Million-Dollar Treasures Discovered on Antiques Roadshow!.

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Million-Dollar Treasures Discovered on Antiques Roadshow!.
What was once considered a worthless piece of art, bought for a ridiculous $1.50,
has shocked the art world with its newfound value of thousands.
Its painter is Fremont Ellis. He studied painting in New York
and started painting after coming back to New Mexico.
The great use of light in the sky, trees and water show his western painting style.
The back tells the location of the painting.
He was born in 1897 and died in 1985.
The guest, who paid $1.50 for it, was surprised after knowing its auction's value.
We are presented with an album the guest inherited from his mother-in-law's estate.
This is the title page of the album, indicating it was taken by Carlton Watkins,
an American landscape photographer of the 19th century,
considered a master of the photographic medium.
This album features a period Morocco binding from the 1860s,
which is spectacular and sets the stage for the content inside.
Typical of Watkins' works, there is a kind of clarity and inherent beauty in the pictures
that transcends photography as a documentary form.
In terms of quality, these photographs are a 10 on a scale of 1 to 10.
They are album imprints featuring a rich brown, almost eggplant tone.
What's fascinating about this album is the unique selection of photographs it contains.
Based on the fact that this is a presentation album with 50 original photographs at auction,
this whole album would be estimated in the price range of
Wow. My goodness. That's wonderful.
Oh, you're kidding. My mother's going to die.
I'm not kidding.
Wow, that's wonderful.
Our guest shares that their grandmother bought the table at an estate sale in 1955.
The appraiser explains that identifying the table's origin is challenging due to
When to find out where a table was made, we look for secondary woods.
And in this case, we can find white pine and oak.
Despite the difficulty, the appraiser does identify the table as a Gothic revival parlour table,
which was inspired by 12th century architecture, but became popular in the 19th century.
This table's design includes Gothic elements such as vertical lines, a wide base and burl insets,
reflecting its Christian-inspired roots.
The appraiser notes the Scottish thistle marquetry on the table, suggesting it was likely made.
If not Scottish, English for the Scottish market, because the Scottish thistle is so important to Scotland.
The marquetry technique involves dyed woods with intricate patterns cut and inset into the surface.
This table dates from the first half of the 19th century, between 1825 and 1865.
The appraiser estimates the table's auction value to be
$15,000 to $25,000.
Oh, you're kidding. My mother's going to die.
I'm not kidding.
Wow, that's wonderful.
The vase, acquired in Leningrad post-World War II, is signed Nicholas II and notable for its grandeur.
Such vases are usually made from brilliant crystal.
This vase showcases intricate floral or foliate engravings.
This hefty price reveals fascinating craftsmanship.
Heavy piece, there's certainly lead content to the glass.
The design, unlike so many more commercial pieces, was done with a copper wheel.
Handcrafted and costly, this piece highlights more colored glass than clear.
Master artisans often crafted these vases at the Imperial Glass Factory.
This vase's tall form and intricate engravings exemplify Russian decorative arts opulence and refinement.
Its majestic beauty and intricate craftsmanship has the appraiser valued the item.
Certainly be in the $5,000 to $7,000 range.
That sounds very, very, very good.
The guest bought this around 1960 for a mere $15.
The guest marveled at the British symbols present in the piece
and thought it to be a British man-of-war representation from before the American Revolution.
However, upon closer inspection by an expert, it was revealed that the piece was not from 1775 as actually believed.
Instead, it was identified as a woolly, a form of needlework created by British sailors,
dating back to around 1840 and continuing through the 19th and early 20th centuries.
Woolies, primarily made from wool, are a rare and cherished collectible,
with their origins and creators largely unknown due to the lack of signatures and sparse auction appearances.
This woolly featured slightly faded greens and blues, indicative of its age and the fragility of textiles.
Despite this, it was considered an exceptionally good example.
The design included the English rose, the Scottish thistle, and what appeared to be Irish three-leaf clovers,
though it notably lacked the leek symbol of Wales.
Additionally, it bore the British and French flags,
suggesting a complex history tied to British naval encounters with the French.
This particular woolly stood out for its intricate details,
including small tassels and beadwork for the crown, given its quality and rarity.
The expert appraised its insurance value at...
I would put an insurance value of this in a heartbeat at $6,000.
Oh, really?
Wow!
This particular lamp, affectionately dubbed the Brain Lamp,
has been a cherished family heirloom for as long as the guests can remember.
There is indeed a type of glass known as Brain Glass, but this lamp was not made from that material.
Instead, it featured turtleback tile iridescent glass,
characterized by its thinner composition compared to other glass items.
The lamp's base was a patinated bronze vase adorned with lily and pad feet.
This lamp was an authentic Tiffany piece, dating back to around 1910,
and the base bore the Tiffany Studios mark, confirming its origin.
A chain added to the lamp later on detracted slightly from its value.
The appraiser suggested that it could be replaced by the original Tiffany chain to increase its value.
Noting the lamp's rarity, she estimated the lamp's retail value to be between...
At $30,000 to $40,000.
Oh, my gosh! Wow!
Our guest shares how she purchased the bracelets at Galeria Capistrano in 1981,
initially buying one and returning for the second with her husband's encouragement.
The appraiser reveals that the bracelets were made by Charles La Loma.
The appraiser explains La Loma's struggle with traditional art shows due to his innovative approach.
Our guest met La Loma during a gallery show and had a piece made in gold upon request,
recalling his striking appearance and status.
The appraiser notes the high value of La Loma's work and mentions the prevalence of counterfeits,
affirming the authenticity of the guest's pieces.
For today's market, the appraiser estimates the smaller bracelet could sell for about...
Oh, my goodness!
Our guest is astonished by the valuation.
Reflecting on the significant appreciation of the pieces,
the appraiser mentions that similar pieces have sold for as much as $80,000 in retail shops.
Our guest describes the allure of the vase's satin texture, which initially attracted her.
The appraiser identifies the vase as being made by Rostrand.
The appraiser notes that the vase is a mid-20th century piece made by Gunnar Nyland,
known for his Scandinavian designs.
The appraiser explains that the vase is porcelain with a matte glaze, giving it a silky smooth feel.
Our guest is intrigued by the appraiser's description of the vase as sexy ceramics,
emphasizing its unique texture.
The appraiser examines the bottom of the vase, where the mark is obscured by glaze.
The appraiser rates the vase highly for its size and shape,
but notes the color as less striking.
The appraiser estimates the vase's auction value at...
The guest's mother acquired the Four Freedoms poster at an estate sale 30 years ago for a mere $100.
These iconic posters were inspired by President Franklin Roosevelt's 1941 speech,
which outlined the four essential human freedoms.
Norman Rockwell brought these freedoms to life through his illustrations,
initially offering them to the government for wartime promotion.
After initial rejection, the posters gained popularity through publication in the Sunday Evening Post
and were later adopted by the government for fundraising efforts.
The posters were showcased on a national tour, contributing to the war effort.
The posters' enduring appeal lied in their powerful symbolism and Rockwell's masterful artistry.
The guest set was the largest of three sizes issued, featuring original folds from their mailing in envelopes.
Despite mass production, the rarity of seeing all four posters displayed together retained significant value,
with the set estimated at...
They still command such a strong price, in large part because they're so large, but also because they're so wonderful.
This glass piece is a wonder to behold.
Since being purchased by the guest's parents at an estate sale in New Haven, Connecticut,
this piece has been a part of their family for over 60 years.
Dating back to around 1914, this piece is a stunning example of Tiffany & Company's craftsmanship.
Tiffany & Company is a legendary American luxury jewelry and specialty retailer.
Founded in 1837 by Charles Louis Tiffany, the company is renowned for its exquisite diamond jewelry,
iconic blue boxes, and timeless designs.
This piece is crafted from aquamarine glass, a distinctive material that was only produced by Tiffany & Company for a brief period.
At the bottom of this piece, the maker's mark, L.C. Tiffany Favreau, is accompanied by a serial number.
Due to the challenging production process, only Tiffany & Company successfully created aquamarine glass,
making this piece highly valuable, with an auction estimate of...
A Van Briggle pottery piece called Climbing for Honey recently came into possession through the family.
It belonged to the guest's great-grandfather, Harvey Young, a Western painter who retrieved it as an expo gift.
This 1904 piece by artist Van Briggle features a double A mark for artist and Anne Van Briggle,
and his unique signature style, a well-known form.
Introduced in 1904, the pottery showcases two bears climbing a beehive.
Unlike most molded Van Briggle pots, this piece shows significant handwork and may be individually sculpted.
It uses two matte green glazes with a feathered background and solid bears, making the bears stand out.
Adding to its historical significance, the piece also includes a medallion from the 1904 St. Louis World's Fair.
Despite minor damage with the medallion, the pot's rarity and quality make it worth a round.
Originally bought in 1923, a cast zinc cigar store statue once stood outside a boulder shop in Colorado.
This iconic piece was the centerpiece of the guest's grandfather's store, suggesting its unique charm and history.
When the store was sold in the early 1940s, the statue was passed down to the father and stored in the basement for 55 years.
Showcasing natural wear on the elbows from countless passers-by leaning on it over the years, the statue is remarkably well-preserved.
It proudly bears the mark of its origin, with the foundry name, William de Muth, from New York, etched into its base.
Records indicate it was valued between $800 and $1,000 in the late 1920s.
Although missing a hand, it remains valuable due to its paint and detail.
In today's market, such an exquisite piece can be sold with an estimated worth of...
Not at all.
At a moving sale, a unique table with intriguing legs was purchased for $200.
Crafted by 18th-century cabinetmaker Eliphelet Chapin, the table showcases his distinctive style.
It blends regional characteristics from both Philadelphia and Connecticut.
Unique design influences are showcased in the cherrywood construction.
Reflecting the Philadelphia cabinetmaking style, the base features a trumpet-turned pillar and a compressed ball with a mid-band.
Although the tabletop has undergone some modern repairs and features replaced cleats, the original top has been preserved.
Right here, you see that?
And so, in fact, even though the cleats are replaced, we know that the top is original to the base.
This intact, original component significantly boosts the table's value.
Chapin's work is highly sought after, and this table, with its authentic elements, is valued between...
$15,000 to $20,000.
Are you kidding me?
Not at all.
That's amazing!
Our guest shares the story of her great-great-grandfather, who received the Millard Fillmore Peace Medal,
a family heirloom passed down through generations.
The appraiser confirms the medal is a Millard Fillmore Peace Medal struck in 1850,
given in two sizes and two types, silver and bronzed copper.
These silver medals, considered chief's grade, were highly valued, and...
This is the name of the mint here.
The appraiser highlights the medal's design, one side featuring Millard Fillmore,
and the other side depicting a settler, showing the benefits of civilization.
Our guest mentions the medal was loaned to the Grand Rapids Public Museum to share with the community.
He was just so proud to be a descendant of such a man.
I'm sure you're very proud to be a descendant of his.
Yes.
The appraiser praises the medal's excellent condition and unique history,
emphasizing that authentic examples are rare.
Though the guest heard values ranging from $5,000 to $20,000,
the appraiser estimates its auction value at...
Between $8,000 and $12,000.
Wow.
But it's a wonderful piece to have in your family with a great history.
Oh, it's worth so much more.
Absolutely.
The host introduces the topic of electric guitars
and visits the Rickenbacker Guitar Headquarters to explore their private museum.
The appraiser begins with the 1931 Frying Pan,
one of the first electric guitars and the first solid-body electric guitar designed by...
1931 Adolph Rickenbacker and George Beacham.
Despite its banjo-like appearance,
the Frying Pan was revolutionary with its electromagnetic horseshoe-magnet pickup,
allowing guitars to play solos over loud bands.
The appraiser explains that the 1931 prototype was made of wood,
while production models were cast aluminum,
earning the nickname the Frying Pan.
It was used mainly for Hawaiian music and called a lap steel.
In excellent condition, a Frying Pan can sell for...
Between $3,000 and $3,500 in a retail shop.
There are still lap steel players that swear by them
and consider them to have the best tone.
All these years later, that's what they want.
Moving to the 1960s,
the appraiser discusses the Rickenbacker 360 over 12,
notably used by the Beatles,
a hard day's night and its impact on rock and roll.
The 1965 Rickenbacker 360-12, similar to Harrison's,
influenced many iconic guitarists.
The appraiser reveals that a vintage 360-12 can cost over $20,000.
Showcasing its enduring significance in music history.
It can take more than $20,000
if you're buying one in a vintage guitar retail shop.
It has been great learning about all these fabulous guitars
and the birth of electric guitars, all from you. I appreciate it.
This guest purchased this piece on a trip to Sioux Falls, South Dakota,
for $175.
This is a beanbag purse that I bought on a trip to Sioux Falls, South Dakota,
on a little antique outing.
I didn't know much about it.
But I just fell in love with it.
Presented is a delightful beaded purse made in the 1920s.
This purse is designed in a floral pattern,
with several colours of glass beads.
The appraiser approximates the bead count to be 150 beads per square inch.
And there's approximately 150 beads to square inch.
It's the same pattern on both sides.
Weighing about 6 pounds, this purse displays great quality beading.
The handles of the purse are also embroidered with beads on both sides,
lacking the signature.
Lacking the signature American style for these purses,
the appraiser suggests the purse originates from France.
On the inside is a cotton satin lining,
reminiscent of Art Deco art from this era,
featuring a slide locking mechanism.
It's original mirror and hand-sewn lining.
This purse is of great quality.
If put up for auction, this piece should sell for an estimated...
Around $2,000.
Oh, that's wonderful.
That's wonderful. Thank you.
The guest's mother bought this rug in 1967,
to give as a gift to her father.
I completely forgot we had this rug,
until it showed up on my doorstep,
when my brother was going to go to Germany,
and he sent it up to me.
Her brother used to keep it hanging on the wall,
and he still has the original sail strip for it,
on which Tabriz is written.
It is notable from the remarkable condition of this silk rug,
that it wasn't used on the floor.
The guest was told that it's from the 16th century,
but it was woven in the late 19th century,
and it's from Hariz instead of Tabriz.
It's a finely woven silk rug with 500 knots per square inch.
And one thing that differentiates a Tabriz from a Hariz,
is that the weave is single wefted,
as opposed to double wefted.
Some of its colors have faded over time,
and it looks lighter because silk reflects light.
The design is very gracefully turned on corners,
in an uninterrupted way,
and it's known as a reconciled corner.
On top, the design stops,
which is known as an unreconciled corner.
Naturalistic drawings of flowers,
is a specialty of Northwest Persian rain.
It was bought for $25,000,
and in today's market,
its value is $20,000.
The updated value of the rug,
ranges from $20,000 to $25,000.
On display now,
is a fascinating collection detailing
a prisoner of war's experience in World War II.
The Japanese bombed Pearl Harbor,
they also bombed Manila and the Philippines.
But instead of going back to Japan,
they took the Philippines,
and they took 100,000 people, prisoners of war.
The guest's father was a prisoner of war,
who worked as a forced laborer for Mitsubishi in Japan.
This collection is a record of his service during World War II.
The guest's father kept a visual diary
in the form of trench art.
This humble mess kit,
served as both a chronicle of his experiences,
and a crucial tool for his daily existence.
Also included in this collection,
are his time sheet,
and identification tag for Mitsubishi.
The collection also features a photograph
from his time as a prisoner of war,
and one taken after his freedom was restored.
The most significant item in this collection,
is the letter he received upon his return home.
Due to the rarity of prisoner of war materials,
these exceptional pieces,
would likely fetch a collective retail value of.
Our guest explains that their grandmother,
from the East Coast, left these pieces to them.
She believed that they were valuable,
and that only a few sets were made.
The appraiser confirms the grandmother's belief,
noting that the pieces are indeed rare, due to.
The appraiser describes the origin of the pieces.
They are inspired by the Queen's Beasts,
sculpted by James Woodford
for Queen Elizabeth II's coronation.
These beasts represent various aspects of heraldry.
This one is the Unicorn of Scotland,
with the heraldic image of Scotland.
Made by Mint & Porcelain,
a renowned English porcelain company,
these pieces are limited editions.
The appraiser calls them antiques of the future,
and estimates their value to be.
The guest showcased on the show,
a necklace that had been in her family for generations.
Originally, this piece was not made as a single item.
Someone took some necklace medallions from the 1850s,
and arranged them with buttons from the same era.
These components are linked with a cronium plate chain,
made in the 1920s.
The necklace medallions are cut steel,
judging by their appearance, and their faceted tops,
which are studded into the metal.
What you see are the rivets.
We don't see any type of button shank in the middle.
That's my clue that I know it was a necklace.
Underneath the buttons, we can see brass,
and the button shanks have been bent over.
What makes this piece very special
is that it seamlessly blends components
from two different eras into one piece of jewellery.
It's very hard to come by a piece like this
that isn't rusted, making it quite rare.
At auction, this vintage necklace,
with its parts still in good condition,
would be worth.
Here, you've got about $2,000 worth of cut steel pieces.
Oh my goodness!
In 1937, his father earned a scholarship to Paris,
where he collected these posters.
The North America Express poster
depicts the Statue of Liberty and a ship.
An Air France poster highlights global destinations
with dynamic lines.
Another Italian line poster
promotes cruises with an elegant figure
and stylised background.
Discover a captivating Art Deco travel collection.
One of the things that collectors look for
are powerful Art Deco images,
and that's what we have here.
These posters capture Art Deco
with bold colours and geometric shapes,
reflecting early 20th century travel glamour.
Iconic symbols included sleek airplanes,
ocean liners, and landmarks like the Statue of Liberty.
The appraiser valued the items for its vibrant charm.
$18,000 and $22,000.
This guest presents us with a collection of watches
belonging to her father.
I brought in a collection, it's my dad's.
He's 86 and he's collected watches
for maybe 30-some years.
He always wore a nice watch,
like a Rolex, something like that.
This collection includes timepieces
from some of the best brands of watchmakers.
The first in the collection is a Patek Philippe
with an 18-carat gold bracelet,
with all its contents completely original and correct.
The second piece is also a Patek Philippe,
called the Eclipse, featuring a blue dial
with an 18-carat gold bracelet
that did not originally come from Patek Philippe.
The third piece is an Audemars Piguet
super-fine Swiss watch
with enabled numbers around the bezel.
The fourth piece is also an Audemars Piguet,
sold by Gubelin,
bearing the 9-dose movement.
At the time, the thinnest mechanical movement made
was called the 9-dose movement.
If we looked at it sideways, it's paper-thin,
yet it's a mechanical wind watch.
The next piece was made by Blancpain,
an 18-carat gold watch
with a day, date, month and moon phase.
Next is a stainless steel Rolex Datejust
with a fluted bezel and an oyster bracelet.
Finally, we have the classic Cartier Santos,
an automatic watch with a white enamel dial.
All the watches in this collection
were made between the 1960s and 1980s.
Their collective retail value is estimated at...
$46,000 to $57,000 worth of watches there.
Oh, my goodness.
Congratulations.
Thank you.
The guest found this perfume bottle
at a flea market in Virginia,
not realizing it was made of silver at the time.
This item was identified as a French Art Nouveau
perfume bottle, manufactured by Lévil-Rousseau
between 1883 and 1900.
The Lévil-Rousseau company was famous for their glasswork,
especially cracked vases engraved on three layers of glass.
This bottle featured multicolored art glass
with a burnished red hue and silver mounts,
making it extremely rare.
The silver was French with a flame finial
and a base adorned with floral and leaf patterns,
along with an X border.
The guest, initially worried about crazing in the glass,
feared it was damaged.
However, the appraiser confirmed that the glass
was intentionally made to look that way
and was in perfect condition.
Due to the global interest among perfume collectors,
the appraiser valued the bottle between
The value would be, for auction,
$6,000 to $8,000.
Oh my word.
The guest bought a box for $10
in a garage sale during a trip to Atlanta,
and upon returning home,
they discovered unexpected files in the box.
These were authentic files
consisting of legal correspondence
between the Spalding Sporting Goods Company
and the legendary golfer, Bobby Jones,
covering 10 years, from 1931 to 1941.
Jones is the only player to have ever won
the Pre-Masters Grand Slam,
or all four major championships
in the same calendar year, 1930.
Following his Grand Slam win,
Spalding sought to establish a contractual relationship
with him to promote their sporting goods,
particularly golf products.
Among the documents were four signed contracts
between Bobby Jones and Spalding,
which were Jones' personal copies.
The collection also included intriguing correspondence,
such as a 1932 letter from Tommy McAuliffe,
the world champion armless golfer,
seeking an introduction to Bobby Jones.
The appraiser expressed excitement
over the historical and legal significance of the files,
deeming them a valuable find.
A remarkable return on the guest's
initial $10 investment,
the appraiser conservatively estimated
the market value at...
I would say, Tony, that what you have here
conservatively in the marketplace
would sell for $15,000.
That's an hour?
A breathtaking work of art is showcased before us today.
While strolling through Manhattan,
the guests spotted this amazing piece
at an antique shop window,
and couldn't resist buying it.
This watercolour and gouache piece
is a captivating creation from Walt Disney's studio.
Gouache is a fancy name for an opaque type of water-based paint,
and Disney did a lot of things for the war effort.
They did posters, they did...
The artwork boasts a multitude of iconic representations.
We have an aircraft carrier, right?
And then we have this animated character flying off,
and then we have this wonderful airplane silhouette.
Pedro, the endearing animated character,
is beautifully represented in this piece.
Pedro is a Disney character from the 1940s and 1950s.
He's a small, anthropomorphic airplane from Latin America,
specifically from Brazil and Chile.
Pedro first appeared in the 1942 Disney animated film,
Saludos Amigos.
Pedro appeared in this feature film in 1942 when it was released.
He also had a cameo in Roger Rabbit later on, many years later.
Although not created by Walt Disney's own hand,
this artwork remains a valuable Disney masterpiece.
With its condition being so well-preserved,
this unique piece could realize an auction value of...
$5,000 to $7,000.
OK.
Well, now I know.
I've always wondered, because they told me it was Walt Disney who did it
and who signed it, and I could never get an answer
one way or the other from anybody,
so it's at least nice to know.
During a visit to an auction house in Durham, New Hampshire,
a fascinating piece caught the guest's eye.
Behold, a breathtaking 1457 Genoese world map
showcasing the European understanding of the world
decades before Columbus set sail.
It illustrates the Old World, encompassing Europe, Asia and Africa.
Important geography. Do you notice what it's missing?
No, I never looked that hard.
I was too busy focused on the folklore than I was on the geography.
The map does not include the Americas or Australia,
as they were beyond the knowledge of the mapmakers.
Mythical creatures like unicorns, dragons, mermaids and sea monsters
are also depicted on the map.
I remember seeing him first, my little devil fella,
and then I think there's a mermaid somewhere.
Oh, there she is.
And those were the first things that I was like, this is super cool.
Despite its appearance, this map is not a 15th century original,
but rather a reproduction created for Edward Luther Stevenson.
Edward Luther Stevenson was an American cartographer,
map collector and explorer.
He was a prominent figure in the field of cartography and geography,
and his work had a significant impact on the development of mapmaking.
As a rare and valuable item,
this piece would be highly sought after at auction,
with a potential value of...
$4,000 to $5,000.
Holy moly. Wow.
How about that? That's crazy.
Five turned into a lot just in a second.
That's wonderful news. Thank you so much.
A delightful painting is showcased before us today.
Clara Galassi, affectionately referred to as Dolly Gray,
is the captivating subject of this artwork.
The guest is a direct descendant of this iconic figure,
being Dolly Gray's granddaughter.
Dolly Gray was a pioneering European actress
who made her mark in the film industry during the early 20th century.
Do you know any of the films that she starred in?
I have a list of the seven or eight,
but the few that come to mind are Maratona,
La Dolomiti was the second one, and then Metropolis.
At the base of the painting, the artist's signature,
Tadystyka, is inscribed.
Tadystyka was a Polish-born American artist,
best known for his portraits and figurative paintings.
He was a prominent figure in the art world during the early 20th century,
and was particularly renowned for his captivating portraits of women.
I just fell in love with this painting as soon as I saw it.
The expressiveness in her face,
the way he depicts her hair falling around,
it brings out her beauty here.
Given the surge in demand for Polish art,
this outstanding oil-on-board painting
could fetch a significant auction price off.
$12,000 to $18,000 on the painting.
Oh, OK. Wonderful.
If you were going to insure this painting,
I would say to insure it for around $30,000.
I see. OK.
An elegantly drawn portrait painting from 1921
was brought up for appraisal
that the guest inherited from her parents.
They purchased it between the 1950s and 1960s
at a dispersal sale in Western Hall.
The artist was identified as John Singer Sargent,
as indicated by his signature below the painting.
John Singer Sargent was an American expatriate artist
considered the leading portrait painter of his generation.
He created roughly 900 paintings
and more than 2,000 watercolour paintings,
as well as countless sketches and charcoal drawings.
John painted many aristocrats
and his sitters were often well-known figures,
like this particular portrait of Wallace Simpson,
who was a famous American socialite.
She was a great socialite at the time, wasn't she?
And she had this affair with Edward between 1918 and 1923,
but also after that period was confident of Edward
leading up to his affair with Wallace Simpson.
The painting was done in charcoal,
with very captivating details,
evoking the elegance of that time
and showcased the confidence of the artist.
This beautiful and elegant portrait of Wallace Simpson
was valued at...
£350,000.
Really? Really?
Oh, that's amazing, isn't it?
Really?
Really.
On exhibit today is a stunning collection
of American football memorabilia and artefacts.
62 Houston Texans AFL ring,
a 1966 Kansas City Chiefs AFL ring,
and this great game-used jersey.
This incredible collection is owned by the legendary Smokey Stover,
who is also the guest's father.
Smokey Stover was a player
in the American Football League in the 1960s.
He played as a fullback and linebacker for the New York Jets
and the Kansas City Chiefs,
and was a member of the Chiefs' Super Bowl No. 1 team in 1966.
The 1966 Super Bowl saw Stover take to the field
wearing this very jersey.
With its rich history and cultural significance to Texans,
this Dallas ring would carry an insurance value of...
Probably $30,000.
Okay.
Likewise, this AFL championship ring
would command an insurance value of...
Same thing, about $30,000 insurance.
To complete this collection,
this game-used jersey would be insured for...
$40,000.
$40,000. That is wonderful.
Altogether, the insurance value of this collection would amount to...
Looking at $100,000 insurance.
That's what we needed to know, and I appreciate it.
On display today are two extraordinary items
from the renowned artist Norman Rockwell,
the chair where he sat to create many masterpieces
and one of his remarkable paintings.
The guest had the unique privilege
of being a child model for the esteemed artist.
She is, in fact, the subject of this very painting.
That's me and Norman, yep.
And you did other modeling?
Yes, I was the baby in the babysitter painting.
My mom told me many, many years later.
Norman Rockwell was a renowned American artist and illustrator,
best known for his sentimental
and often humorous depictions of American life.
Rockwell's work appeared on the covers of numerous publications,
including the Saturday Evening Post, Life & Look.
He also created illustrations for books, advertisements and other media.
He took many, many photographs.
For instance, for this sitting, I sat over 15 hours.
But it wasn't constant.
There would be breaks in between, but it was a long day.
Rockwell was a master of storytelling through art,
and his paintings often conveyed a sense of warmth, comfort and familiarity.
This enchanting piece is highly prized,
with a projected insurance value of...
We're looking at somewhere in the sort of $80,000, $90,000 range.
In comparison, this exceptional chair would carry an insurance valuation of...
And they told me it would make at least $50,000.
You are kidding. Oh, my goodness.
It's pretty iconic.
This lamp is a handle with a reverse-painted chipped ice glass shade,
but lacks a signature, causing initial concern.
A reproduction of an original drawing from the 1924 sales catalogue
confirms the lamp's authenticity as model number 7126,
featuring iridescent gold-etched brown.
The lamp is described as having an 18-inch decorated taroma glass shade.
It also boasts peacock decorations in blues, yellows, greens, browns
and a gold black onyx effect base.
While some of these shades were signed, others, like this one, were unsigned.
Henry Bedergy is attributed with the lamp's design.
However, anonymous craftsmen carried out the actual painting using a stencil design.
Current market conditions have seen a decline, with the estimated lamp's value between...
$10,000 to $15,000 on the lamp.
Oh, my goodness.
A collection of artefacts from the golden era of commercial air travel was reviewed,
highlighting the adventurous time of early aviation.
This collection, including flying boots, gloves, a helmet and an oxygen mask,
reflects the era's elegance and excitement.
These items belonged to the guest's father,
who nurtured a lifelong passion for flying from his teens into the 80s.
His career began with Imperial Airways, known for operating Empire Flying,
boats and continued with BOAC, starting in 1946.
His routes included France, Cairo, Bahrain, Kolkata, Singapore and later Australia, and New Zealand.
Reflecting the era's elegance, passengers wore formal attire,
while pilots made repairs in evening dress,
a symbol of luxury travel.
The flying boat was often met with glamorous receptions and grand accommodations.
Tangible items in the collection are valued at approximately...
Vintage 1923 Gibson A2 mandolin, bought for $35 at a Pennsylvania garage sale, came in for appraisal.
Recognized by its Gibson name, the mandolin was purchased by a keen collector,
who often finds undervalued items.
This mandolin was made during the favorable law era of Gibson's production in Kalamazoo, Michigan.
Boasting several evolutionary features, the 1923 Gibson A2 mandolin stands out.
It includes an adjustable bridge, allowing for precise tuning and playability.
Adjustable truss rod and plastic plate on the peghead ensure its continued functionality,
even by today's standards.
Sought after for Irish and folk music, it is regarded as one of the most desirable instruments among players.
This guest arrives at an appraisal with a seemingly ordinary sports jersey and pants,
this unassuming ensemble holds a surprising history.
Gifted by her aunt, the guest reveals that the uniform belonged to her late uncle,
an avid sports memorabilia collector, passed down through generations.
The item has been cherished within the family for approximately 30 years.
Intrigue builds as the appraiser identifies the uniform as an away jersey
and pants belonging to the legendary Willie Mays.
It is noted that the wool flannel fabric's impeccable condition is a rarity,
given the physical demands of baseball.
Presence of the Spalding tag and the stitch name and size of Willie Mays on the jersey
further authenticate its authenticity.
Its exceptional condition suggests a near-perfect grading score,
a testament to the careful preservation.
With a sense of anticipation, the appraiser delivers a staggering estimate of
A classic photograph of the legendary baseball player, Babe Ruth, is displayed.
The iconic picture was a beloved family heirloom in the guest's grandfather's house,
now lovingly preserved by her.
Babe Ruth personally signed this photograph for Henry Weber,
a well-known figure in the entertainment industry.
George Herman Babe Ruth Jr. was an American professional baseball player
whose career spanned from 1914 to 1935.
He was one of the first five players elected into the National Baseball Hall of Fame in 1936.
Ruth's impressive stats, charismatic personality, and power hitting
helped popularize baseball in the 1920s and 30s.
The signature on the photo can be pinpointed to the 1920-1922 period,
characteristic of his early career autograph styles.
Given its vintage, this photo is in outstanding condition,
boasting a signature that is still sharp and distinct.
This rare photograph is expected to fetch a substantial auction estimate of
