哈蘇不賴的 hasselblad 哈蘇 xcd 90v 鏡頭上手評測 | 重新定義瞬間

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4 觀看·2025年11月29日
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大家好,我是Hugh Brownstone
為三個盲人和一隻老鷹
但是我們先開始
一封訊息來自我們Crass Commerce的部門
我和Claudia很高興地宣佈
我們2024年紐約街拍攝工作室的行程已經上線
我們的工作室也繼續發展
除了我們2019年的紐約街拍攝工作室
還有我們的倫敦街拍攝工作室和東京街拍攝工作室
在2023年增加
2024年我們還增加了巴黎和柏林
我和Claudia在每個城市都去過和喜歡
在這四天的工作室中
實際上是體驗
我們的目標是幫助您
您將在世界各地
擴展您的街拍技術
在一些最具代表性的場景
並且享受做到
我們會探索街拍的歷史
深入探索裝備選擇和技術
教授您如何效果地展示和組織
通過多輪的建築性批評
以獨特的支持方式
甚至挑戰您
您的作品的意義
並幫助您精心製作或發展
您獨特的攝影聲音
但最重要的是
我們會帶您到世界最大的街道
和相似的攝影師
所以空間限制
即使只有11月
課堂已經滿座
如果您感興趣
請到www.3bmep.com
或www.streets24.com
獲得更多資訊
無論如何
沒錯
90V
它只是Hasselblad的第三面鏡頭
新的V系列
如同其他
38mm和55mm F2
稱它為全景相等
視野和深度
30mm和45mm F2
它不僅擁有最大焦距
但也操作得很好
設計風格優美
可自動調整
空間限制
手動焦距
深度和深度
和真實的停止
太棒了
重點是保持尺寸和重量
內部焦點
使用混合直線踏板
當然
還有一顆葉子
最適合閃光攝影
使用例子
我承認
那是日光閃光攝影
我並沒有測試90V
但我測試了舊的XCD-93
其實
那是我第一次使用的鏡頭
在錄製時
拍攝了一張50MP X1D Mark II
使用了Broncolor Flash
剩下的錄製
拍攝了90V
安裝了X2D
雖然我打算
在90V和ProPhoto A2
和其他攝影機之間
但
讓我們放棄那些想法
除了
例如
一顆葉子閃光攝影
攝影機
攝影機的閃光速度
即是
慢
可以
有道理
即使你不使用它
用來拍攝閃光
它是唯一的方法
來控制
Rolling Shutter Artifacts
雖然
這對你來說
當然
是你拍攝的方式
這
不是一個不感興趣的題目
因為
如果Rolling Shutter Artifacts
不是重要的
對於大多數的
Hasi X-Series
攝影機
Hasselblad
可以製作新的
Barrel Lens
即是
沒有
Leaf Shutter
更小更輕
更便宜
這是
只是一個想法
最後
對我來說
90V
是關於
解像度
工業設計
尺寸
重量
控制
我驚訝的是
自動焦點
幻影
自動焦點
因為
現在
適合
我最主要的用途
Urban Portrait
即是
最近的
服務更新
加了
Face Detection
非常有效
雖然
還沒有
Continuous
Auto Focus
或
IAF
已經適合
但現在
Urban Landscape
因為我的眼睛
不像以前
自動焦點
變得
更難了
幻影
因為
沒有它
對Urban Landscape
是重要的
90V
做事
螢幕
和
Hasselblad
的焦點
和
自動軟件修正
雖然
90V的幻影
只是
不存在於
我拍攝時
拍攝的
Vignetting
因為
我發現
90V的
獨特的
光源
非常獨特
和令人滿意
尤其是
街景
我
幾乎
總是把它
修正
和
顏色
直接
從鏡頭
這讓我
每次
打開
32吋螢幕的
發現
這個螢幕
和鏡頭
比自己的眼睛
我每次
其他
鏡頭
螢幕
都能看到
世界上
美麗的
當然
我看到
兩個不同的
顏色
溫度
在每個眼睛
除此之外
我還是
黑白的
人
這就是
為何
我包括了
錄製中的
顏色圖像
90V的
顏色
就像
Hasselblad X&V系統
都不一樣
Hasselblad
鏡頭
顏色
都不一樣
我
被那些
16bit的
色彩深度
和Hasselblad
如何選擇
處理
他們的
鏡頭
他們對我來說
加入
X2D的
102MP
混合起來
我沒問題
如果
我能找到
一張
Hasselblad
XCD21F4
全景鏡頭
和
深度鏡頭
相等於
173.2
或者
如果
Hasselblad
釋出
相等的
這將會是
一個
美麗的
雙鏡頭
組合
我們的
Leica Q3
Q3
為了
快速
近鏡
和
街道
拍攝
我需要
更廣闊
或更長
的
這
導致
我的
90V的
競爭
所以
我們去那裡
現在
最明顯的
對於
90V的
開始
Hasselblad
93.2
我剛才提到
但
接著
尤其
Fujifilm
的
Fujinon
GF110F2
2R
L
M
WR
和
80mm 1.7
R
WR
所以
我們開始
3200元的
XCD
93.2
除了
手感更好
和
可自訂的
Aperture Ring
Hasselblad
設計了
90V
更小
更快
更輕
和
更安靜
和
更快
自動焦點
比
93.2
在這
他們成功了
90V
更安靜
更快
自動焦點
比
93.2
最大
Aperture
尺寸和重量
沒有太多
7%
和
11%
相比
Hasselblad
也有目標
就像
其他廠商
增加
壓縮
工廠
的
非常
全球
不確定的
經濟
在這
他們也成功了
90V
比
XCD
93.2
甚至
用了
簡單的
視覺設計
少了
幾個元素
這並不是
壞事
我
沒有
雙鏡頭
相機
除此之外
我記得
我以為
93.2
是一個
出色的鏡頭
如果
慢
但是
當你看到
Hasselblad的
MTF圖表時
Hasselblad的目標
包括了
找到
正確的
平衡
所有這些東西
包括
如何調整
畫質
在
雙鏡頭
MTF圖表
中
出現93.2
即使
90V
有幾個
有趣的元素
但
93.2
沒有
也許
90V
有幾個元素
雖然
它有點像蘋果
因為
最大幅度
和
中幅度
設定
圖表
在
5
6
而不是
F8
93.2
也許
93.2
有幾個元素
但
92.5V
沒有
我認為
這是一個錯誤的機會
我希望
把畫質
提高
直接
但
我還是
比較喜歡
90V
在現實世界
93.2
除了價錢
我們繼續
Fujifilm
我拍攝了
GFX100的
和
GFX100S的
並不出色
90V
也不貴
110
90V
約半
80
的價錢
少於半
這就是
每個鏡頭的新版本
使用的差別
當然
更大
但
Fujifilm的鏡頭
不僅
比90V
它們
也
更大
更重
30%和
44%
相比
GF80 1.7
和
92.5
65%
和
83%
相比
GF110
和
90V
這並不意味著
攝影師
但
這些
在街上
有著
在戶外
和
旅行時
那
90V和
全景鏡
相比
我們應該去那裡嗎
去吧
因為
有些人
的答案
絕對是
是的
問題是
全景鏡和
即使我嘗試考慮
X2D的
61MP
Sony A7R5
M11和
47.5MP
Leica SL2
在
接近最低的焦點距離
和
相等於
物體大小和範圍範圍
和
再一次
4-70mm f2.8 G Master to zoom
Although one might have expected this to be the case
because the 90V is so much more expensive
and it is a Hasselblad lens
I expected it to be much closer
Then again, those of you who know me
know that I do these near minimum focusing distance tests
under protest, you could say
because they are repeatable
rather than truly representative of a lens's image quality
in the real world at real world distances
Only macro lenses are optimized for close-up work
and lens designers often make that close
infinity distance trade-off
The only short telephoto I've ever had in hand
that I know is better than this 90V
in the real world is Leica's full-frame
Apple Summicron SL90 f2
Note that while Hasselblad and Leica
set the standard for detail resolution
at 40 wide pairs per millimeter
the other companies only go as far as 30
Only Leica shows infinity
and close focus distance performance
Note that in this case
it's at 1 meter
approximately where I am
I don't own one
I didn't have one available to me
for head-to-head testing
A more apples-to-apples comparison
would have been the Apple Summicron SL75
but I didn't have that either
Although the Apple 75 is not quite at the level
of the Apple 90 for image quality
Of course, then there's this
The L-Mount Alliance doesn't have
a 102-megapixel camera
to take advantage of the Apple 90's
superiority to begin with
never mind a 61-megapixel camera
nor an autofocus system
for their current high-resolution
camera bodies
fully worthy of it
for the moment
Anyway, let's both hold that thought
for another quarter or two
I don't know anything you don't
But even if it did
the Apple Summicron SL90
is 25% more expensive than the 90V
and just over 30% heavier
Again, these make a difference
All of which leaves us where, precisely?
Here, actually
The key to the 90V
the same key to the Hasselblad XMB system
is, in the end, to evaluate it for what it is
rather than what it is not
I think that this 90V
paired with the X2D
is an excellent optic
ideal for street, portrait
and urban landscape
which are more deliberate use cases
This combination simply will be
for those of us sufficiently well-heeled
and so inclined
the smallest, lightest
highest resolution
most hand-holdable
most compelling
medium-format camera out there
Again, for those with use cases
which align well with the strengths
and weaknesses
of those Hasselblad systems
I think the 90V
is the best of the V lenses so far
optically superior to the
more economically-priced P series
their 28-45mm f4s
as well
with autofocus speed and silence
which truly do warrant
a camera body autofocus system
worthy of it
Is the 90V great for studio work too?
Sure it is
Think product
Food
Fashion
Although the entire X lineup
is clearly designed for hand-held shooting
and a leaf shutter lens
is not as necessary in the studio
one could argue
and I'd quite likely agree
as it is out in the field
when trying to overpower the sun
Put differently
I think it fair to assert
that where one wants
an autofocusing short telephoto
capable of the highest resolution
image capture without
pixel shifting
most especially
when freed from a tripod
and or untethered from a computer
coupled with
an autofocusing camera body
offering the highest resolution
out there
with the very best color science
in my book
Superb
Ibis
Excellent EVF
A big
bright
robust
tilty rear screen
Auto focus
now fit for purpose
when that purpose
is to capture
frames of
nuance
detail
and
whimsy
even in low light
out in the real world
rather than
motion
or serendipity
Interchangeable lenses
rather than a
single integrated
prime lens
and
industrial design
build quality
and best in the business
menu system
All in service of giving one
the shortest distance between
intent and execution
in the smallest
most tactilely
satisfying package
with all of the things
I've just mentioned
Hasselblad
now
finally
offers a kit without peer
including
anything from
Fujifilm's GFX line
Fujifilm's
far superior
autofocus performance
broader lens lineup
and optional
tiltable EVF
oh baby
notwithstanding
even
if I wish
one
Hasselblad
please
significantly improve
the camera's
autofocus performance
with far greater
alacrity
than you have to date
to match the 9DV's
autofocus performance
how many times
have I now said that
in this video
let alone all of the others
two
and
now we're really
into niggles
I wish the lens hood
seating were more
forgiving
that is to say
more easily
attached to
and detached
from the lens
and
three
I wish
the hard stop
oh baby
on the 9DV
when the manual focus clutch
is engaged
aligned
perfectly
with the depth of field
scale at infinity
say at room temperature
call it 68 degrees Fahrenheit
20 degrees Celsius
a perfectly
irrelevant request
for performance purposes
but a detail
which users of
manual focus lenses
would expect
specific consideration of
and engineering for
the expansion
and contraction
characteristics
of the lens
barrel materials
across a wide
temperature range
notwithstanding
yet
even if my wish list
were magically executed tomorrow
it would still be the case
that medium format systems
do compete with
full frame systems
which
because they are
smaller
lighter
generally less expensive
operationally faster
functionally richer
more versatile
by virtue of
broader and deeper lens
ecosystems
and closer than ever
in image quality
with the momentum being
in that sensor format
blunt the appeal
of even the very best
digital medium format cameras
for
most of us
from my personal perspective
all of this misses
the most important point
of this video
which
for me
your mileage may vary
and that's fine
to return to the beginning
of this video
is the epiphany
that when I stopped
trying to make the 90V
and the X2D
something other than
what they are
when
quite independently of that
I stopped
hunting for images
and instead just concentrated
on being
this
particular
Hasselblad experience
inspired me to
redefine the very concept
of a moment
and gave me
one of my favorite
one of my most important
captures
of all time
I
began to recognize
that a moment
need not necessarily
be decisive
or instant
generally understood to mean
although
Cartier-Bresson himself
took exception to this formulation
a fraction of a second
when light
shadow
shape
motion
geometry
juxtaposition
and serendipity
come together
in the external world
and are captured
in a single frame
a moment
it struck me
can also be
the experience
of one's
internal reality
measured in
minutes
hours
days
perhaps
decisive
in a broader context
such as
an event
in one's
own life
and
the best photographic tool
to capture
that kind of moment
does not necessarily
require
or lend itself
to the usual
formulaic assessments
we all
make
about our gear
at one point
or another
think
the last few minutes
of blue hour
late one afternoon
at water's edge
when you are at
one with the world
when
all of the greed
brutality
cruelty
hypocrisy
ignorance
incompetence
narcissism
of our time
melt away
and retreat
like the ocean itself
the sounds
smells
and rhythms
of the sea
cleansing
your soul
leaving you
only with a profound
appreciation
for what you are
in the
middle
of experiencing
simplicity
joy
flow
a profound sense
of the
rapture
of being
alive
love
or
to draw this to a close
a moment lasting
ten or twenty minutes
on a station platform
your mind a complete
blank because
it needs to be
waiting for a train
that will take you to see
a parent
or you two
think about it then
who you knew
every single day of your life
without being told
loved you without condition
a
parent
from whom you inherited traits
some wonderful
some not
which in either case
helped make you
who you are
a parent
now slipping away
from this mortal coil
in what may be a matter of hours
is it part of the same
reconceptualized
redefined longer moment
when
without thinking
without feeling
without consciously seeing
you instinctively
switch on
a camera
and then
was it five minutes later
ten
it is up to your eye
a single frame captured
before the train
arrives
and the journey
begins in earnest
the thing of it is
days later
after you've
uploaded that card
with many other images on it
that particular image
comes up on your screen
and it hits you
like a ton of bricks
you see an
extraordinary moment
just not the way
we street photographers
tend to
think about it
it is
a moment
that had
clearly
unfolded over the course
of that
wait for the train
in an unusually
dense
enveloping
isolating
and lonely
fog
just one person
other than yourself
in it
an external
counterpoint
a
synchronicity
perfect really
to a
dawning
acceptance
within
of extraordinary
but inevitable
loss
a process
so far beyond
the notion
of a fraction
of a second
that I have
no words for
other than
to tell you
that of course
none of this
was hypothetical
that this
frame
is suddenly
one of my
favorites
of all time
forever
burning
into my
brain
and heart
what that
time
on the
platform
was all
about
because I
didn't
realize it
until much
later
and that
it was
taken
with the 90V
and the
X2D
I'd chosen
instinctively
for no
particular
reason
of which
I'm aware
to take
with me
that morning
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