A Short Sketch in B-flat Major No.45

Another sketch, written as a string quartet + basso continuo, starting out with a tied bass technique resolving to C Minor, then a Comma to G Minor followed by a Romanesca. The bassline redirects us to B-flat Major by following the G with an F and E-flat, this then allows the melody to cadence into B-flat Major instead of continuing into G Minor as it could've.