理查史特勞斯《唐璜》作品20 Richard Strauss_ Don Juan op. 20

Richard Strauss_ Don Juan op. 20
理查史特勞斯《唐璜》作品20

10,653 views Oct 19, 2022 CONGRESS CENTRUM NEUE WEIMARHALLE
Orchestra of the University of Music FRANZ LISZT Weimar
Conductor: Nicolás Pasquet
10,653 瀏覽 2022 年 10 月 19 日 新魏瑪大廳國會中心
魏瑪弗朗茨·李斯特音樂大學管弦樂團
指揮：尼可拉斯‧帕斯凱

The young Richard Strauss, one of Franz Liszt's successors as Weimar court conductor, also followed in Liszt's compositional footsteps with his tone poem "Don Juan", based on Nikolaus Lenau's verse drama and premiered in 1889. In the opening motif, the libidinousness of the title character forms the starting point for the entire tragedy of the musical drama. A soaring theme that rises above everything with ease characterises Don Juan as a narcissistic lover. Impressive sound paintings, repeatedly interrupted by moments of disillusionment, trace different loves: from a youthful infatuation to a great romantic love scene in a rush of sound à la "Tristan and Isolde" to a lustful cantilena in the low strings, followed by sighs of delight from the flute - culminating in a seemingly perfect sensuality of subsequent tenderness between oboe and cellos.
年輕的理查·史特勞斯是弗朗茨·李斯特的繼任者之一，擔任魏瑪宮廷指揮，他也追隨李斯特的作曲腳步，創作了交響詩《唐璜》。這部作品改編自尼可拉斯萊瑙的詩劇，於 1889 年首演。在開場主題中，主角的淫蕩成為整部音樂劇悲劇的起點。輕鬆超越一切的高昂主題將唐璜描繪成一個自戀的情人。令人印象深刻的聲音畫，不斷被幻滅的時刻打斷，追溯不同的愛情：從年輕時的迷戀到《特里斯坦與伊索爾德》中奔湧而出的浪漫愛情場景，再到低音弦樂中充滿情慾的吟唱，接著是長笛的愉悅嘆息——最終在雙簧管和大提琴之間看似完美的溫柔性中達到高潮。

Provided to YouTube by University of Music FRANZ LISZT Weimar
魏瑪弗朗茨·李斯特音樂大學提供給 YouTube