膠片攝影 夜晚的膠片攝影：lomo 800

在我繼續尋找和專注於某個方向的照片中 我的夜拍的光線感受對我來說是非常重要的 它們啟發了我去追尋它們作為一項項目 從此以來,我也在尋找合適的拍攝資源 LOMO 800是因為它是一部800ISO的色彩電影 在拍攝這個角色之前,我做了一些比較小規模的研究 小規模的研究是,我通常會在Reddit搜尋拍攝資源 這是我最喜歡的研究方法 因為你可以找到一群專業和專業攝影師 他們都會為你展示自己的角度 那麼,我的Bronica剛完成修復 我已經準備好將它製作成一部電影 因爲所有的問題都已經修復了 我還以為是 美麗的日落 我們不會在拍攝 沒有時間 一部新增的Bronica S2A 看起來很奇怪 哇 LOMO 800 這是正確的 要開始了 啊 其實 這個插座 不覺得可以 承受這個重量 我正在嘗試用閃光燈來計時 沒想到 我的15塊的插座 已經壞了 我覺得可以用一些修復 來修復這棟建築 因爲我們有閃光燈 但不然,我認為LOMO做了一個很好的工作 保留了停車場的溫暖 對抗冷的外面的塑料 我還覺得這張照片很適合 Liminal的主題 因爲我可以理解 這是停車場 但我不確定我現在在哪裏 或者我正在去哪裏 有些東西讓我感到有點不舒服 決定要不要進入停車場 閃光燈太大了 LA不是一個正常的地方 嘿 這是我第一次拿出來 鏡頭蓋還在 Shout out for the great lens cap I think it will be fun Maybe Here's another pleasant photo that while maybe not entirely liminal highlights the warmth that the LOMO was retaining on top of keeping a good bit of detail in a high contrast scene This camera is kind of heavy I quite like this frame actually Yeah, I might have a hunchback You're in my photo And this photo I really love The exposure balance feels really pleasing And I love the way all the objects in the scene are lit really well from this overhead light outside of the door And again, the scene just feels a little bit off Because of the active bubbles in the water We know that there's people working here and that in theory there should be some action in the scene But we instead get a sense of emptiness and wonder as to where the workers are and why the working scene is left unattended I really hope this camera works I don't know It's supposed to be a quarter of a second That sounded like two seconds Well, I don't know if I jinxed it or not But this photo is evidence that I was experiencing some shutter problems that may or not be related to Bronica's really awesome proprietary mirror return system At this moment I heard the incredibly slow return of the mirror and was secretly hoping the photo would still turn out properly exposed regardless of the mirror sound But as we can see the two are in fact correlated and thus I dropped the camera back off where it had originally been repaired We have the Yashica today The Bronica is in fact broken We dropped it off for repairs But we don't know when that's going to be done So we're going to shoot the second roll on the Yashica Let's do it Let's take some photos of a post office Taking four, eight, yeah Let's freaking do this thing I did set the shutter speed Awesome I'm a professional In three, two We're off road I love So there was one shot Vision three at night video Where I got in quite a bit of the grass And the grass was really well exposed So and it looked like a really crazy green So I'm going to see if I can't do the same thing here It should be good Make sure we're on the bulb And would you believe my Yashica Was also experiencing shutter problems It would seem I was getting Really inconsistent shutter results Whether the camera was set to bulb Or the lower end of the shutter speeds I'm glad it stopped raining KO Consider ourselves May like the scene with the tree in the window Okay, Alex in the future If you think that the shot is not sharp It's because The window is as dirty as it can get Posture check inbound It's chick-fil-a time I don't eat meat But it's chick-fil-a time Easy peasy What I believe happened here Was that the shutter got stuck And remained open While I advanced the film Wild result But disappointing Because now I'm down All three of my medium format cameras And around this time The B-roll camera died We were too far from the car To get more batteries And so I fired the last frame off here I really really enjoy this shot But it took me quite some time To find the colors that I enjoyed from the Lomo In Silverfast I wasn't super enjoying Using the color cast removal tool And so I was manually color balancing the film To what I thought looked nice And how it felt to be there I actually became so frustrated with the colors That I took a positive scan Into my trial of Negative Lab Pro To see if I could get some pleasing colors from there But now I felt like the colors Would either end up significantly oversaturated Or a little too desaturated And so I opted for an in-between version Where I shifted the greens To be a little closer to what I was hoping for All in all I don't think I'll be continuing with Lomo 800 For this project I think I prefer the colors of either Portra Or Vision 3 for my night photos And especially with the price I think I'd probably lean Towards the more predictable result From Portra 800 Fingers crossed that my Bronica comes back At least slightly more functional than before