松下除了洗衣機也做相機 用“瘋狂麥克斯”的方式評測松下s5m2x相機

It was hard to know who was more crazy Me Hello Where are you? Here they come again Worming their way into You promised to help us I tell myself They cannot touch me They are long dead Hello everyone, hope you're doing well and welcome to this video And today we're going to talk about the Lumix S5 II X Now I'm really surprised by this camera I've had an S5 before and it was a great camera Now I did change out to Sony because there was some things I wanted from a camera which the S5 didn't have So it's nice to get my hands on a S5 II X You know, even after all this time it's been released, there's a million reviews out there But I really wanted to test it for myself And this video is going to be a bit different because it isn't going to be like Oh, going over all the specs and start talking about the lack of OLPF filter And some people say it's got HDMI lag and that kind of stuff I didn't experience any of that So I'm going to look at the camera for what it is and how I felt about it Because I don't consider myself a professional I consider myself a camera connoisseur So I want to call myself a camera connoisseur Because I believe that if I pick up a camera and shoot with it for an hour I know if the camera is good or not, good for me or not, I should say It doesn't necessarily mean it's going to be good for you But I just think, you know, I know whether this camera will work in weddings, in films and that kind of stuff And the Lumix S5 II X, man Damn, the camera blew me away And I'm glad I can speak positive about it Because last time I spoke about Panasonic as a company Not the camera, but the company The Lumix gang, they came out in force for me, mate So yeah, so let's talk about this now So as I said, it's going to be a very brief review We're not going to go over all the specs and stuff like that You know it does 6K, Open Gate, internal ProRes to SSD and all that kind of stuff I just want to talk about my experience shooting with it and using it So we're going to break this down into four categories And that is the build, usability, image quality and autofocus So the build The build is typical of what you'd expect from Panasonic It's absolutely fantastic It is made of good quality plastics, some metal or magnesium in there And overall it just feels sturdy and solid I would say it's more suited to photographers Obviously because it's a hybrid But, you know, it's got some fantastic video features in there And it looks super professional The way that they've blacked it all out now is just absolutely amazing You know everything looks great blacked out Whether it's Darth Vader or Knight Rider Blacked out is always the best way to go The usability was very good It reminds me of the older Lumix cameras They're kind of the same really Just, you know, most things are the same When you first get it, you try to muck around with it And, you know, it seems like the options are all over the place And after about 20 minutes of using it Yeah, it's very easy to get on with No problems there at all The image quality is where I was truly, truly blown away, man This camera gives you so much options in terms of what you're recording If you want to record internal MOV Which looks absolutely great, no problems with it at all Dynamic range, everything looks fantastic To ProRes, to an SSD Fantastic, can't complain And it runs super great on even my M1 and M2 computers There's no problems at all And then we go to our favorite Which is RAW The RAW 6K is absolutely stunning And that's what we recorded the whole of the intro sequencing And yeah, I just loved grading it It was rich, it was detailed You could push it around, really, you know, mangle those colors But it didn't do any banding or anything weird like that Absolutely fantastic And when I compare that to, say, my FX3 I only have the choice of internal codecs And then we can go to ProRes RAW Which I don't use ProRes RAW ProRes RAW is useless to me Because I don't use, you know, Final Cut And I don't want to be converting anything So having all of those options in the LUMIX S5 Is absolutely fantastic Then the final thing is autofocus Now, this was where it was a bit hit and miss Because on the first day we tried the autofocus It couldn't really see me I put my face in the shade and then came out into the light And it couldn't really see me It kept on losing me, like, which was really odd Then when I put the cameras on the tripod It's kind of like I had to jog the camera To get the autofocus to wake up Which was, yeah, that wasn't ideal On the second day, it actually worked a lot better, though I don't know why I'm not sure it was still in the same frames per second Everything else But I don't know why it worked a lot better If I compare that to the Sony FX3 And they both had the same lens The Sigma Contemporary F2.8 28-70 They both had exactly the same lens But the Sony didn't miss a beat Now, that's not to say Sony doesn't have its problems Because it does They all do, really But Sony, out of the box Is just absolutely fantastic Whichever mode you're in It will pick up your face So, yeah, I would like to play around with that a bit more Just to see how reliable it is, you know And maybe test it with a few more lenses So the question is Would I buy it? And the answer to that is yes When we took the Lumix S5 And the Video Assist And the Sigma lens That's all we had to record those Mad Max scenes And I think they came out fantastic And looking at the images I knew that I could use those for Whatever kind of project I wanted to Whether it's a film, corporate, wedding It doesn't even matter Absolutely amazing You know, we made so many mistakes, man And, like, I even dropped his Video Assist on the floor And it had, like, a little mark on it And it just makes me think that You know, we come with all this stuff And, you know, give it all that big boy talk That big boy professional talk But we all still make mistakes here But, you know, I just think about When you've got a bit of gear that you love That doesn't cost too much money But then can still punch well above its weight I think there's something special in that And you can't knock it There's no way you can knock it Because if someone had an FX6 or a Lumix S5 And there's a massive difference in terms of price in those I think you could equally get, you know, as good footage Like, if you knew what you're doing with the camera You'll smash it with that So, yeah, that's my kind of thoughts on it And would I buy one? Absolutely, absolutely And I'm actually thinking of buying one Because it would work well with my B4 lens The Super 35 crop in 4K Down to 4K would be fantastic My FX3 doesn't do that Because it doesn't have a 6K sensor It's only a 4K sensor If it crops into Super 35 mode It can only do 1080 So having the Lumix with the fantastic IBIS And the Super 35 crop in 4K I could shoot, like, literally anything I wanted to on that Anything So, yeah, fantastic camera And you might actually see me with one in the future So, guys, I know that wasn't in depth on specs and stuff like that But I hope you enjoyed the video And stay tuned for the next one Later