J.S. Bach: Favorite Concertos

Johann Sebastian Bach (1685–1750) is widely regarded as one of the greatest composers in Western music history. His works span sacred and secular genres, showcasing his mastery of counterpoint, harmony, and expressive depth. Among his vast output, his concertos stand out as exceptional examples of Baroque instrumental music, blending technical brilliance with profound musical expression.

Composer: J.S. Bach

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Bach’s Violin Concerto in A Minor (BWV 1041) and Violin Concerto in E Major (BWV 1042) are among his most well-known contributions to the violin repertoire. These works, likely composed during his time at the court of Köthen (1717–1723), display both lyrical beauty and virtuosic passages. The slow movements, particularly the Adagio from BWV 1042, are deeply expressive, while the outer movements feature lively and intricate dialogues between the soloist and the ensemble.

His Violin Concerto in G Minor (BWV 1056) is thought to be a reconstruction of a lost work, later adapted into a harpsichord concerto. The second movement, an Andante with a hauntingly beautiful melody, remains one of Bach’s most famous slow movements.

During his time in Leipzig (1723–1750), Bach expanded upon his earlier instrumental concertos, adapting many of them for harpsichord. The Harpsichord Concerto in D Minor (BWV 1052) is believed to have originated as a violin or oboe concerto, and it is now considered one of his most dramatic and powerful concertos.

Bach also composed several works for the oboe and its variant, the oboe d’amore. The Oboe Concerto in F Major (BWV 1053) and the Concerto for Oboe d’Amore in A Major (BWV 1055) showcase the instrument’s warm, expressive qualities. These works demonstrate his ability to blend virtuosic writing with lyrical melodies, creating a seamless interplay between the soloist and the orchestra.

The Concerto for Oboe and Violin in C Minor (BWV 1060) stands as a unique example of Bach’s skill in writing for two solo instruments. The contrasting textures between the oboe’s rich, vocal-like timbre and the violin’s agility make this piece a favorite among performers.

Tracklist:
Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin)
Thomas Hengelbrock (violin), Amsterdam Bach Soloists
Violin Concerto in A Minor, BWV 1041:
00:00:00 I. Allegro
00:10:23 II. Adagio
00:14:22 III. Allegro

Violin Concerto in E Major, BWV 1042:
00:22:05 I. Allegro
00:28:47 II. Adagio
00:31:42 III. Allegro assai

Violin Concerto in D Minor, BWV 1052:
00:39:20 I. Allegro
00:46:22 II. Largo
00:54:14 III. Presto

Violin Concerto in G Minor, BWV 1056:
00:57:37 I. Allegro
01:00:52 II. Andante
01:04:30 III. Allegro assai

Concerto for 3 Violins, Strings & B.C. in D Major, BWV 1064:
01:10:23 I. Allegro
01:15:35 II. Adagio
01:19:50 III. Allegro

Artists: Andrius Puskunigis (oboe and oboe d’amore), Simona Venslovaite (violin), St. Christopher Chamber Orchestra, Donatas Katkus (conductor)

Oboe Concerto in F Major, BWV 1053:
01:27:05 I. Allegro
01:31:59 II. Siciliano
01:37:53 III. Allegro

Concerto for Oboe d'amore in A Major, BWV 1055:
01:42:06 I. Allegro
01:46:08 II. Larghetto
01:50:43 III. Allegro ma non tanto

Oboe Concerto in G Minor, BWV 1056:
01:53:57 I. Allegro
01:56:19 II. Largo
01:59:45 III. Presto

Concerto for Oboe d'amore in G Major:
02:03:09 I. Bass Aria (Arr. BWV 100)
02:09:25 II. Alto Aria (Arr. BWV 170)
02:13:42 III. Bass Aria (Arr. BWV 30)

Concerto for Oboe and Violin in C Minor, BWV 1060:
02:18:06 I. Allegro
02:22:19 II. Adagio
02:25:30 III. Allegro

Artists: Erik Bosgraaf (recorder), Ensemble Cordevento
Concerto in G Major, Arias from Cantatas BWV 215 and 32:
02:31:58 I. (Allegro)
02:37:20 II. Adagio
02:40:39 III. Presto

Concerto in B-Flat Major, BWV 1055:
02:44:38 I. Allegro
02:49:35 II. Larghetto
02:53:37 III. Allegro ma non tanto

Concerto in D Major, BWV 1053:
03:01:04 I. (Allegro)
03:05:01 II. Siciliano
03:11:02 III. Allegro

Concerto in D Minor, BWV 1059:
03:16:12 I. (Allegro)
03:19:03 II. Adagio
03:21:56 III. Presto

03:21:56 Liebster Jesu, wir sind hier, BWV 731

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