腹肌南波灣！用富士拍照吧 給富士gfx 50r轉接美能達、佳能、施耐德等老鏡頭

Hey everybody, just wanted to do a quick video about my GFX50R and some of the lenses that I've adapted to it I haven't seen many videos online that talk about this I've seen a lot of posts, whether it be in the GFX group on Facebook or on some websites and some blogs And I want to do a quick shout out to Jonas Rask He's got a very, very good blog that he writes about Fuji cameras I think he's a Fuji X Ambassador And I'm not, so this is not a paid video or sponsored video It's not sponsored by Squarespace or anything like that This is all stuff that I have bought with my own money So I'm not giving you a biased perspective And the one thing I like about Jonas though is that He does not give a really biased opinion He tells a lot about the pros and cons of cameras And the lenses and stuff So he is one of the main reasons that I had the inspiration To buy this setup in the first place And for those of you familiar with this system The GFX50R is one of two Fuji GFX medium format cameras The 50R is the rangefinder style It's not really, it's not a true rangefinder It's just like, I basically say it's the Fuji X-E3 XL It's really, it looks to be the same camera But it's just larger with a medium format sensor And it's got a very good form factor Although the body is in the shape of a brick So whereas I've added a grip to it The camera is more compact But it doesn't have these attachments to it And the 50S is the SLR style body And it's more modular, has the removable viewfinder And I think you can get a grip for it And then also the GFX 100 That's the big boy 100 megapixel Which really no one needs I think that's just a bit overkill But hey, you know If commercial landscape printing or something is your thing Then that's good This is my main portrait setup This is what I use in the studio, out in the field And when I bought this originally I bought a 50S and I got scammed on eBay And it never arrived And so I ended up saving my money to get this camera And I did not buy it new from Fujifilm I actually got this as a It was like a display at a camera store And they had took just like three or four photos with it Put it back in the box and then sold it at a discount And I actually bought it cheaper than what Fuji's discount is To this day on it And so I got a super good deal And when it comes to lenses I bought into this system knowing that Oh yeah, we've got a guest here This is Lulu And if you've seen any of my other videos Then you will have seen her probably But I'm having to handhold this camera by the way On my phone I can't find my little holder to put on the tripod So you'll have to forgive me if there's some Some vibration or shake in this With my old hands and arms But anyway When I bought into this system I knew that there was not A lot of native glass available I mean you have your basic focal lens For this type of thing And the sensor in this camera is not What people would call true medium format Get out And it's not 645 It's slightly shorter, bless you And it's It's a good deal larger than Than 35mm full frame And by definition Medium format is anything bigger than Anything bigger than 35mm full frame So I got this because I was At the time I was a bokeh file I really like shallow depth of field images I really love And to this day I love the The look and feel of large format photography And this is something that really I think as far as digitally It gets you close to that If you know about the right lenses Something that I did not know about at the time And it has nothing to do with Your aperture number on the lens It has to do with how the lens renders And I've even When I teach a photo class I even talk about this And it's basically trial and error Especially with a system like this As you can see here I do not own a native lens for this system I don't have a Fujifilm lens for it I have tried them, I've tested them And while I like them They're very clinical The way the images look And they're not to my taste They're not really what I want And in my line of work With this system in particular I'm able to slow down a bit And I don't have to have really fast lenses Now when I do need a little bit faster performance That's when I will use the The TechArt adapter with my Canon lenses And I can go off on a rant About using Canon lenses on this I made a post in the Fuji GFX user group That went over quite well Using the cheap Canon 50mm 1.8 STM On the GFX Which is a camera that's over 3 grand But I digress I'll put some of the images in this video And let you see for yourself And I'll make sure to label them What lens I used And you tell me what you think My editing might not be to your taste But this is not about my editing It's about the way these images look And I have cropped a few of them And I will talk about that too And why you will probably need to All of these lenses Except for one That is sitting here Is for 35mm full frame And the majority of them Are for Minolta for the MD mount And the reason I went with that Is to give a shout out to Jonas Rask He made a blog post on his site About using Minolta lenses with the GFX And I was sold And unlike him I'm not a Fuji ambassador I bought this camera And flat out Which I'm sure he buys his too But he is Of course that's all he uses Is Fuji film cameras most of the time And I figured he might be giving A little overly positive viewpoint on that But I found this to be Completely true and accurate To what he said it was This is a dream system If you're a portrait photographer This is a dream setup And I know with my tech art adapter I get autofocus And it's hit and miss It's nothing like using a Dedicated Fuji lens with this system But the tech art adapter As you can see is like It's really thin And why am I using this lens then Well on a normal full frame 35mm camera DSLR or what have you This lens it looks good enough Or if you're using it on APS-C It's about a 75mm Probably f2.8 or something like that What your look would be on APS-C On this camera It supercharges this lens And the character that you get from it Is outstanding And I won't sit here And gloat about it or whatever You can see the images for yourself When you tell me And also my other camera lens I have here That's the 40mm That's the pancake lens And it's really great for doing like You know your street photography Almost like a 35mm view And the beauty of the GFX is Is you're able to use these lenses Either in the full frame medium format mode Or you have the option to crop in To the 35mm As they would look on a full frame 35mm camera And so that gives you two distinct views That you wouldn't have with another system And so just to quickly go over these lenses What I have mounted to the camera now I've got a photodiox adapter that's on here And it's for adapting my Minolta glass I might say Mamiya one or two times in this video And I apologize I had a photodiox adapter for my Mamiya 645 lenses I had the 80mm 1.9 on there I loved it It's just that I wasn't It was a dummy adapter just like this one is And for the Mamiya glass I was not getting that true You know those were four 645 cameras So I was not getting that true 645 character In the look of those lenses Because they were larger than my sensor They were covering a larger circle So anyway I sold those lenses Because I no longer had a 645 camera And I regret it now Because they actually A company called Kipon makes a speed booster That's for those lenses And you can actually get a 645 field of view And actually better than 645 Because the sensor size is so close to that of 645 The speed booster with 0.7x magnification Actually gets you a slightly larger than 645 field of view So the pictures I've seen are amazing But no one that I know of Has purchased one of those yet And used it and done a proper review So I might be the first person you see on here That does that If I get the hair up my butt to do it But I don't think so I mean that's just I think that's a little bit overkill Because the adapter is nearly It's like $800 And I don't I mean it's But when you get into this system It's almost like getting into Leica You're going to start spending money And so you want to save up for the next big thing But to talk about what I do have here I'm getting results Similar to 645 out of these lenses anyway So getting that speed booster Getting that larger field of view and stuff Is probably redundant at this point It's probably not worth it Because this For example What I have on here now With the adapter This is the Minolta 50mm 1.4 And it is essentially a 50mm Or excuse me A 40 Roughly a 43 to 45mm F1.1 On this system So it has a crazy character to it And once again I'll post some pictures on here And you can see it From some of these I'm just moving down the line There's the Canon lens I talked about that The Minolta pancake lens This one is This one is really cool And I got all these Basically it wasn't even a car boot So most of these were given to me The 45mm F2 It's awesome For getting the wide angle shots And of course These are going to be manual focus But this one is a This is a K-mark lens From Focal But it's still Minolta MD mount The 28mm F2.8 And you get a You get a pretty good amount Of vignetting with this Because it doesn't cover The whole sensor But you can crop in And it's amazing It looks really good The Canon pancake lens Pretty much same story This lens here Is a 35mm Soligor And I think it was made by Tokina Back in the day Zuho Tokina or Tamron It's made in Japan anyway And it's like a Made like a tank It works fairly well But it has The optical quality is not that great This lens here This is one of the smallest 135mm lenses That I've ever seen I was using my Canon 135mm F2.L On this system But the autofocus was trash With the TechArt adapter And I was When you try to manually focus that lens The throw is so long That you're just like No, it takes all day So this lens Even though it's not an F2.8 It basically becomes an F2.8 On the medium format sensor And it's so compact This lens is It is all metal But it's lightweight And the character of the images Is so good And the next one Is one that I have not mounted To the camera yet Because I'm having to wait on China To send me all the parts to adapt it And if you guys are not familiar With what this is I'm going to do an entirely different video On this later on When I get the parts in to mount this Some of you will know what this is This is a Schneider lens That's for a cinema projector For like a movie theater This works for 35mm film Or for IMAX film This is an 80mm F2.8 And it has no aperture blades on the inside So you don't control the aperture It's a fixed F2.8 So you're shooting wide open the whole time Now why do people use these on cameras Well anyone that's familiar with Contax The camera brand Contax If they have seen images From their 645 camera That has the 80mm F2 Knows that that is a legendary lens And it produces Some of the most amazing character With medium format images And this lens Is essentially the same lens as that But it's in a projector lens form And there is a company Who I'm not sure if I should mention their name Because I'm probably going to hate on them For a bit But anyway they offer this lens In an adapter set up To fit this camera That's already put together And I have to thank them though Because I found out about this set up through them So I won't hate on them that bad But the only problem is that The cost of what they're selling it at I just bought this lens I don't know about a week or two ago From a company in Atlanta That's not too far from me And I got this lens I made an offer on it I got it for $150 And they sell anywhere from $200 to $500 Depending on who you get them from And depending on the rarity of them at the time Because sometimes You'll see a bunch of them come available But then other times there's nothing And this lens does come apart pretty easily too I mean this whole front piece here This one and this one is a hood So the lens Basically the body of it starts here and goes back Well I will further detail in another video Of how you actually mount these to this camera Or another mirrorless camera But basically you buy three parts online And that's it And for what you're doing here For this performance That you're going to get out of this It's extremely cheap And it might have cost me just over $100 For those three parts So I will have about $250 Not even $300 In this lens set up here when I'm done The company that I could have bought The entire set up from That I found out about this Is selling it for $3,000 So go figure And that's a complete and total rip off But hey you know If someone's willing to pay for that For the work to be already done I mean you don't have to hack this lens at all There's no cutting There's no welding Nothing All of this stuff goes together And once I get the parts in It's probably going to be more than a month from now But I promise I will do a video on it Because it's very interesting And I'll show you guys some results from it Another reason I'm doing this video If I didn't say it the first Is because this type of set up Is very rare in the GFX community Because you have so many purists out there That for some reason believe And stand by it That you must have native glass If you're going to do really good work With these cameras That is bullshit And it's not true These lenses Especially these old Minolta lenses They are optically superior To most anything Any new 35mm full frame lenses That are available today Try them out for yourself And see for yourself Don't use my images As something to go by I mean look I do edit my images quite a bit But I like the character that they give me And in fact I like the character of film as well You know Not in a way of these hipsters That use VSCO On all their images And stuff like that Hey there's nothing wrong with that But you know If you're a photographer You know what I'm talking about You know it's just I try to make my images Look like film anyway And Fujifilm Just the in-camera JPEGs They're good enough But I do a lot of editing And you know try to make it look like That I took them Like in the 80s or something And just for character Because I think the new stuff It's very sterile And clinical But anyway This is the last but not least And this is not all OK my phone died So where was I I was talking about The last but not least lens And I have it mounted on my My Minolta SRT 200 And it's This is the Legendary 58mm 1.2 Minolta And this is the MC version The older one All metal It has the metal lens cap And this lens is a beast It really is though It's very heavy And then like on this It looks good on this camera But like it's It makes it really front heavy Now I bought this lens After reading a lot about it On Jonas Rask Bob When he was talking about it And then he said this was the Really the best lens you could get for that For the Minolta round up on the GFX And I think he's correct Mostly There's a few things though And I think it's about this lens in general It really has nothing to do with Its performance on the GFX But for one There is a considerable amount of vignetting In some of the images that I've noticed And this is I'm assuming this is the most expensive Minolta lens that you can buy today I spent more than I probably should have on it But this one In this particular example This didn't come with this camera This was one that I got at the car boot sale But this lens was new old stock So it had been sitting on someone's shelf In the box and not been used for years And they had it for sale on eBay And I got it at a steal Because these lenses typically go You know as of 2020 They're going for Anywhere between 350 to 600 And if you get them from Japan They're really high And I really don't see the worth in that Honestly You can see the images that I've taken With this lens on the GFX And I love the character I love the rendering of it But I've just had ice cream I'm sorry I took a break So if I'm coughing or something That's why I don't have coronavirus But the GFX with this lens This is like the equivalent of A Noctilux on there And for some people Especially those that like to have Really sharp images This is not what you need Now this lens is pretty sharp wide open But when you're shooting this On a medium format camera And you're shooting at 1.2 This is about the equivalent of A 50mm F 0.95 on full frame And you can tell It's super super bright It helps the GFX see well in low light And also the character it has wide open Is very reminiscent of these old school Old timey large format prints That I've seen in the past So that's why I've kept it And that's why I use it But I find myself more often than not Leaving it behind And using the 50mm 1.4 Now why would I do that It has to do with something And you guys Some of you probably know this And some of you might not Depending on your experience with photography But it has to do with The minimum focus distance So I'm going to try to do this one handed But I want to show you guys this So on your lenses You're going to Normally when like a manual focus lens like this When you bring this all the way in That's focused at infinity So the farther that That your lens barrel moves away The closer it's focusing So the closer or nearer That your glasses here gets to your sensor Or in this case your film plane Then that's going to be focused towards infinity I hope I'm explaining that good enough Anyway each lens has its own limitation As to how close it can focus So sometimes when you get macro lenses Then you can focus a lot closer And I will give another example This is I'll just take a shot of this really quick But first of all I'll explain about this one The minimum focus distance They're going to be marked by feet and meters So this one The minimum focus distance Is going to be two feet Now when that It seems like that that's good And it is but not compared to To some other lenses Now when I'm doing portraits And I like to get closer to the subject Really isolate them Then at minimum I'm going to have to be at two feet away With this lens Now look I don't want to be all up in their face or anything But you know this could be for I don't know a flower or You know I'm not one of those guys Or whatever that buys a You know a $5,000 camera body Or if you get the GFX100 A $10,000 camera body Just to take pictures of plants in their house You know and then post them online Acting like they've got works of art there You know I don't do that But you know hey kudos to them If they have the money and the time to do that I like going out and getting models For my photo shoots So in comparison The 50mm 1.4 Can focus at half a foot Or excuse me Well let me make sure that my scale is right Let me see if it's Yeah so feet This is 1.75 So it's a bit better Roughly 1.5 feet Is what the Is what the closest focal Minimum focus distance is on this one So The performance for that is better Than what you get with this Now of course this is a You know 58mm That's a 50mm So they're going to be almost the same But you can tell When you're having to back your camera away A little bit more To get that shot Now in a more extreme example You take the 135 And let's see what it has on it This one is Make sure these are all the same Yeah so feet's in green This is a minimum focus distance of 5 feet So you see the longer The focal range is on the lens Then the farther you're going to have to stand back Now that's not always the case You know there's some There's some good examples I'm interested about this one Because when I modify this one To fit the GFX It's going to be very interesting Because I will have control over this then Now what people do normally Is they will get a Like a macro extension tube And they'll put on one of these So that they can move it Farther from the sensor And then get a much closer focus What that will do though Most of the time Is distort your image So that especially If you're shooting wide open With a lens like this You're not going to get anything in focus You know shooting wide open With this on the GFX is bonkers anyway Because you're only getting If it was not for the digital zoom On the GFX This would be impractical It's hard enough Focusing with this on a film camera Much less doing it On digital medium format Without having that punch in And without image stabilization Like you're up shit creek Without a paddle Sorry for my French there But the point is with this These lenses are They're very good You can focus pretty close with them But if you have control over that Whereas like with this one That I will I'm interested to see the results of this Especially on an 80mm Now let me show you I was going to Originally record this on my X-T3 But every time that I try to record On that camera for some reason I get better results with my phone Not only with the microphone on this phone See I'm not using a lavalier mic Or one of those little fuzzy microphones I'm not using one of that This is actually This is a Google Pixel 2 XL And I've had it for a couple of years In the microphone And it's really good And the X-T3 microphone is good too But it's just I don't have a way to Like face down Like I probably should have for this So I've been sitting here next to the table But this is the X-T3 You'll have to excuse me My studio is nasty And I've got stuff for my animals everywhere The X-T3 Actually this has the Mitacon 35mm 0.95 on there And this is my favorite lens Possibly my favorite lens ever And it has such a short focus throw So that's it So for filming Like for doing weddings and stuff This is my go-to lens It rarely ever leaves the camera And I must say Now let's talk about the close focus on this The minimum focus distance on this is one foot So basically right about there And I can focus on my hand with it So that's amazing that it can do that And once again why would you do that Well the closer you get to your subject The more isolation you're going to get behind them So you can virtually use any backdrop And blur everything out When you need to Because bokeh can be overrated sometimes So it's not all about that It's about subject isolation Especially if you've got a nasty ugly backdrop or whatever But the X-T3 I'm finding And I don't want to turn this into a GFX review But I have a lot more fun shooting with this camera Than I do with the GFX I don't know if it's because The shutter on this camera is The performance frames per second is better It can take a lot more photos Or if it's just that this camera is lighter weight And more compact This lens gives me the character That some of these on the GFX can Although it is a PSC It's not going to give you as much of an isolation As you would want You know there's tons of videos online That compares this to like the Canon EOS R And the Nikon and stuff or whatever But all that's crap You know these cameras They are the reason that APS-C is relevant today Period I mean they're the reason why Because those film simulations that's in there The X-Trans sensor is amazing The colors from it are great And a lot of the time I will get images out of this camera That I'm much more pleased with Because in fact my girlfriend She uses this camera a lot And this is her go-to camera She also uses the When we first met actually I sold her Which I regret now I sold her my original X-100 Fuji The original That was when they still had a Bayer A Bayer sensor in there They didn't have the X-Trans in there And that camera took amazing images It was just slow as hell And she still has it She still uses it And I was using the X-100F at weddings And sold it recently And I also regret selling that I regret selling any of my cameras You know it's just I needed the money at the time I wanted to buy a lens or something So I sold them But this one has been probably The best performing camera That I've ever used And I'm really interested in the X-T4 And it's not It's one of those things that Do I really need image stabilization that much And do I really need this You know flippity floppity screen When this one does just as good of a job And I like being able to have it In this orientation behind the camera So that when I Me being a taller man You know I'm 6'4", just under 6'5 Most of the time I have to bring the camera down For my models Or it looks like I'm standing on a rooftop Taking a picture of them all the time And so that's the drawback Because with the flip out screen Then you've got it out here And you've got a lot more room to work with I don't know There's pros and cons to that So I might get the camera And try it out or something But back to the subject of this video Without me rambling on I guess I need to Sum this up The question why That you would use adapted glass On a system like this Or any other system It comes down to your taste In photography What sort of character Do you want your images to have And I made a GFX review video That I never posted to YouTube About my thoughts on Fuji's native glass At the current time of recording this video Which is June of 2020 Fujifilm has still not produced a lens For this system That is wider or brighter than an F2 Now many of you would be thinking Come on That's plenty bright enough for this system It's a large sensor or whatever But I want more And when I can Adapt lenses That give me the character That these do I find Fuji's lenses lacking Except for the 110 F2 Which is the best lens for this But that lens is $3000 That is so expensive For a 110 F2 That's going to give you The same performance As an 85mm F1.5 on a Canon Why not just use my TechArt adapter And get the Canon 85 1.5 And call it a day I could do that But I haven't yet Because I'm waiting on the 80 I think it's the 80mm 1.7 That Fuji's announced And that's going to be I might sell all this Just to get that lens Because if the auto focus performance Is really good That's going to be a killer lens For this system It really will And I also want to touch on One other thing I should just put this In another video And I might just do that I want to talk about The relevance of this system Before I go This system here Is not going anywhere The GFX It's not going anywhere I've heard a lot of talk And hubbub about The possible discontinuation Of this camera line And it's not going anywhere I have seen the popularity Of these cameras skyrocket Over the past year So many people Wanting to get into it I've seen people Go away from it But I just know that If you guys have any questions About adapting lenses to this system Feel free to ask me I have a lot of sarcasm I'm from the south I have a southern accent As you can tell I've mentioned that In my other videos before But I don't take Shit off anybody And I posted some pictures In the Fuji GFX group That I took of my friend Desiree With that Canon 1.8 50mm 1.8 STM And the moderator removed a guy For his comment to me Asking me why would I use Such a shitty lens And I'm not quoting him But he basically said Why would I use Such a shitty lens on this system And I wish that he didn't ban him I wish that he would not have been banned Because I took the question seriously Instead of me Wanting to just jump to sarcasm Even though I did post A GIF comment or GIF image on there This guy, he's got to be that guy There's always one But I don't mind the hate for that I don't mind it at all Because these losers Are the ones that are not willing To try something like this With this system Because they've got their nose stuck up You know, well They've got their head too high in the clouds Is all I'm saying And this stuff works It might not be good enough For your clientele If it's like a corporation Wanting some work done or whatever Where they have to have Pure edge to edge sharpness And they really need those 50 or 100 megapixel images But I'm telling you I've been a photographer now Professionally for almost 12 years And I'm telling you right now That I just did a real estate photo shoot With this system And I used this cheap ass Focal Kmart lens From this I don't know if that's a It's probably 80s And I used that on the majority Of my wide angle shots And they had zero complaints Zero complaints It was fine Because all they're going to do Is post that stuff online And whether it's Zillow Or whatever other website That they're using to put their images They're going to compress The hell out of them And so it's not going to matter You know, you don't really Have to have that quality But if it does in your line of work Or whatever This might not be the You know, the best option for you Stick to Fuji's glass or whatever And you'll be fine But I just I think that the jump From 35mm full frame To this setup Is not It's not worth it If you're going to just stick With a native glass Unless you just have to say Oh, I've got a medium format camera For my real estate work Because a lot of them You know, they ask you for that You know, you have to have Medium format or large format To do it Because that's just your Getting in the door card You know, you're part of the club At that point You know, it's not about that I'm not about this Exclusive group of Fuji photographers Or anything like that You know, I'm just an ordinary guy That takes pictures And I really enjoy this system You know, it's brilliant The colors are brilliant The performance is great I wish it had more Frames per second shooting But you know They're going to upgrade it Eventually They're going to come out With another version And I might do a trade-in Or something But if you guys are interested You know, watching this I hope it gets some views And some interest Because I see a lot of people In the groups That ask me After I post some pictures You know, how does this perform How do you like this lens Or whatever If you have a request For me to do a video Showing you about some of this On here You can't find this on YouTube I've looked You know, I've tried To find videos About people adapting these You know, Jonas Rask He does have a YouTube channel But he barely ever posts Anything on there He probably doesn't have time But this video Is really a shout-out to him And I owe him a big bit of gratitude For showing the images That he took on this And it really inspired me To pick this up And now I've started Really experimenting With some lenses And this one here I think is really Really going to be special I can't wait to show it off But I'm done rambling On this one, guys I mean, the next one I'm probably going to be talking About the GFX in general And this is a bit of a break From what I usually do on my channel I've got other stuff on here You know, about my cars and stuff But I want to talk About my cameras more Because this is my passion More so than cars is It's just that I got my Some stuff in for my cars And I've got a big set of wheels Over there that I'm wanting to sell So I've got a lot of stuff going on But I just thought That this might be helpful To some of you out there That wanted to adapt this So if there's any questions Or if you guys need any help Trying to find parts for this Like the adapter I can send you some links And once again, you know I don't have any discount codes I'm not sponsored or anything like that You know, I'm just trying to Be sort of a good Samaritan To those that are out there Looking to do something like this But until the next one See you