NEW Gear - Corp AV Rack Build (@AllenandHeathUK CQ + @rodemic Caster)

Alright guys, so we're going to go through basically our corporate AV Rack Day by demand. Everybody wanted to know what all is in there. I quickly went through it in the Warehouse Tour video. We've added all kinds of stuff in here in Racking that's all behind me. I don't remember exactly what the specs and the names of all the things are that I have in this. But I'm going to be linking everything in the description down below for you guys to check out. First off, this is the giant Pro X case that we bought for the whole setup. And the beauty of this case is both of these lids turn into tabletops on the sides. The wheels come off of it so you can put the wheels wherever you want. We decided to put both the locking wheels on the front. That's just how we chose to do it. Of course, you got big nice hinges on both sides that come off, road case hinges. And it's already pre-built with the legs and the basically hinges on the side to transform it into a tabletop. As you guys might remember, my audio rack was actually back in the business. I transformed that case into one that did the tabletop. But this one started to be built, has it built, ready to go, which was more efficient for us trying to build out our corporate AB side of the company as quickly as possible. So that slides in perfectly right there. I will note the tabletop is a tad bit lower than the top of here. They didn't make it flush. Don't know why they did that, but that's how they did it. And inside of this lid right here, we actually keep a big long surge protector with, I think, eight different ports on it that we can set in front of one of the tabletop side. We could use both, but typically we're running video on one side, audio in the middle, and then kind of extra on the other side. So it works out to plug in all the video stuff. This will go on this side, this one, the other. All right, so the rack itself, give you guys some perspective on measurements. The actual rack itself is 3 foot 8, so each side is also 3 foot 8. And when you put it all together, you get a 11 foot 2 inch long workspace to do your events with. So now I'm going to go handheld. Well, actually, let's talk about the rack for a second. The way this rack comes, there's different configurations you can buy for this rack. This is the 12U four drawer model. There's also a double 12U, so you can have basically two on both sides, but those drawers are super helpful for storing all of the video gear that we use to run all of our video gear. I will also add at this point, we're doing a lot of corporate AV style events. Basically, if you guys have seen any videos, we're doing stuff for conferences where we have maybe a podium mic, maybe we have four or five mics doing a panel. Maybe we have a couple Britney Spears style mics, a couple lapels doing stuff. Video side, we're running video to either like 12 foot screens, 16 foot projector screens, either long pro, short pro. Those are all kind of chilling over there in the corporate AV realm. But this is the central hub that runs everything. So inside of here, we have video switches to run all of our video controls. Sometimes we have cameras coming in, sometimes we're doing live streaming out. We're rarely doing things with bands. Most of our events only use a max of like four microphones. Most of them are honestly using one or two max. So that's the way this rack is currently built out, but it's also built out so that we can expand it in the future for more capability. So that is kind of a little quick overview of what the rack is used for. Let's go through everything that's in it that we utilize basically every single one of our events. And shout out to OJ in the back because he completely reorganized this whole thing, and I actually don't even know what's in any of the drawers anymore. All right, so before we go through all the nitty-gritty, this also comes to all of our event as well as two rock build facades. So up there, we got two four panel rock build facades that basically cover the front of this 11 foot monster at our events. But these right here, I would, if you guys are doing corporate audio, this has been the biggest game-changer for our team is these Hollyland headsets. So these are all just plug-and-play ready-to-go headsets that we wear at our events. And I highly recommend opt for the noise cancelling version. Don't get the basic version. We've worked with some other production teams and we can actually combine our headsets together and the noise cancellation is so helpful. So I highly recommend these. They are not cheap, but they are game-changer when you're trying to communicate between a video tech and audio tech, a lighting tech and a producer that's producing the whole show and maybe some camera operators. Getting these headsets was a game-changer for us. So highly recommend you guys look into them. The battery life is great on them. They come with this awesome charging bay here. So you just keep all, comes with basically two batteries per, makes it super nice and convenient to be able to do all of our stuff. So let's start with everything that's out in the open and then we'll get into the drawers. So the brains of our audio operation, we went with Allen & Heath and this is the CQ18T. It is a complete touchscreen digital console with 18 outputs and 6 monitor, or 6 monitor outputs, 18 inputs. It's a beast. I won't, I don't have it turned on right now, but this thing also connects directly. It has its own Wi-Fi built into it, but we actually built in a hub to this. So we have a Wi-Fi router in the back that I'll show you guys, but this can be digitally controlled via your iPad. So people can, you can walk around the room and dial in the audio specifically to your needs. We have it all pre-wired with a patch panel courtesy of NLFX Pro. We'll show that in the back, but this guy right here is a beast. So that right there, it's on a nice little slider shelf here. So that way we can pull it out. But for the most part, we actually leave it in and just use the iPads and you can use multiple to see multiple screens. It's got auto mixing built into it. So you can set up like four microphones and set the priority and it will mix back and forth for you automatically. Highly recommend looking into that mixer. It is, this audio mixer is for the price too, is amazing. I currently want to get the CQ-12T to put in my audio rack to replace my Yamaha. Down below, we have the DVX Drive Rack PA-2. Now you might ask, why do you have this bass mixer and then you have a drive rack right below it? Well, that is for more control on our outputs. The Drive Rack PA-2 gives us three individual outputs that we can then EQ separately. We can set our basically our levels differently for all three of those outputs. Just gives us a lot more control between those three outputs. Yes, this has six outputs as well, but this allows us to have three kind of master outputs that we can just do subtle tweaking on and we don't have to go into heavy tweaking on this unit. Do you need it? No, we just from our team perspective. We're very familiar with the DVX systems. So we put one in here and we do utilize it quite a bit. We have a Furman M8DX. I'm actually wanting to upgrade this because I learned that the bass level Furman does not actually have the best power conditioning. So we're actually going to probably upgrade this in the future. Down below it, our microphone systems. We have a Distro right here, a four Distro box. What that does is it combines all four of these microphones below here into two antennas. It also provides power to all four of the microphones between the cabling in the back as you'll see. We were running four of the Audio-Technica 3000 series. These are all networking mics. I'll talk about that in a bit, but all four of these are networking mics and we did leave enough room. We have three used down here to add another Distro and four more microphones down below when we want to upgrade. But again, most of the time we're only using four. So not to get too nerdy on you guys, but the difference between the standard Audio-Technica 3000 4th Gen and the networking versions are there's a networking port. So there's a Cat6, or not a Cat6, but a RJ45 Ethernet connection in the back of it. And what you can do is you can run those into a Ethernet hub and then you can connect that to your computer and then using your computer, Audio-Technica and Shure has the same thing and Sennheiser has the same thing as well. We just prefer the Audio-Technica brand. It has a software that on your computer, you can scan the whole room and see a full spectrum of frequencies that are available and you can tell it how many microphones you're using and all the setup information and it will then assign the channel specifically to each microphone for them to all work together. Now Audio-Technica has in each individual mic has a scanning feature built into it. It's pretty good if you're using just one or two, but when you start to get into like three, four, five, six, the scanning tool doesn't work as good, which is where the computer networking side comes in and makes your life a lot easier. It's very technical and maybe I'll make a whole video on that in the future. Coming around to the back of the corporate AV rack here. This is where we'll find our TP-Link router. So this router is hooked into the DRIVE Rack TA2 so we can wirelessly control the DRIVE Rack TA2 from a tablet from anywhere in the room. We can also control the Allen and Heath board from anywhere in the room and one of these goes to a hub that we have over here somewhere that all of our networking mics are hooked into. Now, it looks like a pretty much like a snake's nest in there, but that's how it is. These are our two microphones. So these are our two outputs right now. We only have half wave antennas on it. But if we wanted to in the future, we could grab a shark fin and hook those up to these outputs and run a shark fin in our room to do that. But for the most part, we've never really had any issues with just our half wave antennas. The shark fin would just give us even more control. So this is the patch panel I told you guys about that we've had NLFX Pro make for us. So basically we have a power con in here for power. All of our inputs are labeled. So we have inputs 5 through 16 available. Numbers 1 through 4 are running to the four wireless microphones built into the rack. We have our high, mid, and low outputs from the DRIVE Rack TA2. That's just what their names on the DRIVE Rack. These actually are full range outputs that we can assign however we wish. And these are four of the six monitor outputs that we routed to the back here. We left two of the quarter-inch monitor outputs actually available directly on the board if we need to quickly run that to a recorder or something along those lines. Inside of here though, we have a nice 25-foot power con cable to plug in the route. Again, we also have a nice big long CAT6 cable in here ready to plug into the wall. That way we can get internet into our hub here and then we can use this to then break out the internet to laptops or whatever we want to do along those lines. Also have a nice little cyber power power strip back here so that we can quickly plug in additional things like that power strip. We can plug that in right there. Super quick, super easy. Patch panels are amazing. So that's basically the rack side of things. Nothing too crazy, just some often mixers and everything that we got used. But yeah, that's what we're using. So now let's get to everything that's in the drawers because this is the real stuff that we set up and make everything happen at our event. So immediately everything is now been labeled to make their lives a lot easier. So in here we have USB C to C cables. These are all of our power cables to plug in and charge a lot of our things. We have all of our HDMI cables. These are all thin HDMI cables. We have power docks. These are basically power stations to power a bunch of laptops, etc. I'll open all this up in a second, show you guys what we got. Here we got a variety of miscellaneous things. So we got some USB hubs up here to plug in little USB bricks. We have a USB C to A over there. This is a Bluetooth transmitter. Highly recommend this thing. It's, I'll link it down below, but this is a high-powered Bluetooth transmitter. You can literally get like a hundred feet away and still be transmitting Bluetooth to it. This is more for like breakout rooms where we're just running speakers on the side. It's a spare thing for us to use. And then we have a bunch of little converters down here to go between XLR, quarter-inch, quarter-inch, female, XLR. You get the idea. So there's a bunch of those quick little connectors in there to make different transitions. Then as we work our way back, we have a variety of power inputs. These are all the little kind of micro-powers, the power lines, different things we have in the rack, such as our audio extractor here. So this has audio output. It's basically HDMI in, and then that HDMI in can then be used as an optical out. You have HDMI out as well, or you can pull right and left audio out of HDMI B. This is a little Anker A-B switcher. So this is nice when we're running a confidence monitor and we have two different laptops. So it allows us with one click to switch between the two different laptops. So this could be the confidence monitor feed for laptop A and laptop B, and we can switch in between to send that to the confidence monitor that's at the front of the stage, the 16-inch confidence monitor. We have three of these awesome DI boxes. These are like the Power Boy ones, the multimedia DI box. It has everything you could ever want. So it's got quarter-inch input, it has a headphone 3.5 millimeter input. It's got RCA inputs as well. It's got a pad, it's got a lip, and of course on the backside here, it allows you to also do XLR in, and it also provides that awesome output at a nice low level. So that way we can bring in audio feeds from our video switcher or from just a computer. We can hook up a computer input to the headphone jack or a phone or a Bluetooth input to run music cleanly into our audio rack there, into the Allen keyboard. Couple spare cap cables right here. Always nice to have those laying around. Right here we have a laser pointer clicker and a couple, these are just our spare like nice Logitech clickers. We don't actually use these. We use a Dasani clicker that's down in the rack. Right here we have two anchor kind of little hubs, USB-C hubs. So this gives us SC card inputs, USB 3.0 outputs, and the bigger thing, it gives us two HDMI outputs. This is super helpful because we do have a couple laptops that don't have HDMI outputs or just to get a second or a third HDMI output. Also incredibly helpful if you're running Microsoft PowerPoint and you need to have that PowerPoint view, you can run that to a second HDMI and then again run that to a confidence monitor and then you can run your main HDMI feed to your switcher on the main unit. So we got a couple of those that normally does us good for having those. We have these cool battery slots here. These are just all of our spare batteries just sit up here. Super helpful and easy to just keep all your batteries together. They don't flop everywhere in your case. Nice and organized. Couple pens, pencils, scissors, just miscellaneous stuff here that we might need. So like I said, I was going to open up those bags for you guys. USB-C cables. These are all Anker nice high-power 100-watt rated cables. I believe they're 100 watt. They're either 100 or 85 watt rated cables of a variety of lengths. I think we have two 10-footers, two 6-footers, two 3-footers and probably some other ones in here that I don't even know about. Pretty much everything that we buy or that we have bought to do our corporate AD with including our computers all take USB Type-C power. So that's why we have a crapload of USB Type-C powers and those pair beautifully with these guys right here, which are our power hubs. These things are pretty insane. So we typically put one of these on both sides, but this is a 550 watt brick and that brick has two 100 watt outputs, three 65s and three normal USB kind of 5 watt outputs as well. I will say you can only run one 100 and one 65 at the same time or you can run two 100s or you can run all three 65s. That's what we typically do because most of our stuff doesn't actually need 100, but we can run all three 65s at the same time and three bottom ones. So between these two bricks we can power basically six laptops and a bunch of random USB things like you'll see our confidence or our portable monitors there down below. They can run off of USB power. Yeah, these guys super cool. Literally one cable plugs it in and gives you all of these different power outputs really helps to get rid of all of the cubes and all the little power adapters that are on your station. Now this other bag USB type C or HDMI cable. Sorry. These are all nice thin HDMI cable. You don't need those thick ones. These are all cable. I don't even remember what brand but these are all 4k nice HDMI cables again a variety of different lengths from 3 foot to 15 foot and this is basically what we're using to connect all of our laptops up to our switchers and all of our outputs. This just cleans up our confidence monitors. This cleans up everything on the table. That's what's in those three bags basically are kind of our top thing right here is all of our power and all of our micro cabling that we need to run our rack and some of the basically the more consumable things that we're using to set up the initial portion of the rack and wire it all together. All right, moving on down to your number two. We're number two. We have more cabling some video switchers and mostly gap. We have brown gap tape because our the venue that we are the in-house AV people lazy stables. They have brown flooring. So we keep some brown gap tape. We have some white gap tape. And of course we have some black tape. I believe we have some more in here as well. And we always keep it in our power total there that has all of our nice extension cords. We keep extra gap tape in there as well. We have some striker tape. This is really helpful to put in between pipe and drape to show you got to show people where they can go in between splits and slots in the pipe and drape in general and also it's nice to color microphones Etc. Get you some striker tape. It's nice corporate AV stuff. We have microphone adapters. So these are all for microphone stands for our wireless mics. Those just kind of live up there out of the way right here. We have our two HDMI switchers. So these are basically one to four. So one input four outputs. We basically put these near projectors of doing different feeds Etc. Helpful to have right here. We have our wireless audio or what we call wireless audio adapters. These right here plug into a body pack and turn that body pack into an XLR input or a quarter inch of it. So basically you can plug this into the back of the rack there on the mid output and be plugged into this XLR and then that feeds into a body pack and then that body pack feeds to a wireless receiver which will get to in the bottom to run wireless audio. Go check out my whole video on how we run wireless audio using a lapel or a body pack microphone in reverse. Here's a variety of different cables. These are basically all your different converter cables that you might need. We have quarter inch to RCA RCA to quarter inch XLR to quarter inch. This is a variety of different little helpful cables to use the hook up the video switcher to run the video switcher into a DI box run it into the main rack. Helpful stuff to have here. These are specialty cables. So these are micro HDMI to full-size HDMI mini HDMI to full-size HDMI display port to HDMI cables as well. Depending on you know, sometimes we work with other videographers and we need an HDMI feed out of their camera. Their camera might have micro it might have mini it might have full-size HDMI and sometimes we allow clients to use their own laptop. Sometimes they have a display port out if they're running a Dell. So these are just a variety of different spare cables. This right here is all of our USB A to USB type C cables. So these are again for those same power bricks that are up here. You can use those USB A outputs to power some lower voltage USB C stuff using these cables as well. So again, just more cables in this portion of the rack as well as some gaff tape. All right. Now we're getting into some expensive goodies. Enter the video rack. The video portion of the whole entire rack. So we have two media players over here. These are just little media players. I mean they they accept USB inputs so you can plug in a USB flash drive with video files pictures slideshows Etc. Plug them into the HDMI inputs on projectors TVs and just know they're just media players are really handy devices to have not that expensive. Here's the remote for them. One of them brand new actually here is our perfect cue to Sony clicker. If you guys are going to do anything with corporate AV and you need a clicker by this clicker. This thing is awesome. So one it's a radio based clicker. So it doesn't use Bluetooth. So you have up to 500 feet of range and you have two USB inputs. You can hook this up to two laptops simultaneously and this one clicker will control both of them. So if you want to have a full-size confidence monitor with the next slide, you can hook this up to both laptops at the same time. Once is one slide ahead and this clicker will progress both laptops at the same time super handy thing to do the two basically the two USB cables are right here. Another cool thing about it is you basically never need to change the battery literally. This is a built-in internal like lithium battery or something. I remember but it's rated to go pretty much like two years with never needing to replace the battery. So we keep a spare battery on us, but it's pretty much never going to die. There's our clicker perfect you by design right here. These are two of the portable monitors. I love these things. So let me set them up real quick. Maybe I can do it one-handed. So basically they just magnetic covers hold out. I need two hands for a second, but that's all they are. We got two different two different brands, but they're 15.6 inch monitors. You can put them at the high put them at the low and that's all they are. They're monitors. So this one has a micro HDMI input. It takes USB C power and you got some controls over here. I believe this one actually takes a full-size HDMI. Yeah, this one does a full-size HDMI and USB type-c power. These are great for second monitors or we use it mostly for our video switcher to see the program view behind the scenes, but these things are actually relatively affordable and I actually come in here and I steal one. I'm going on vacation. So I have a second monitor to work with and some laptops actually via USB type-c. You can run this monitor just off of USB type-c and your laptop can actually power it and send HDMI to it at the same time. So those are our two portable monitors. Nice to have got a spare USB power. That's for the that's for the media player. This is a data USB C cable. So this is a high-speed data data USB to USB type-c cable. We keep it specifically here with our main video switcher brand new. This is the road caster video and there's a lot of video switches on the market, but this is the one we landed on as being the best bang for your buck and the most amount of features and I can make a whole video on this but if you guys want to look into it badass video switcher, it's got built-in recording. We can plug in a USB type-c hard drive this record it. It has a USB type-c out that works as a webcam so you can send this whole feed from here into a computer and then use that to basically zoom out your broadcast from your event. It's got four dedicated HDMI inputs. It's got two HDMI out all 1080p cap and it also has two USB type-c inputs that you can use for video capture cards or webcam still got a couple mic inputs, but of course we got a mic rack. So we're mostly going to use that and this will actually link to a computer and you can upload media files to it. It's got scene builder so you can create different scenes different configurations with backdrops graphics. You can do lower third graphics. You can do scene overlays. You can actually upload and have videos on the fly ready to go. So they if a client gives you a bunch of video files, you can have them ready to go and ABC and D this thing is awesome. And one of the things I love is just got a nice big buttons to push you're not going to miss the button and we run it in studio mode. So when we press 5 we need to come over here and quickly cut to that scene or we can use an auto dissolve feature as well. It's basically got everything and it's also internet-based too. So you can actually hook this thing up to your router and you can control it via a computer anywhere in the room. So that's super helpful because I can be over here as the programmer, you know switching in between all my scenes and then I can have a secondary guy down there on the computer creating all of my scenes and my lower thirds like switching out lower thirds and on the fly creating different scenes and visuals for me to use throughout the program. So it's basically like a two-in-one. It's an awesome piece of tech. We got a video cable here. That's for one of the monitors. This is a secondary video switcher. So this is kind of if we need a just a basic video switcher. We have a Roland V1 HD. This is a just a 4 USB or a 4 HDMI switcher just a pretty basic one to use. But yeah, this is kind of what we used to use and then we just upgrade to that bad boy right there, but that's just a simple four unit. Sometimes you have to have multiple switchers at corporate events. So one switcher might be running all the content for the screens in here and then you need a second switcher that's also implementing cameras to do a live stream feed to another location power adapter back there for the actual that Roland. This is the power adapter for the road and back here. We also keep a little mini DJ controller if we're doing anything to like more intricate with our music. We like to have a little physical control for our music bit. So little Hercules Serato based little mini controller things super nice to use for corporate events. All righty on to the last drawer here and this is our microphone drawer. So we have our four handhelds that we keep four different handhelds nicely bagged up keep them nice and scratched up as least as possible. These are the two mic receivers you can see they're pretty scratched up. We use these for wireless speakers. Like I mentioned we take that body pack right here and hook up the body pack to XLR that can be hooked into the mid output on this console right here and that will feed audio to one or two different sets of back fills rear fills side speakers breakout rooms Etc. We could practically do almost 500 feet from the body pack to here to be able to run wireless audio bills. We have a bunch of half wave antennas for those boxes right there and that's it. There's a power adapter for them as well and we keep a spare Yamaha 6 channel mixer back there just in case again breakout room side rooms need a microphone in another room. That is great for those and then in yeah, we have our two Sher podium microphones. We have two different gooseneck podium microphone. These are top of the line. I'll link them down below but they're super cardioid ones and they were highly recommended to me when we first started love them and sound great. We have a simple audio tech the handheld mic is good for a voice of God mic back here in the rack base place. So we don't have to worry about wireless. We can just run a voice of God mic just wired these guys. So not only with those XLR adapters that were up here can you use a body pack to run wireless microphone bills, but you can also hook up podium. So via that XLR to the body pack to XLR converter. We can hook it up to a podium. Now this podium mic actually requires phantom power. That's where this guy comes in. This thing is super cool. This is an x5. It's a battery powered 45 up volt converter. So this is where the microphone plugs in and this little battery pack will give it 45 volts of power to run it like normal, but then it's a simple line output on this side of the mic that can run into a body and then you can actually bring in that podium microphone wirelessly to your audio. Most people would say why would you want to do that? And there's a couple reasons one less wiring to the venue that we are the in-house audio provider for AV provider for they have a really bad grounding slash FM radio problem there that pretty much any XLR runs over 50 foot get interference. It's back like we've tried just about anything. We've had some text higher than us trying to work on it. It's a problem. So we pretty much have to run Dante solutions for our audio or we have to run wireless microphones to all of our microphones. So that's what we do and it works really well so much that even if we're right beside the microphones, we still run a wireless lapel for our podiums because it's quicker to set up and now inside of these baggies right here. We have battery packs. So we also have lapel microphones. We have a couple of hell microphones in here and we have the hardwired battery double a that allows us to run these batteries. These are body packs with constant power. So when we're running wireless audio, we won't run on batteries for these will plug them in directly with these double a converters that allow us to run permanent power to the body pack. Same thing with the podium. I will run permanent power to him as well. Same thing in both those bags and then right here we have the audio technique of kind of like Britney Spears and my countrymen whatever you want to call it. We have two of those guys in here as well. We've never really needed more than two of them for a corporate AV event, but we have those in here. So we have all the microphone options. We have podium mics. We have body packs. We have lapels. We have the countryman style. We have our 45 volt up converters. We have hard power and we have our four handheld microphones to run with our four outputs there and that's pretty much it. That is everything in our corporate AV rack that we take every single event. Other than that, we take our giant flight case over there. That's full of tons of different 12 gauge extension cords and breakout boxes Etc. And we take that code over there, which is full of XLR cable outside of that, you know, we have a variety of different things that we take to the events depending on what we're doing. We have 6,000 lumen short probe projectors. We've got AV stumple 12 foot screens and dress kits variety of speaker options across the board. We like column arrays for all of our speakers. So we have LD systems Maui 44's. We have 28 mount or LD Maui 28's. We've RCF NXL 24's. We have LD 18 subs, LD Maui 5 GO's, variety of speaker options that we can utilize and then we have all the lighting. Oh, this is new. We also take for these all of our events as well. These are collapsible rolly chairs. So they're pretty comfortable pretty comfortable and they break down so you don't have to take a giant chair to your event. A lot of venue halls won't give you one right here. Of course, they have four wheels. So they spin they rotate they're comfortable that actually the backrest here actually will adjust it has a little bit of a spring to it, which is nice when you want to lean back but to collapse them you just lift up on the thing. Kind of just pick it up. It's hard to do one hand. They fully collapse. So that way they don't take up much room in your truck or trailer or box truck when you're going to your corporate AV event. So I'll link those down in the description too. But typically we have four of those at least back behind our rack to do all our things. We also have some stools that we might use as well. But yeah guys that right there is the corporate AV rack. Tell me guys what you guys want to see in terms of videos related to our corporate AV side. You want to see videos on the Allen keyboard? Or do you want to see videos on that road video podcaster or video caster? I will say I'm trying to find a corporate AV event that I can actually film for you guys and show you start to finish everything we do behind the scenes. But unfortunately a lot and then by that I mean 90% of the corporate AV events we do or a lot of big brands a lot of names you guys know we can't film any of it because we're under NDA contracts and basically we're on social media blackout where we can't post anything. Can't show you anything. I try to post some stuff on Instagram for stories where I just kind of avoid showing the logos as much as possible. But yeah, we're not really allowed to film. I will say this business this side of the division has gone from like 0 to 100 incredibly fast and it's been a really fun journey a lot of money a lot of expensive gear, but there's good money in corporate. Let me tell you. Anyway, I hope you guys enjoyed the video leave a comment down below what you guys want to see in terms of other videos. What items do you see in here? I know all you nitpickers. What are the things that I'm not doing correctly? What are the things that I should be doing differently? I'm sure you guys have a million solutions and a million ideas because everybody does it differently. Let me know. I want to hear all the ---- in the comments down below. Let me know. Anyway, I hope you guys enjoyed it. See you guys next one. Peace out. Keep the market spinning. Adios. Bye.