motionvfx – mdrama 復古高級電影美學緊張氛圍撕紙快門玻璃標題排版疊加效果達芬奇預設

Dramatic Entrance What's up everyone, it's Tim from Motion VFX And we have a dramatic... I already said that None of these work And we have a thrilling pack that I think you guys will love M-Drama is jam-packed with effects that'll give chilling and suspenseful yet tasteful vibes Let's take an emotional turn Into Resolve And take a look So if you've downloaded M-Drama and installed it from M-Installer Go up to your Effects tab inside of Resolve And then under your toolbox you can just search for M-Drama And it'll show all that we have to offer with this pack here We're gonna start with our transitions We have a number of really cool ones that we're going to explore We have a number of good titles and overlays And we have a lot of effects that we're going to explore here So we're gonna start with our transitions And just to show what some of these are capable of We're going to start with our burn transition here I'm just gonna drag this on top here And we're just gonna zoom in to better see it here And we'll just play it through just to see what it looks like initially And it looks pretty good but there might be a few changes I wanna make to it here So right away in our inspector we see we have a number of controls over the burn itself We can change the type of glow that we're having here on the effect But right away you can see it's a really dynamic and really good looking transition But it's possible we might want something a little bit simpler So let's go ahead and add our blur dissolve in here And right away when we play this back We can see that we get a nice clean blur transition from one scene to the other And we can also go and either increase or decrease the blur amount that we want And sometimes we can want a little bit more of a dynamic transition So I'm just going to go ahead and remove this I'm actually going to place this light leaks one In between this first area and the second one And if we preview that We can see that it gives us a very clear indicator that we're moving to a different spot And it's just a nice transition to have We can also adjust the seed of the vertical or the horizontal part of the noise That's being used as a diffraction for this light leak We can also toggle on some glow if we wanted to add some to this Just add a little bit more style to it and a little bit more flash Or maybe we want a little bit more of a gritty transition We can bring in this dark flash transition here We see we have a similar result Except it's a little bit darker and a little bit more mysterious And by default it will have this black background However if we wanted to remove the background or at least reduce it We can just go into the alpha of the second color And bring that and scroll out here just a little bit So that's just the start of some really cool transitions that we have access to Let's go ahead and move on to our titles And let's just say we wanted to censor his eyes or something like that We can bring this censoring title up in here Let me just shrink that down And if we toggle fusion overlay We see we have access to the actual mask controls here And we can move it in place where we need to be And once again shrink it down So let's say we wanted to just cover the eyes here And then we can turn it back to transform Turn that off And if we wanted to we could go into fusion and track this later as well But this is a really nice basic censoring overlay And scrolling out here Let's go ahead and move back over to a shot like this again And one effect that I really like in this is the diagram And we can use this as an overlay But this diagram is nice that it can just be overlaid And make things look a little bit more complicated Or feel like there's just a lot of stuff going on So it feels chaotic Which can be a very nice aesthetic choice I'm going to go ahead and toggle this out So it doesn't animate out It just animates on and then stays on And we can do things like make it scroll a little bit slower if we wanted to So it doesn't go quite as fast And kind of matches this zoom out in this particular shot And we have the ability to modify some of the distortion a little bit if we wanted to Now in our typography section there's a lot of really cool credits Lower thirds and opening title cards That give a lot of really good customization and aesthetics to them I'm going to start out with this lower third here Shrink that down And I'll just move it a little bit towards the center here And this one's a nice simple lower third that animates on And has some flashing letters We can go into our subtitle and title controls And change our secondary color here Choose something like this blue for instance And maybe that's a little bit dark So let's go ahead and bring the brightness up a little bit here Desaturate it some And we'll just copy that color code over here so they match But now when we preview it All the letters are animated accordingly And when we play it back all together We get a really nice title opening I'm going to skim over here And I'm just going to demonstrate the next couple titles on this frame here So I'm going to start with the title one I'm going to throw that there And this title's really nice Because we actually have the ability to change Different aspects of the glass itself And how it affects the text behind it So if we go under our glass controls here We actually have access to a number of different textures That we can skim through And see which one we like best We also have this glass range slider Which basically increases or decreases the intensity of the glass cracks And then we have some texture controls on the text itself So maybe we'll want to make this a little bit darker A little bit more dynamic here So we can bring our gamma and lift down a touch Just to increase that contrast a little bit more But this title's a lot of fun Because it simulates glass reflecting and refracting the text below it very well And then the other one I want to showcase is the title 13 And this one's unique because it has a really nice burn intro With blur, sparks and particles And we have the ability in this title To go into our title controls and change the texture We can bring up the contrast and down the gamma To really emphasize the grittiness of the texture We can even go into the burn controls And change any aspects of the burn itself So for example if we wanted these sparks to really be emphasized We can increase our particle size here And if we just wanted to have it clear from the beginning We can disable this defocus here And that'll ensure that it stays focused in through the whole time Which may or may not be the look you're going for But it's optional to disable it But when we play that back We have a really nice burn in transition for this title And then we also have a slow zoom with it And I'll go ahead and delete that for now Now moving on to our effects here We'll start with our backgrounds Now backgrounds are interesting because We can either use them as overlays Or as just a background behind certain titles or clips Or whatever it may be I'm gonna go ahead over to the beginning here And to start with this burning sheet effect I'm gonna place it on an adjustment clip Now most of these effects are going to be best suited for adjustment clips And I'll place the burning sheet on the adjustment clip And if we go up to our effects controls We can see we have a lot of control over the fire The edging and the glow And we can see what that looks like If we just start to skim through this here See we have a nice little fiery effect opening up here And in this effect we have control over things like Where this fire will open from So we can move this upwards If we want to center it on Let's say where the door opens We can just bring this up right here And we can also change our start and end radius If we want to change the size of how it starts and ends And just like the other burning effects We have access to different aspects of the glow If we wanted to change the color of the glow Make it a little bit more vivid yellow Or if we just wanted to make it white And kind of desaturate it a little bit Or maybe we want more of a pinkish magenta fire Or just a blue fire Fire is so fun But you also have control over the particles as well Just keep in mind that the more particles you have The more processor intensive it's going to be So if you want to bring that number down And help it load faster That would be optimal as well And it'll still look great So the particle control is really nice We also have control over the background itself If we want to really change that texture in the background And make it pop in different ways We are able to do that And change the tint a little bit as well To kind of match the background If we wanted to do that And all these backgrounds and effects are dynamic So if I change the length of the adjustment clip like so It'll change the length of the effect And scrolling out here Let's go with the next example I'm just going to duplicate this adjustment clip And remove the effect I'm going to place it back over this clip We had over here And we're just going to look at this scratches background So I'm going to drag this on top of this adjustment clip once again And this is an instance where we could use this scratch as an overlay So I'm going to disable this footage adjustments here And this allows just for the effect itself to become an overlay I'm going to go ahead and remove the grain and blur for now As well as the zoom So that if we play this back It's just a scratchy texture here And maybe that's a little bit too strong Of a texture that we have over top We can bring down this texture gain And maybe the scratches gain as well Or we can reduce the contrast of the scratches And then bring the gain back up And once again that'll soften it up a little bit And that looks a little bit nicer And a little bit cleaner And less egregious and jarring And if we wanted to bring that blur back Just to add a little bit more softness to it We can also just toggle that back on Maybe bring the strength down just a touch And I think that looks quite nice And again what's nice about using adjustment clips for this Is maybe we don't want it on this scene Maybe we want it on a different one So let's just move it over to this side here And without even having to do anything We keep that same texture on this footage And the last background example I'll show here Will be the wall background And so if I just drag this onto a fusion comp Let's say And let's just move this adjustment clip out of the way I'm gonna go back into our titles here And just grab another simple title Let's grab 12 for this example And now we have this really interesting Almost like a parallax effect With the text zooming out faster And if we go into our inspector for the wall comp We can adjust things like the zoom speed And how fast we want it to be moving Or if we want it to be moving outwards or inwards We can reduce contrast a little bit more Reduce the gain And then we can go into our echoes controls And instead of adjusting the actual effects here We can just go to settings And bring our composite mode down to overlay And we can just ensure the zoom speed matches both of them So let's set them both to 0.2 And now looks like this creepy message Inside of a wall texture Really really cool to combine some of these effects And going back to our effects tab Let's look at some of our effects that we have I'm just gonna skim over to this clip right here Because this showcases quite a few of them really nicely And I'll also bring in this adjustment clip Once again we'll remove this effect Because we don't need that texture anymore And for this clip we want it to feel a little bit more foggy Like their minds are foggy They've been looking for a long time And a good way to do that is with this reflex effect I'm gonna go ahead and drag this on top of here And we can see that it basically takes a lot of the brighter parts And kind of smooths them out or reflects them And we can accentuate that by increasing our masks And maybe I'll just bring it down So that the tops of the trees aren't as much highlighted We're just basically looking at the ground here And we'll toggle our in and outs off And if I play this back It really adds a lot of stark contrast to the scene So I really like this reflex effect a lot in certain cases Now going back to this clip I wanna show off a couple more effects here And for this instance I'm gonna use the ghosting effect And this can make this a little bit more Either dreamlike or creepy or mysterious But it's just a really nice duplication or replication effect And to accentuate this even more This pairs really well with the frame drop effect Which basically duplicates a certain amount of frames And when you play this back You see we get this like really choppy looking effect here But if we flip flop these We can get a different type of effect Where the frames are dropping But the ghosting is happening on every frame So instead of duplicating the ghosted frames We're duplicating the original footage And then ghosting on top of that And that means the ghosting is happening each time And it can just make the footage look a little off While adding a little bit of unnerviness to it And for this next one I'm going to bring in the adjustment clip once again Let's go ahead and remove that effect And I'm just gonna hover it over all three of these clips here And I'm going to bring in off screen lights Let's go ahead and turn off the ins and outs again And this one just gives a little bit of extra feeling That there's something else in the scene Or maybe if we bring this over here And maybe like we have this red and blue Or orange-ish and blue look on this footage as well To kind of make it look like this is a A little bit more of a crime scene But what's really nice about this Is we can adjust the speed At which it transitions from one color to another So this can be really good If we want to simulate types of flashes Or if we want it to look kind of eerie or mysterious With different glows happening from white sources And we can move around where we want that glowing light to be And how big it is And we can toggle if we want it to have green And if we want it to reduce its intensity We can just go to the video settings here And reduce the opacity Now there are a couple clips in here That we have stacked on top of each other And that's because there's actually a few effects That we have in here That require two clips in a fusion comp So let's see what that looks like Let's go over here and Let's highlight both of these And make it a fusion comp And then let's go ahead and drag our cracked glass on And from that preview you can see It uses both clips and splits them into two different sides And if we look under our effects controls We can control where we're revealing both clips And where that crack is positioned But this one can be really fun to split sources in two And in our other instance I'm going to make this a fusion comp as well We're going to showcase the permeation effect And this one just kind of blurs two together We can rotate this effect here On the other side to either 360 Or I can just put in zero if I wanted to Because that's the same thing But by default this one will just fade the other clip on And then you can see them both Kind of cross-dissolved over each other Really simple but this has a lot of effective uses So that's a quick overview Of just a few of the amazing effects That we have in this pack The last thing we're going to look at here Are our camera movements I'm going to zoom out here And I'm just going to go in on this clip here I'm just going to remove this adjustment clip for now Now the movements you can typically just place on the clip itself And we're going to start with this blackout jump cut zoom And with this zoom we basically dictate Where exactly we want it to be zoomed in to I don't exactly want the mirroring to show So I'll just go to the top of the clip Which would be a Y of 1 And I just make sure there's no Y scale quake So it doesn't go above that point Or I could just reduce it that much So if I do have any Y scale It doesn't go above that point as well Yay math But we've already got some camera shaking here So I'm just going to remove the Y scale for now Now by default when you first apply this effect It'll start with a black screen And then gradually fade out Depending on how many steps you have So let's say you set it to only 2 steps That means you're only going to have 2 blackout effects here Before it ends Or if we increase this to 7 Then that means we would have 7 blackout moments Before it ends And in this case it's probably going to be a lot So I'm just going to bring it back to 2 And if we wanted to start with the outside zooming inward We just check this zoom invert box And now we can see instead of zooming out We zoom in And if we didn't want it to fade to black Every time it zooms in We can just uncheck this blackout box And then it just cuts in And zooms where we want it to I'm going to go ahead and remove this one for now We also just have this regular zoom effect And we don't want it to necessarily zoom in there Let's go ahead and bring this up near the top once again And bring it over to the left maybe And we see it just zooms in on the footage like so But we can also use an adjustment clip for this So I'm just going to bring in another one over here Because maybe we don't want it to zoom in Right at the beginning of the clip So let's just go ahead and remove the zoom from here And I'll drag it onto the adjustment clip Go back and make sure we're zooming in On the same spot we were before And now it zooms in at the middle of the clip This is a really easy way to create a dynamic zoom In the middle of your shot Now if we go back to this clip over here again I'm going to go ahead and remove these effects for now I'm going to bring in a blank adjustment clip right here And we're going to use the multiple zooms effect And the multiple zooms one is nice Because we can see we have a zoom here We have a zoom up here And we have a zoom over here So we can adjust where each of those are going So let's say the first one is when he comes in So let's just bring this up and over here to reveal him And then the second one Kind of already goes where we want it to go Which is up in that corner where he pulls the thing down And then this one doesn't quite go where we want it to go So let's move this back over here Maybe down just a touch We don't have much room there So right there is fine So it goes in, up, and down And then zooms right back out again as he walks out And if we preview that We got some nice little action there And those just make it really easy To have some animated motion in there Without having to do any keyframing And speaking of keyframes These are just a few of the ways That you can keep your audience at the edge of your seat Okay, it had nothing to do with keyframes But you get the point No, no, the joke didn't work Just go to the next frame Don't forget to check out M-Drama at MotionVFX.com Leave a comment on your favorite effect And I can't wait to see what you do with this pack as well Thank you so much for watching And have a dramatic... Nope Have a great rest of your day Take care