Fantasy portrait in soft pastel ✨my painting process

Arts and Design
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#oilwaxcolor #drawing #art #painting
Hi everyone! I wanted to explain today a bit of my process when I’m painting with soft pastels 😊 I’ve been asked a lot about this so I hope it helps. It’s not very different from my oil pastel method but I think it can be useful to see anyway. Thanks for the support! ❤️
I’m using pastel pencils (several brands) and Rembrandt pastels on Pastelmat.
✏️ Find me on:
Patreon: / yolandablazquez
My website: http://yolandablazquez.art/
Instagram: / yolandablazquez.art
Hi everyone! I would like to show you today this pastel painting that I did while I was in Spain
and explain a bit of my process when it comes to soft pastels. I know a few of you have asked
for a tutorial but even though this is not it I hope it will be still helpful. If you have any
questions after watching this you can leave them below and I will reply. The paper that I use is
I used to buy them in blocks but now I buy large sheets and then I cut them to size.
As usual I started by doing my drawing on a separate piece of paper or
papers stick together in this case and then on the back I apply normal graphite pencil but you
could also use some carbon tracing paper and like this I transfer the drawing to the final surface
so to the pastel mat. I like to use a colored pencil or even a normal pen to do this just
something that I can put pressure with and that is a different color than the graphite so that I
can easily see what I have left. I like to paint vertically so that the pastel dust falls down as
much as possible because as I told you in another video I'm pretty sensitive to the dust and I still
have to wear a mask. I always start going loosely through the drawing again with a pastel pencil
especially on the face and in those small details that I don't want them to get lost
and after that I grab some sticks and start looking in very loosely and without applying
much pressure because I like working very thin layers mostly. I like to build my painting slowly
working on the whole thing at the same time if possible. I try not to have a very finished part
and the rest completely unknown. At this stage I'm alternating between sticks and pencils depending
on the color so if I'm doing the blocking but I don't have a particular shade but I do have it
on pencil form then I would just grab that. Of course I'm a bit more careful on the face
and around her features mostly like the eyes so there I use more pastel pencils.
After I have most areas with a light layer I focus on the portrait. I need to have the faces
more or less defined quite early to know if they work or they don't work and once I have them then
I feel like I can continue with the rest of the painting. Because I know that I'm gonna get asked
I will tell you about my materials. The pencils that I use are from Caran d'Ache, Faber-Castell
I got them all open stock and I never bought a full set so I pick and choose the colors that I need
as I need them. And my pastel sticks are all from Rembrandt. I cannot compare with other brands
because these are the only ones that I've used but I really like them. I think I work in soft pastels
and oil pastels very similarly. I know they are different mediums but I don't feel that they are
so different. I apply them thinly, I blend with my hands most of the time and to do that smoothly I
need to have enough paint on the paper and with soft pastels you will occasionally see me using
a q-tip to soften something very lightly like on the ends of the eyelashes so that they feel like
feathery. And with oil pastels I kind of do the same by using a paper stamp.
I also use the paper stamp for blending much more but I don't feel them that different. I didn't want
for this painting to have a lot of detail other than the face and a little bit on the hair. First
because maybe it could be too much or so I told myself and second because I didn't have the time
at all. I wasn't even sure I would be able to bring it to this stage so I'm very glad I did
because it was my mom's birthday and she got to keep it. And also I'm trying to loosen up a bit
more and it's taking quite a bit of work. On my side I'm used to putting lots of detail in any
medium that I work in and so yeah I have to keep practicing. And I think both type of pastels are
good for that as long as I don't reach for the pastel pencils too much because they are kind of
chunky in nature so it's harder to make details than to apply them thickly or loosely. It's a
shame I cannot paint more often with soft pastels because I absolutely love that velvety finish. It's
so pretty so so pretty and so soft but yeah I cannot unfortunately. Well I think I'm gonna
leave it here for now. You can continue watching the process till the end if you want to
and just let me know what you think. Thank you for watching and have a nice day. Bye bye!
