LaMelo Ball is stretching the limits of basketball

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You might be wondering what you just saw.
A player trying a one-legged fadeaway from 29 feet that's blocked only to come flying
out of nowhere to jump between two defenders to tip pass it back to an open teammate.
And this would be the craziest play for most players this season.
Only for Lamello Ball, it's a totally normal part of the experience because he's a chaotic
genius who pushes the limits of basketball like possibly no one in NBA history.
We recently talked about Ball's innovative shot attempts in our video on the evolution
of three-point shooting, where he's taking drifting threes from the parking lot or falling
out of bounds with a tippy-toe Dirk Nowitzki fade, but that only scratches the surface
of his experimentation.
He's out here throwing one-legged half-jump fakes from three, and look at the setup on
this one, where he steps back and upfakes off his front leg instead.
And make no mistake, this is totally a travel, but how often have you seen someone in this
position on their toes only to uncoil for an instant three?
If we tracked insane plays per 100 possessions, Lamello might have more by himself than the
entire league combined.
Take this Larry Bird homage in Milwaukee from behind the backboard falling out of bounds,
and that one rolled in, so against the heat he tried a similar shot while double-teamed,
but it rolled off the top of the backboard before clanking off, and this was two scoops
of crazy because his teammate is wide open for a layup in the paint.
Then there's this revolutionary idea against Atlanta, where he's stuck, so he passes it
off a teammate to restart his dribble, and I don't think he ever really let go of the
ball here, but yes, you are allowed to do this and generate a fresh dribble, and we've
seen other players do it off an opponent's back, but I've never seen anyone try it off
a teammate.
Then 30 seconds later makes this insane tip pass to an open shooter, and when Miles Bridges
short arms this delivery, a normal player jumps up to catch it, but Lamello sees an
opening to Superman himself and touch pass it over Trey Young to a now open teammate.
Then there's this sequence against the Pistons, where he completely loses the dribble, gets
it back with 6 seconds on the shot clock, and goes to the old spinning shot put from
half court, and he's trying to spin into his defender here to draw a foul, and you can
see that two-handed catapult he uses to generate so much power, and we know if he wants to
sharply spin away from a defender he can, but here he bangs into his man to save the
possession before comfortably draining a leaning 40-footer.
He'll also try a ton in just 6 seconds, going with a late pick and roll here, only to jump
into this audacious pass, then pick up the loose ball with 7 tenths left, and just flick
it in off one leg.
What the actual s***.
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Now, where was I?
Lamellos had flair in his game forever, but there's also an abundance of creativity for
an NBA star.
He's guarded by Giannis here, throws a ridiculous crossover just to pick it up and finger roll
at home, and he stops the dribble early like this to avoid the shot blocking Lopez at
the rim, but there is another level here, which is to turn the corner and go off the
wrong leg for the finger roll, and Lamello's always doing crazy stuff with his feet, like
this drive against the box where he literally jumps on his one step to shoot, and this is
so off-rhythm Lopez isn't ready to contest.
He's actually improved his strength and balance on his drives since he came into the league
as a 19-year-old, and at 6'7 with his ball handling and quickness, he's been more effective
penetrating and has a higher free-throw rate.
And he has all kinds of tricks up his sleeve to put pressure on the rim and finish around
defenders there, like contorting his body in the air in all kinds of preposterous positions.
I mean, he kind of looks like Aaron Gordon jumping over the mascot when he's all folded
up like that.
Here's some vintage Mello madness, splitting the double and then contorting around and
under Evan Mobley, but these shots are hard, and sometimes there's a delicacy to genius,
making life more difficult than necessary, like trying to finish a putback in one motion
instead of coming all the way down.
Or plowing forward in transition into multiple defenders when one teammate or maybe two teammates
are open near the basket.
To me, LaMelo is way too good of a passer to telescope on scoring this much, but this
is part of living on the edge between chaos and creativity.
It's easy to forget how big he is for a guard because his actions are so quick, and he plays
with the throttle on the floor at almost all times.
But that also means very makeable passes can get away from him sometimes, and at other
times it's almost like he's overly excited to see the play unfold.
He brings it up here and sees something, so he gets the left foot ready to throw a 60-foot
pass on a rope, but in a nearly identical situation, he doesn't organize his feet,
whipping it off the right foot right out of the gym.
In the 50 years we've tracked turnovers, LaMelo is 8th all-time in giveaways right now, averaging
nearly 5 every 75 possessions.
When we adjust for how often he has the ball in his playmaking, the numbers aren't quite
as extreme, but they're still not great.
Sometimes he's also a step ahead of his teammates, spotting Josh Green for a layup here, but
Green is on autopilot heading to the corner, and it's a turnover for ball.
Here's an after-time outplay where there's some confusion about the setup, Green goes
to set a screen, and I think ball just goes rogue.
At least Josh was certainly confused here, and then Melo decides to yank a floating three
with 13 on the clock.
Sometimes ball has the shot selection of a drunken sailor, just bombing all kinds of
maniacal deep threes early in the possession.
More than half of his triples are from 27 feet or beyond, by far the highest rate of
deep shots ever.
And LaMelo is actually making the 5th most threes per possession in the entire 3 point
era, trailing 4 Steph Curry seasons, only he's actually attempting threes at a higher
rate than anyone, launching a whopping 14 threes every 75 possessions, more than double
his rate as a rookie.
Now because he's some kind of basketball wizard, ball's making all of these crazy
threes at 36%, so it's not obvious how much he should throttle back these attempts.
Gunning really early in the possession doesn't seem ideal, and he could dial back some of
the long ones, where he's just under 32% over the last 3 seasons.
But there's also some meta value in playing this far out.
That's classic LaMelo to back way out for the much longer shot, but he can do stuff
like back it out and pretend to pick up the dribble, and because he'll pull from deep,
he freezes Giannis briefly and can get a step for the scoop off the high glass.
This interplay between LaMelo's increased driving pressure and his threat to shoot from
almost anywhere has generated the 8th highest scoring rate of the three-point era, and
among 23-year-olds, only Michael Jordan's nuclear 1987 season led to more points per
possession.
Notice how far out the Bucks big men are to chase him off the line here, then his ball
handling and silky strides do the rest.
And this is pure mad scientist dancing with the big man so the drive can set up a fading
three, and LaMelo sells this fake so hard that he doesn't pull the dribble back with
his left hand, but lets it bounce up into his right hand before that dirk fade from
30.
The only player I can think of who had this much skill and creativity while regularly
flying too close to the sun was the one and only Pistol Pete Maravich.
Back in the 70s, Maravich was practically a globetrotter out there, trying crazy passes
or throwing up a wide variety of shots.
We only have a handful of Maravich games available today, but he had a permanent green light
and just let it fly from all over the place.
And despite being an incredible shot-maker, he desperately needed a three-point line to
boost his middling, sometimes below average efficiency.
He was also an audacious ball handler for the time, and he'd break established norms
like this behind the back into a floating jump pass out of the top of the key.
Turnovers were an issue, stop me if this sounds familiar, and his flashy playstyle didn't
always translate to effectiveness.
Pete's teams were almost never above .500, and the limited signals we have from that
era suggest pretty good impact, but not to the degree we'd expect based on his huge box
score numbers.
In other words, the function didn't always match the form.
And Lamelo's in a similar place right now, where there's a ton of brilliance to his game,
but even leaving defense aside, there's clearly room for offensive refinement.
It's almost like he needs a Charles Xavier to teach him how to control his bright light,
and I certainly think a different environment could make the world of difference.
His pace, vision, and shooting certainly look like they would amplify great talent, and
his off-ball cutting is completely untapped right now.
Certain flowers need the right conditions to bloom, and I'm fascinated by what Lamelo would
look like in a mature system instead of freestyling next to a bunch of other young prospects.
And hopefully we'll get a chance to see that in the near future, because Lamelo Ball is
one of the most creative players we've seen in a long time.
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Thanks for watching all the way to the end on this one.
Hope you enjoyed it and that you are having a great day.
