柴可夫斯基-E小調第五號交響曲，作品64-巴倫博伊姆 Tchaikovsky - Symphony No. 5 in E Minor Op. 64 (Barenboim & West-Eastern Divan Orchestra in Geneva
Tchaikovsky - Symphony No. 5 in E Minor Op. 64 (Barenboim & West-Eastern Divan Orchestra in Geneva)
柴可夫斯基 - E小調第五號交響曲，作品64（巴倫博伊姆與日內瓦西東合集管弦樂團）
281,575 views Dec 23, 2022
From the "Concert pour la paix" at Victoria Hall in Geneva,
Daniel Barenboim and the West-Eastern Divan Orchestra perform Pyotr Tchaikovsky's Symphony No. 5 in E-minor, Op. 64.
281,575 觀看 2022 年 12 月 23 日
在日內瓦維多利亞音樂廳舉行的「和平音樂會」中，
丹尼爾·巴倫博伊姆和西東合集管弦樂團演奏了彼得·柴可夫斯基的《E 小調第五交響曲》，作品 64。
Pjotr Tchaikovsky - Symphony No. 5 in E Minor Op. 64
00:00 I Andante: Allegro con anima
15:04 II Andante cantabile, con alcuna licenza
27:31 III Valse: Allegro moderato
33:24 IV Finale: Andante maestoso - Allegro vivace
柴可夫斯基 - E小調第五號交響曲，作品64
00:00 第一樂章 行板：充滿靈性的快板
15:04 第二樂章 如歌的行板，有輕快的旋律
27:31 第三樂章 圓舞曲：中庸的快板
33:24 第四樂章 終曲：莊嚴的行板 - 活潑的快板
Daniel Barenboim - conductor and piano
West-Eastern Divan Orchestra
丹尼爾·巴倫博伊姆 - 指揮兼鋼琴
西東合集管弦樂團
In the face of political and ideological divides between their respective countries, five years ago Daniel Barenboim, an Argentinean Jew and Israel’s most famous conductor and pianist, along with Christian Palestinian philosopher Edward Said, put together the West-Eastern Divan Orchestra.
Symbolically named after Goethe’s book of poems called West-Östlicher Divan, a synthesis of Islamic and European poetry published as the Napoleonic Wars drew to a close, the Orchestra comprises an equal number of young Israeli and Arab musicians aged between 13 and 26. For all its symbolism, and hopefully something rather more than that, the aims and ambitions of the West-Eastern Divan Orchestra are first and foremost musical ones: the Middle East’s political divides are eschewed for a union of musical talent, which speaks volumes for cultural interaction. Once the music starts, that is what matters. And it mattered considerably at this concert, the orchestra’s members fresh from a residency in Seville – radiating learning and conviction, and sharing the wonderful power of music in no uncertain terms. In this live recording from a concert in the Victoria Hall in Geneva two familiar masterworks were presented with significant import, Beethoven’s 3rd piano concerto and Tchaikovsky's famous 5th Symphony. As an encore, we also hear the overture from Verdi's La Forza del destino and Jean Sibelius' "Valse triste".
面對兩國間政治和意識形態的分歧，五年前，阿根廷裔猶太人、以色列最著名的指揮家兼鋼琴家丹尼爾·巴倫博伊姆與巴勒斯坦基督教哲學家愛德華·薩義德共同組建了西東詩集管弦樂團。
樂團以歌德詩集《西東詩集》命名，該詩集融合了伊斯蘭和歐洲詩歌，出版於拿破崙戰爭末期。樂團成員由13至26歲的以色列和阿拉伯青年音樂家組成，人數相等。儘管西東詩集管弦樂團象徵性地代表了以色列和阿拉伯國家的政治分歧，但願其意義遠不止於此，其目標和抱負首先是音樂：中東的政治分歧被音樂人才的聯盟所取代，這無疑預示著文化交流的到來。音樂一旦響起，便至關重要。這場音樂會意義非凡，樂團成員剛結束在塞維利亞的駐場演出——他們散發著學識和信念，毫不含糊地分享著音樂的奇妙力量。在日內瓦維多利亞音樂廳的這場音樂會現場錄音中，兩首耳熟能詳的傑作——貝多芬的第三鋼琴協奏曲和柴可夫斯基著名的第五交響曲——被賦予了重要的意義。作為返場曲目，我們也聽到了威爾第《命運之力》的序曲和西貝流士的《悲傷圓舞曲》。
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