possible.
Now, I can leave that to air dry or I
can use a heat tool on it. If you're
using a heat tool for any of the um
processes you're using when you're card
making with leaves, be careful. Of
course, the leaves could burn quite
easily and then they start to shrivel up
um and you don't want that. So, uh they
are more delicate than paper with the
heat tool. So, I'm just going to put
this straight away so I don't
accidentally smudge that anywhere. And
then just give this a wave. I might pop
my heat tool on it just for a moment,
but I'm going to do this from a
distance. Now, you can see the white
there, the glossiness. So, it is
definitely still uh very wet. So, now
I'm going to put my heat tool on it just
for a moment, from a real distance, and
dry that off.
So hopefully you can see there now that
leaf is kind of glossy and it is tacky
as you can see. It sticks to my finger.
So now we can look at applying some
foil. So we've got different types of
foils. I love this rose gold one. So I'm
going to try that. Now a good way to
check whether your foil is going to work
or not if you've got any of that
tackiness on your finger. It will pull
off the foil. Now this is a hot foil. So
hot foils will also work as well as cold
foils or named cold foils. Uh if you
were to do hot foiling, you can't use a
cold foil. There is a difference. But
for cold foiling, you can use cold and
hot foils. So just bear that in mind. So
I'm going to lay this piece of beautiful
rose gold foil over this leaf.
Press it down. And as I press it down,
you can already start to see those veins
coming through.
Absolutely beautiful. Now, I know that
there were some areas around the middle
here that didn't catch with glue. I
could have gone in with a little brush
and added them, but that's beautiful.
Okay,
now for the first reveal. Let's pull
this back. And that is absolutely
beautiful. Absolutely stunning. And if
we take a look at this as well, we've
then got a gorgeous, gorgeous leaf
there. Now, I'm going to use this. So,
I've got my beautiful metallic leaf that
I would be putting onto a project. And I
will do some projects, and I'll show
them all at the end with all of these
techniques as examples. But I'm also
going to use this, too. So, I'm going to
take a piece of black card stock because
I think that's going to show up really
nicely on black. And on the black card
stock, I'm going to spread a thin layer
of the same glue. So, this is the flake
and glitter glue. With my breer again,
just get a really nice even covering.
And I might even have a bit too much
there.
But I want to pull up as much of this
foil as possible. So, make sure it's
spread around. I don't mind a little bit
of a distressed look, but I really want
in the center, don't mind the edges, but
in the center, I really want to make
sure I've got an even covering of the
glue here so that that picks up and
transfers that image as clearly as
possible from the foil. So again, I'm
going to wipe my breer straight away
because this glue is extremely tacky and
much harder to remove once it's dry.
There are other tacky glues on the
market. So any glue that will stay tacky
after it's dried. So there's lots of
them around. Now, as you can see, if I
tap my finger, I can pick that up. So
that is now tacky. I'm going to be
really careful to not get my sticky
fingers around the detail of this leaf.
And I would cut this out. So I'm quite
happy to go into the middle of here.
Press that down.
I've got a little bit there, probably
where I caught my finger, but hopefully
you'll get the idea and we could go over
that if we wanted to. So, I've rubbed
down really flat around where the leaf
is. I'm just going to press out. Now, I
would cut this out, die cut it, so I'm
not so worried about the edges and what
they look like.
There we go. Flatten that all down.
Beautiful. just really burnish that.
Now, you could of course leave it like
that so you can see the effect, but I'm
going to
just press this down. There's a bit
there that's missing, but never mind.
Now, lift up.
You want to use gently in case you need
to place it down and burnish anything a
little bit harder. So, we've pretty much
got a clear piece of plastic now for our
foil. And we've got our leaf design. So
if you want something really subtle, you
can use that excess just like that. So
we've got our leaf and our negative
there as well used with the foil. Okay,
onto the next technique.
Now next is using a laminating machine
and preserving your leaves inside a
laminating pouch. Um they will last
forever. Honestly, they this is so quick
and easy. There's hardly any
preparation. Obviously, you don't want
to have any moisture in your leaves.
again. Um, but I do this all the time
for really nice backgrounds that are
then also see-through. So, it's kind of
like funky um, acetate as such in a way.
So, you can also do this before you
maybe die cuts. You can do this to
create really fun card bases as well. I
go with uh laminating pouches that are
matte on one side and glossy on the
other. So, they're easily available. Um,
this way I can decide, do I want a
glossy look like acetate or do I want
the matte look and it's not frosted,
it's still quite clear. Um, but yeah, so
you can decide either way. So, I am
going to laminate a a few different
leaves here just to show you the effect.
Um, let's take a really nice bright one
there as well and a couple of smaller
ones.
Let's go with a nice dark brown one. And
um let's see
these. And you can switch them up as
well depending on whether you prefer
them to be um the back the veins or
whether you want the bright side. So I'm
going to be looking at having the matte
side. So I think I'm going to put all of
these with the veins upwards. But we can
look at both sides when they when this
comes out. So I'm heating my laminating
machine up at the moment. That is turned
on. This is a really basic one, very
inexpensive. Laminating pouches are not
expensive either. When you place this
down, you just want to make sure you're
positioning everything where you want
it.
So, lay that down. And of course, if you
do have this with a card in mind or a
journal page or a scrapbook page,
whatever it may be, um you want to
position accordingly. I'm just placing
these down as an example today. So, I'm
going to just bring this here. So just
give that a good flatten. Now you will
have a few small air bubbles in these
sort of trapped between the veins and
the leaves where the laminating pouch
can't quite squish all the way down. Um
but that's fine if you're happy with
that because it's clear anyway. You
don't really see it. Just means it's not
going to be absolutely perfectly flat.
The one way you can combat this is to
cut away the uh the stalks a little bit.
So, you're just left with the flat part
or the thinner part of the leaves.
Again, depends on the design and the
look you're going for. Now, I can see
there I've got a red. You can just about
see that that has turned red. Now, that
means that this is heated up and that is
now ready for me. So, um no pun
intended, red ready. Um so, I'm going to
feed this through. So, I'm going to be
very careful. It doesn't matter which
way it goes, uh, facing upwards or
downwards. You can see that's getting
more and more red. That means it's
getting more and more hot. And this will
feed itself through. So, just start
placing it through until that starts
taking it. And I'm just going to hold
this up to ensure the leaves don't drop
out. And let that take it through at its
own speed. Occasionally, you might want
to run this through more than once as
well. That should pretty much flatten as
it goes. But as you can see it just
coming out the other end here. If I just
pull this down. Much much darker in
color, more vivid colors.
Really, really beautiful.
So, I like to also cut mine in half and
feed them through in the opposite
direction to how they went through the
first or second time, just to give them
more of a chance to grasp onto all the
different angles. And look at that.
Absolutely beautiful. Now, you can cut
into this if you want to. Like I say,
you can d cut it. You can just frame it.
You can make it put pattern paper behind
it. There's lots and lots of different
options with these. You've got the
glossy side and you've got the matte
side. Now, another really simple way of
preserving your leaves is to just add
simple clear embossing powder. So, I'm
going to be using Wow, but obviously
there's lots and lots of different
brands on the market. I'm going to
completely cover my leaf with clear
powder. You can absolutely do this on
both sides if you want to. I'll just do
it on one today. Going to stick with
this beautiful bright red leaf. I love
the colors of autumn. So, pressing the
the ink all over. And then the powder.
I'm just going to take a scrap of card
stock here to pop the powder on with.
You can see I keep my scraps close by
all the time. It's just so much easier
putting it back into the tub
all over. I say you can do one side and
then the other onto my heat resistant
mat. Pop the powder back in.
Then take my heat gun. I'm going to heat
set this. I am going to be careful not
to get too close or keep my heat tool in
one place at any time because I don't
want to burn the leaf. Now, of course,
bear in mind it may also blow around if
you uh if you put it at too much of an
angle where the air can get underneath
it. So, you want to go directly down.
So, I apologize you're not really going
to see this too well. Um because I do
like to keep the the gun straight down.
That air flow is going to press the
relief into my mat rather than blowing
it around, getting that air underneath
it. But as you can see, it's starting. I
can probably hold the stalk to be
honest. Let's just heat this this end
up. And then I'll hold the stalk
and get the rest. We go.
Just going to hold this up and heat it
this side.
And what I like to do, give that a
second. Beautiful glossy leaf.
Just a moment. Let that cool. and
harden. There we go. And then I like to
flatten it and we get these crackles in
the embossing powder as well, which just
add to the effect. There we go.
Absolutely
gorgeous. Now, this side is untouched.
You can see we've got a bit of a crack
leaf there, but otherwise it's
completely untouched. You can use that
side if you want to, but look, so so
pretty. And that would look amazing
again on a dark
background like so. How stunning is
that?
Now, leaves are one of nature's most
amazing masks or stamps because of the
detail in them and because of their
versatility, the fact that they're made
of a material that is waterproof as
well. So, jelly plates. Now, I can
already see I've recently used the leaf
on this jelly plate. So, let's use the
other side so that that print doesn't
come away. I don't tend to clean my gel
plate. Can you see that fern leaf in
there? Just little bit. So, I I use
leaves a lot on my gel plates. Let's
take a piece of paper just to transfer
this to. So, I've just got some plain
white paper here as an example. You can
use things like book pages. You could
use vellum. You could use tissue paper.
You know that there's lots and lots of
different options for you. So, just
using an American Americana, sorry, um
acrylic paint. Now, if you've never done
gel plate print printing before, I've
got a whole beginners's um video on my
channel. It's actually been really
popular. Um so, you'll find that there.
I will actually link that just here for
you so you can see that. So, just
shaking this up. I've not used this
paint for a while, so giving this a bit
of a shake.
Pop a few dots. I really don't need a
lot
of paint on there. And I'm using a
breayer just to spread that across. Now,
I'm using a jelly arts plate. Um, but
there's again lots of different brands
out there that you can be using.
There we go. So, give that a quick.
And I'm just using an old piece of paper
to the side here to clean my breer a
little. So, let's go. Let's put this
leaf down with the veins
on the print because I think that's
going to give us the nicest look.
Okay. So, take a piece of paper, place
that over.
I'm going to press it down with my
fingers first because I don't want it to
move around.
So, we're just pressing each of the
leaves into the paint on the gel plate.
So, this is just really getting our
impression.
There we go.
Make sure we go around with our fingers.
You can usually start to see through a
little bit. So, make sure you go around
and get
into all the leaves around the very
edges and you're picking up as much of
that excess paint as possible. Now, we
want to peel this off. We can go around
here a bit more without disturbing the
leaf too much.
So, first of all, you've got a
silhouette. Great. Quite basic, but
still beautiful. Then, I'm going to
carefully lift the leaf off. Now, I can
print that if I want to. So, let's just
pop this onto another piece of paper.
Press it down with my fingers or my
hand. Just use that paint.
And don't forget, of course, to use the
leaf afterwards with the paint on. There
we go. So, we've got the painted leaf.
We've got one impression. Now, this is
the one that's going to be really
beautiful.
So, let's press this down again. Just
plain white paper
onto your gel plate now. Really
burnishing that as well. Really lifting
that up.
Pressing down all the detail.
And then just lift up a little piece.
Ah, perfect. Yeah. Make sure you're
getting it all up. Some people like to
leave this on there for a while.
But that is just
gorgeous. Look at that for a gel plate
print. Now, you can also do this in
another way where you actually instead
of putting a clear piece of paper on,
you put this piece back over the leaf.
So, effectively this design would then
be inside the silhouette here. So,
there's lots of different options. And
as you can see, this one actually isn't
too different from impressing the leaf
on its own. So, if you want to try that
without a gel plate at all, just spread
some paint on a leaf and then press it
into something into some paper, you can
try that, too. So, really good fun. I'd
actually be cutting these leaf shapes
out and using them on a project, as well
as making my backgrounds.
Now, I also love to uh die cut my
leaves. So, just in the same way as you
would with paper. And you really want
your leaves to be quite dry for this.
So, let's move that up because that stem
is getting in the way. I like to try and
make sure that the um the vein or the
stem is kind of near the center of my
design, but you don't have to. You can
do hearts like I am. You can do circles.
You could do squares. Now, as you see,
this one's still got some moisture in it
because it's not a fully dry leaf. But
how beautiful are these as die cuts? And
I'm going to show you a card at the end
using these just to give you a bit of an
idea so that you don't get sort of
stuck. Well, okay. So, I can d cut this,
but how do I then go ahead and use them
on a card? So, I'll show you once more
with a drier leaf so you can see the
difference because this you do need a
wipe aside because you will get some
moisture. This one's a much much drier
leaf. So, let's again place this. I
think this uh heart will only just fit
on this leaf. So, let's use a tiny bit
of tape there just to hold that still
and run that through.
And it will squash the leaf.
If you want to go ahead afterwards.
There we go. Look at that. Really,
really beautiful. You can use either
side you want. Really, really beautiful.
But if you want to use the leaf um
if you want to leave if you want to use
the die cuts afterwards,
you can then of course go ahead and do
your heat embossing on them. You could
use something like glossy accents on the
leaves as well to kind of preserve them
a little bit. I'm not sure this that's a
little bit small for this one. Let's do
one more. Just see if we can find one
that's quite big enough. I don't think
I've got one. I might have to go
rumaging back in my garden. find one
that's big enough for this final die
cut. But I'm going to go ahead and do
that. And then shall we take a look at
these all of these leaves, all of these
pieces that I've just shown you, these
techniques made into cards.
So, here are three very, very simple
cards that I've created using the
techniques that I've just shown you. So,
um there's lots more of the leaves still
for me to use and put into cards. And
I've kept these as basic as possible
because you can of course extend on
this. You can add a lot more color,
backgrounds, sentiments, stamping,
whatever you want to, but just to give
you a rough idea. So, I used the heart
die cut uh leaves there. Just lined them
up, put a bit of sticky tape behind them
just to hold them in place. And I used
some stitching there, some actual uh
sewing machine stitching, small
sentiment, a few splats um in the
oranges pulled from the leaves. So, a
very simple card there. Perfect for
Thanksgiving, for fall, for autumn, but
of course, any time of year really. Then
I've got that beautiful gold foiled
leaf. I think that needs to stand out on
a plain background and really be the
focal point. So, that's what I've done
here. I've simply placed that on here. I
would probably treat the reverse of the
leaf just so that it lasts a little bit
longer. either with the heat embossing
um maybe with some spray acrylic. You
could do that as well or you can place
uh leaves into water and glycerin h
allow them to dry or soak for a little
while. Allow them to dry and they will
be preserved for a very long time. Um
but you can then go ahead and do your
foiling after that. So a simple
sentiment on a bright white background.
I think that is just stunning. And then
I've got the leaf that was in the
laminated pouch. I've used the matte
side. Um, I haven't finished this off at
all, of course. I've just popped a
sentiment on there. I cut an aperture.
So, you can use a dye. You can hand cut
an aperture to your size. As you can
see, it's frosted, but it's slightly
see-through. I've left this inside
unfinished just to show you how I just
simply taped around the edges and tape
that down on the inside. But I would
then put something over the top, but
keep that aperture cut out of the
backing piece as well, so you can really
still see through it. And of course,
you've got the choice. You can use the
glossy side if you prefer. So, there's
just three ways of using those leaves.
Again, very, very simple, very basic,
but you can extend on these and make
them prettier, make them more detailed,
whatever it may be. So, I hope you've
enjoyed this, learned some different
techniques to go and have a play with.
There's lots of leaves about at the
minute if you're in the UK. Um, have
some fun and I'd love to see what you
make using any of these techniques.
Leave me a comment if you can think of
any other ways of using leaves in your
paper crafting, too. I'd love to hear
them. And hopefully I'll see you again
very soon. Take care, everybody.