Scriabin-Piano Concerto | Bertrand Chamayou | Andris Poga | WDR Symphony Orchestra 史克里亞賓 - 鋼琴協奏曲 | 伯特蘭夏馬尤 | 安德里斯波加 | 西德廣播交響樂團
Scriabin - Piano Concerto | Bertrand Chamayou | Andris Poga | WDR Symphony Orchestra
史克里亞賓 - 鋼琴協奏曲 | 伯特蘭夏馬尤 | 安德里斯波加 | 西德廣播交響樂團
39,502 views Premiered Jul 29, 2024 KÖLNER PHILHARMONIE
Alexander Scriabin's Piano Concerto in F sharp minor op. 20, played by piano soloist Bertrand Chamayou and the WDR Symphony Orchestra conducted by Andris Poga. Recorded live on 25.05.2024 in the Kölner Philharmonie.
觀看次數：39,502 首演日期：2024年7月29日 科隆愛樂音樂廳
亞歷山大·斯克里亞賓的升F小調鋼琴協奏曲，作品20，由鋼琴獨奏家伯特蘭·夏馬尤演奏，西德廣播交響樂團指揮：安德里斯·波加。於2024年5月25日於科隆愛樂音樂廳現場錄音。
Alexander Scriabin - Piano Concerto in F sharp minor op. 20
亞歷山大·斯克里亞賓 - 升F小調鋼琴協奏曲，作品20
00:00:00 - I. Allegro
00:07:17 - II. Andante - Variations - Tempo I
00:15:08 - III. allegro moderato
00:00:00 - 第一樂章 快板
00:07:17 - 第二樂章 行板 - 變奏曲 - 速度一
00:15:08 - 第三樂章中速快板
Bertrand Chamayou, piano
WDR Symphony Orchestra
Andris Poga, conductor
伯特蘭·沙馬尤，鋼琴
西德廣播交響樂團
安德里斯·波加，指揮
Introduction to the work:
Musical mystic, sensitive synaesthete, megalomaniac muser - these are the catchwords used to describe Alexander Scriabin. One thing is certain: The Russian composer was a changeable personality, oscillating between dreamy and ardent. This is also reflected in his music, which unfolds from the lyrical, even in its more upbeat moments.
作品簡介：
音樂的神秘家、敏感的聯覺者、狂妄的沉思者——這些是用來形容亞歷山大·斯克里亞賓的關鍵字。有一點是肯定的：這位俄國作曲家個性多變，在夢幻與熱情之間搖擺不定。這也反映在他的音樂中，即使在較為歡快的時刻，也始終以抒情為主。
Scriabin grew up without a mother, she died when he was one year old. His father was a diplomat, so his aunt took him in. His phenomenal musical talent soon led him to Nikolai Zverev, one of the best piano teachers in Moscow. Sergei Rachmaninov was one of his classmates at his private school. Scriabin studied composition at the Moscow Conservatory with Anton Arensky and Sergei Taneyev, both students of Peter Tchaikovsky. Shortly after graduating, he was particularly lucky: he met the publisher and patron Mitrofan Belyaev, who thought highly of him. Belyayev organized concerts in other European countries for Scriabin's career as a pianist, and he immediately signed a contract for his compositions. Thanks to this support, the young musician was able to develop freely and became one of the pioneering composers of his time. His late piano sonatas and the orchestral works “Le Poème de l'Extase” and “Promethée. Le Poème du feu” opened the doors to the 20th century with their unheard-of harmonies.
斯克里亞賓自幼喪母，一歲時母親過世。他的父親是一位外交官，因此他的姑姑收養了他。他非凡的音樂天賦很快就使他拜師於莫斯科最優秀的鋼琴教師之一尼古拉·茲維列夫。謝爾蓋·拉赫曼尼諾夫是他私立學校的同學之一。斯克里亞賓在莫斯科音樂學院師從安東·阿連斯基和謝爾蓋·塔涅耶夫學習作曲，兩人都是彼得·柴可夫斯基的學生。畢業後不久，他格外幸運：他遇到了出版商兼贊助人米特羅凡·別利亞耶夫，後者對他評價頗高。別利亞耶夫為斯克里亞賓的鋼琴生涯在其他歐洲國家組織了音樂會，斯克里亞賓也立即簽下了作曲合約。由於這些支持，這位年輕的音樂家得以自由發展，並成為當時的先鋒作曲家之一。他晚期的鋼琴奏鳴曲以及管弦樂作品《狂喜之詩》和《普羅米修斯：火之詩》以其前所未有的和聲打開了通往20世紀的大門。
His piano concerto is a far cry from these sounds. But the basic lyrical mood, the pensive fantasy, the yearning is already there. It is said that Scriabin wrote the work within a week in 1896. Whether this is true or is due to his self-stylization remains his secret. He completed the orchestral part the following year. Frédéric Chopin was unmistakably the god of the house at this time, which is evident both in the sparkling piano writing and in the orchestration. Overall, and especially in the pensive second movement, this concerto is inspired by Scriabin's special poetic talent.
他的鋼琴協奏曲與這些聲音截然不同。但其基本的抒情情緒、沉思的幻想和渴望卻始終如一。據說斯克里亞賓在1896年一週內就創作了這部作品。這究竟是真的，還是出於他個人風格的考量，這仍然是個謎。他於隔年完成了管弦樂部分。弗里德里克·蕭邦無疑是當時樂壇的巨擘，這點從他精彩絕倫的鋼琴譜和配器編排中可見一斑。總的來說，尤其是在沉思的第二樂章，這首協奏曲受到了斯克里亞賓獨特的詩意才華的啟發。
(Text: Otto Hagedorn)
（作詞：奧托·哈格多恩）
Provided to YouTube by ARD Klassik
由 ARD Klassik 提供至 YouTube