Chief of War, Part 2 - Flicks (2025)

WHYY
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144 Video Views·Sep 10, 2025
Indigenous cast members of this Jason Momoa Hawaiian historical drama mini-series talk with Patrick Stoner about what it meant to them to share the cultural heritage.
Flicks is a program devoted to exploring the latest creations from Hollywood. Each week, WHYY film critic Patrick Stoner provides up-to-the-minute coverage of top films, stars and moviemakers.
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Tell me of the outside world.
It
is strange.
The pale skin honors no gods of the
land.
There will be coming soon.
If this island is divided,
this kingdom will fall.
Chief of War is a nine-part series set
in Hawaii during the period of time
where the indigenous people fought the
colonialists. Jason Mimoa, executive
produced and stars in it. I talked to
him about what it meant to him and now I
talked to the supporting players about
what it means to them.
The land is very much uh part of the
family. It's a part of the community and
we see ourselves as caretakers and
descendants of the land. So, it really
is like it's the main character.
Yes. you had an opportunity to create
characters in an environment that I
would assume enhanced your ability to
believe in the characters
especially when you know we we live in a
time where it's been developed so much
and you know you move the camera a
couple inches and like oh there's
building that was one of the challenges
for sure in terms of the locations but
what really helped us was to suspend our
reality and imagine what took place on
these lands before you know all the wars
that existed. You can really feel it.
Like Hawaii is such a spiritual place.
You could feel the love and the care and
the way that it had been written and the
way that the characters came to life on
the page. And that only happens when the
creatives behind it truly believe in
that's a fair thing
in the story that they're telling.
You're right. We're not creating
characters. We are allowing space for
actual ancestors that still exist to
tell their story through us.
So it's really just being being open to
uh being an open vessel to let them do
the work.
What extent do you feel like you have an
obligation be as close to reality or
not?
Honoring all of our kuna, all of our
elders from this story that our language
and then our culture, they're all
interwoven
and really cannot be showcased
without every component, every move that
I had made.
came from in my opinion coming from my
kuna came from my people.
These kuna are not only here right now
in this space with us in that sense. Um
they also have living descendants. Many
of us descend from these ancestors. So
they're real on that sense too in in a
very real and physical way. So yes,
we're creating a show on on screen, but
we're we're living in the world that
these ancestors still live in.
Thank you very much. I do appreciate you
sharing all of that.
Thank you. Great questions. Yes. Thank
you so much.
Flicks with Patrick Stoner explores the
craft and culture of film making that
enhance our communities for television
stations and websites around the
country.
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