舒曼_曼弗雷德序曲_丹尼爾哈丁與韋爾比耶節慶管弦樂團 Schumann_ Manfred Overture _ Daniel Harding & the Verbier Festival Orchestra

Schumann_ Manfred Overture _ Daniel Harding & the Verbier Festival Orchestra
舒曼_曼弗雷德序曲_丹尼爾哈丁與韋爾比耶節慶管弦樂團

2,294 views May 22, 2025 VERBIER FESTIVAL
Robert Schumann thought of his incidental music “Manfred: Dramatic Poem with Music in Three Parts”, Op. 115 as something completely new and unprecedented. Later musicians regarded the overture to Manfred as being especially original. To this day, it is considered one of the best orchestral works that Schumann composed. The Verbier Festival Orchestra performs under the direction of Daniel Harding. The concert took place on July 29, 2010 at the Verbier Festival.
2,294 瀏覽 2025 年 5 月 22 日 韋爾比耶音樂節
羅伯特舒曼想到了他的配樂《曼弗雷德：三部分音樂戲劇詩》，作品 1946 年。 115 是一種全新的、前所未有的事物。後來的音樂家認為《曼弗雷德》的序曲特別具有原創性。至今，它仍被認為是舒曼創作的最好的管弦樂作品之一。韋爾比耶音樂節管弦樂團在丹尼爾哈丁的指揮下演出。這場音樂會於2010年7月29日在韋爾比耶音樂節舉行。

Robert Schumann's (1810 - 1856) idea for “Manfred” was to write a “literary opera”. He intended to bring together his two passions, music and literature. The text for the dramatic poem is based on the poem “Manfred” by the British poet Lord Byron (1788 - 1824). Its titular hero - a typical romantic anti-hero - is deeply conflicted and fails at everything. He feels guilty about the death of his lover Astarte. With the help of dark forces, he seeks contact with Astarte. The spirits cannot help Manfred, and an abbot cannot persuade him to repent. When Manfred dies, it is unclear whether his soul will find redemption.
羅伯特舒曼（1810-1856）創作《曼弗雷德》的想法是寫一部「文學歌劇」。他打算將他的兩大愛好——音樂和文學——結合在一起。這首戲劇詩的文本取材自英國詩人拜倫勳爵（1788-1824）的詩作《曼弗雷德》。其名義上的英雄——一個典型的浪漫反英雄——內心充滿矛盾，做什麼事都失敗。他對愛人阿斯塔特的死感到內疚。在黑暗勢力的幫助下，他尋求與阿斯塔特的聯繫。神靈無法幫助曼弗雷德，修道院院長也無法說服他悔改。當曼弗雷德死後，尚不清楚他的靈魂是否能得到救贖。

Schumann composed the overture to “Manfred” in the fall of 1848. It seems that the Romantic composer had planned it from the outset as a concert piece to be performed separately without the dramatic parts. Such concert overtures had become established in the 19th century. In terms of form, they only vaguely corresponded to a sonata movement and instead placed programmatic themes in the foreground. The Manfred Overture was premiered on March 14, 1852 in Leipzig - with Robert Schumann conducting. The printed edition of the overture, intended for concertante purposes, was published in October 1852, a piano reduction in January 1853.
舒曼於 1848 年秋天創作了《曼弗雷德》的序曲。這位浪漫主義作曲家似乎從一開始就計劃將其作為一部音樂會作品，單獨演奏，不包含戲劇部分。此類音樂會序曲在 19 世紀就已確立。從形式上看，它們僅模糊地與奏鳴曲樂章相對應，而是將程序主題放在了前台。 《曼弗雷德》序曲於 1852 年 3 月 14 日在萊比錫首演，由羅伯特舒曼指揮。該序曲的印刷版於 1852 年 10 月出版，旨在用於協奏曲，鋼琴改編版於 1853 年 1 月出版。

Schumann was unable to assert himself with his new genre of “literary opera”, possibly because Richard Wagner (1813 - 1883) had caused a sensation everywhere with his new form of opera, the music drama. Nevertheless, Schumann's Manfred Overture, Op. 115 has become established as part of the concert repertoire. Clara Schumann considered the orchestral piece to be the most magnificent thing her husband Robert had created.
舒曼未能憑藉其新的「文學歌劇」類型確立自己的地位，可能是因為理查德·瓦格納（1813 - 1883）憑藉其新的歌劇形式——音樂劇——在各地引起了轟動。儘管如此，舒曼的《曼弗雷德序曲》 Op. 115 已成為音樂會曲目的一部分。克拉拉舒曼認為這首管弦樂曲是她丈夫羅伯特創作的最偉大的作品。

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