膠片攝影 哈曼全新35mm彩色膠片：鳳凰200

為什麼這部影片是在星期五而不是星期三? 是因為我必須等到星期四的英國時間 才能釋出這部影片 因為這部影片是關於 Harman Photos的新顏色電影 Phoenix 200 太瘋狂了 所以我們來談談這部電影 這部電影是從零開始製作的 在英國 由Harman Technology製作 它是由Harman Photo的品牌 而不是Ilford製作 Harman really wants people to not confuse Harman Photo and Ilford Photo Ilford Photo is over here doing their black and white thing You know, they make black and white film and all that stuff and Harman Photo is over here making Phoenix 200 Now they are both both brands are under the Harman Technology Limited umbrella which is owned by Pemberstone Ventures If you want to read more about that you can head over to my full review full article, full news article on 35mmc.com I put in all the links and all the details so you can go and read that there and this video will just be more like behind the scenes of shooting some B-roll me talking a little bit about the film and my impressions So this is an ISO 200 color film got 36 exposures and we're going to shoot it today in the Canon Rebel K2 OK, so this is a fresh film it expires July of 2025 So this is an experimental film Harman Photo makes that very clear It's an experimental film It's made from scratch So there is limited anti-halation properties in the base layer There are no masking dyes There's no orange mask So this film is a little bit different than the other color films available It is not supposed to be like color film that we have known in the past It is a brand new color film and it is pretty wild I will just spoiler alert I love this film but it does have its downsides So let's talk about those The elephant in the room Latitude, exposure latitude This film has none All right, so this shot will actually be a really good test for the film because it'll show its latitude because I mean the sky is bright the trees are dark Harman Photo basically recommends shooting this film in even lighting and that is because this film has no exposure latitude If you shoot this film in mixed lighting like you have really bright highlights and really dark shadows it's really going to struggle Now this is only This was only a problem for me when my subject was in the shadow What I found was that in certain scenes especially the sunset scenes at the beach when I was shooting directly into the sunset or where it was the sky was the sunset and then the scene of the beach was basically all in shade The photos that came out you can't see anything except for the light So it's more like a silhouette photo which is actually kind of cool if I had done a different composition where the silhouette was more the subject and more in the center of the frame Next time I will definitely avoid these kinds of scenes Now my favorite photos were shot where my subject was in full sun and it was being well lit and I didn't really care what was in the shadows because those kind of fell off Anyways a self-portrait of myself here And we'll see how it turns out I'm not actually sure if the camera focuses again once you've pressed the self-timer But I guess we'll see because I was using F1.8 I've also only really tested this now in sort of nature settings So what I'm going to do now is go into the city and take some building shots As you can hear it's getting noisier So you know where We're near the traffic now So yeah I'm going to take some building shots some cityscapes and then test the flash and hopefully test it at night There's a lot of things to test when you test a film to see how it responds to certain scenarios And then also you have to watch out because there's so many different factors like the camera can affect it the lens can affect it your scanner, the film lab chemistry, etc. So there's a lot of different factors But at least we'll try and see so you can see what it looks like I love the colors on this film I think they are awesome They're so dramatic They're so rich and saturated I really, really enjoy that Now that was more for subjects that were either A, in even lighting or in full sun There were some scenes where it was like mostly shade that I thought there was some majority of like cooler tones And I just thought it was a bit gross Not for me I'll show you what I mean And the color of this film is so interesting So how I kind of how I would describe it is that you have this color You have the color spectrum I see the warm colors and the cooler colors like And I think it kind of leans into itself a little bit So the warm colors are really warm And the cool colors are really cool Like take the greens in the grass for example In these photos where I shot with like the fall leaves These greens are so cold But the reds are really nice and rich and warm And I love that color contrast I think it's really nice And I'm a fan Except for maybe some scenes where the cooler colors are a little bit too cold It's a little bit too extreme for me Like this tree It's a little bit too blue But it's definitely not like Kodak films Where overall there's kind of like a warmer sense to all of the colors including the blues and the greens So it's a very interesting color mix And it is very different Which I think is great I mean I wouldn't want a new color film That's just the same as other color films It doesn't Because then you don't get any Like differentiation or variety And in your options Now I am interested to see People's reactions to this film Because I think it will be A little polarizing Because it has very little Anti-halation properties There's a really strong halation When you point it in the direction Of a strong light source Or basically the sun I didn't shoot anything in the studio Or with artificial lights With this roll So I am very interested to see Some other people Who might have tested it Who have But yeah it's very strong So if you don't like halation This film you don't You can still shoot this film But just point your camera Away from the strong light source And you'll be fine There's no halation But yeah if you point it Like towards the sun You will get this very strong glow As you can see in some of these images Okay so this one With the forest scene here I actually really love the halation here And I think it creates such Like a drama to the image That I love But this one here at the sunset I think it's interesting But it's kind of bleh And the rest of the scene Is a little bit meh Because my subject Which is basically the railing And the path And the Berry Island structure there That's really my subject And it's not well lit So it doesn't really pop out What you first see is the halation And the sunset glow So I think that's a little bit It doesn't work so well in that photo So it depends on what you shoot It really depends on what you shoot This film really depends on how you meter And what you choose to shoot For a 200 ISO film This is pretty grainy Now you can't really I mean and that's saying I'm saying that in comparison to other 200 speed films that I've shot Which isn't that fair Because this film is not like any other film So it's really hard to compare And to say that 200 speed films Shouldn't be that grainy That's comparing it to What you have already here But this is a very new film A very different film A very experimental film So you can't really compare But yes it is hella grainy What else to say about this film So we talked about So we talked about the latitude We talked about the colours We talked about the grain We talked about the halation I think in general that's it Let me know what you think about this film In the comments below However people think about this film Whether you love it or you hate it Or you're just kind of like In the middle about it I think it's amazing that Harman photo and Harman technology Have created a brand new colour film From scratch They've invested in that R&D We are going to you know Have hopefully more iterations of Phoenix As Harman photo Or Harman technology Refines their colour film manufacturing process Alright so if you want to read My full review with all the details All the photos All the news pieces and all the links Then head over to 35mmc.com And that is it for me today I will see you in the next video Bye