貝多芬：第八號交響曲 | 法比安·穆勒與三一交響樂團 Beethoven: Symphony No. 8 | Fabian Müller & The Trinity Sinfonia

Beethoven: Symphony No. 8 | Fabian Müller & The Trinity Sinfonia
貝多芬：第八號交響曲 | 法比安·穆勒與三一交響樂團

46,761 views Mar 9, 2025 BONN
It's the shortest of Beethoven's 9 symphonies and abounds with a sense of playfulness and optimism: Symphony No. 8 in F major. The classical symphony is performed here by The Trinity Sinfonia under the baton of Fabian Müller. The concert took place in 2024 at the Beethovenfest Bonn in the university auditorium.
46,761 瀏覽 2025 年 3 月 9 日 波昂
這是貝多芬九部交響曲中最短的一部，充滿了俏皮和樂觀的感覺：F大調第八號交響曲。三位一體交響樂團在法比安‧穆勒 (Fabian Müller) 的指揮下在此演奏古典交響曲。音樂會於 2024 年在波昂貝多芬音樂節大學禮堂舉行。

(00:00) I. Allegro vivace e con brio
(08:32) II. Allegretto scherzando
(12:20) III. Tempo di Menuetto
(17:02) IV. Allegro vivace
(00:00) I. 活潑熱情的快板
(08:32) II. 諧謔的快板
(12:20) III. 小步舞曲的速度
(17:02) IV. 活潑的快板

Ludwig van Beethoven's (1770 – 1827) Symphony No. 8 in F Major, opus 93 must have had the audience in stitches at the first performance in Vienna on February 27, 1814. Why? It's full of musical jokes. But a couple of hundred years later, we don't "get" the jokes right away. And if you have to explain a joke – so much for progress! A joke depends on context, on playing with expectations and foiling them. That's what Beethoven does here, or did.
路德維希·範·貝多芬（Ludwig van Beethoven，1770 – 1827 年）F 大調第八交響曲，作品 93 於 1814 年 2 月 27 日在維也納首演時一定讓觀眾感到緊張。為什麼？裡面充滿了音樂笑話。但幾百年後，我們並沒有立即「理解」這些笑話。如果你必須解釋一個笑話——那就太不靠譜了！笑話取決於語境，取決於玩弄預期並使其落空。貝多芬在這裡所做的，或者說曾經做過的。

One of the most precious moments in Beethoven's Eighth Symphony is the second movement, where an elegant melody in the strings sounds out over a relentless tick-tick-tick in the woodwinds. Was Beethoven imitating the sound of a metronome here? So claimed his personal secretary and early biographer Anton Schindler. A nice story, but with Schindler's notoriously lively imagination, his claims should always be taken with a grain of salt. So you can take that story or leave it, or invent your own, when listening to the delightful "Allegretto scherzando" (moderately fast and joking).
貝多芬第八交響曲中最珍貴的時刻之一，莫過於第二樂章，弦樂優雅的旋律與木管樂器持續不斷的滴答聲交相輝映。貝多芬是在模仿節拍器的聲音嗎？他的私人秘書兼早期傳記作者安東·辛德勒如是說。這故事聽起來不錯，但鑑於辛德勒以豐富的想像著稱，他的說法始終值得懷疑。所以，在聆聽這首悅耳動聽的「諧謔小快板」（Allegretto scherzando，速度適中，略帶戲謔）時，你可以相信這個故事，也可以不信，甚至可以自己編造一個故事。

Beethoven called his Symphony No. 8 in F Major the "little F Major." The "big" one was the Sixth Symphony, the "Pastoral." But that's not to suggest that the Eighth is a trifle. The German composer himself thought it was one of his best. It's comparatively short, and for Beethoven, soft and gentle. But as is so often the case with this composer, the music stands in utter contrast to what was going on in his life. The 8th Symphony was completed in October 1812 after Ludwig van Beethoven had spent all summer searching in vain for a cure for his ever-worsening deafness. He wrote the notes down in the resort town of Teplitz. That name will ring a bell with Beethoven cognoscenti – it's the place where he wrote one of the most famous love letters of all time, the "Letter to the Immortal Beloved." So there was a tortuous love affair going on too. Yet the symphony is all light and joy, wit and playfulness.
貝多芬稱他的F大調第八號交響曲為「小F大調」。 「大」的是第六號交響曲，即「田園」。但這並不意味著第八交響曲無關緊要。這位德國作曲家本人認為這是他最好的作品之一。它相對較短，對貝多芬來說，柔和而溫和。但正如這位作曲家經常遇到的情況一樣，這部音樂與他當時的生活形成了鮮明的對比。第八號交響曲完成於1812年10月，此前路德維希·範·貝多芬整個夏天都在徒勞地尋找治愈日益惡化的耳聾的方法。他在度假小鎮特普利採寫下了這些音符。這個名字會讓貝多芬的鑑賞家們感到熟悉——他正是在這裡寫下了有史以來最著名的情書之一——《致永恆的愛人》。因此，他們之間也曾有過一段曲折的愛。然而，這首交響曲卻充滿了輕盈與歡樂，充滿智慧與趣味。

Fabian Müller has established himself as one of the most remarkable pianists and conductors of his generation. He caused a sensation in 2017 at the International ARD Music Competition in Munich, where he won five prizes. In 2018, he made his debut at New York’s Carnegie Hall with the Bavarian State Orchestra and performed at the Elbphilharmonie for the first time. At the invitation of Daniel Barenboim, he performed all of Beethoven’s piano sonatas at the Pierre Boulez Saal in Berlin, and also performed at London’s Wigmore Hall. Müller regularly performs with major orchestras such as the Tonhalle Orchestra Zurich, the Bavarian Radio Symphony Orchestra and the Deutsche Kammerphilharmonie Bremen. His lively interest in the music of Johann Sebastian Bach has led him to a long-term collaboration with the Berliner Barock Solisten, an ensemble of the Berlin Philharmonic Orchestra. In search of his own ideal sound, he founded his own chamber orchestra which we hear here: The Trinity Sinfonia.
法比安·穆勒已成為他這一代最傑出的鋼琴家和指揮家之一。 2017年，他在慕尼黑國際ARD音樂大賽上一鳴驚人，並獲得五項大獎。 2018年，他與巴伐利亞國家管弦樂團在紐約卡內基音樂廳首次亮相，並首次在易北愛樂音樂廳演出。應丹尼爾·巴倫博伊姆的邀請，他在柏林皮埃爾·布列茲音樂廳演奏了貝多芬的全部鋼琴奏鳴曲，並在倫敦威格莫爾音樂廳演出。穆勒經常與蘇黎世音樂廳管弦樂團、巴伐利亞廣播交響樂團和不來梅德國室內愛樂樂團等知名樂團合作演出。他對約翰·塞巴斯蒂安·巴赫音樂的濃厚興趣，使他與柏林愛樂樂團旗下的柏林巴洛克獨奏樂團長期合作。為了追尋自己理想的聲音，他創立了自己的室內樂團，我們在這裡聽到的就是他們的作品：三一交響樂團。

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