鏡頭隱秘的角落——10款超低價大光腚鏡頭推薦

這10個便宜的鏡頭將會改變你的照片和視訊 我應該在前面說 站在你身旁的第一件事 和你想要拍攝的視訊 其實是你的技術水平 但第二件事是裝備 所以我們不應該抵銷裝備仍然是重要的 無論你擁有什麼技術水平 但很多人無法負擔高端鏡頭 所以我這裡有10個APS-C鏡頭 這是針對濾鏡器的鏡頭 如果你不知道你擁有什麼鏡頭 你擁有濾鏡器鏡頭 這些鏡頭的價格開始在19美金 然後升到500美金 然後我們擁有所有東西 現在第一件事是最便宜的鏡頭 我會以價格來計算 我會從20美金的鏡頭開始 然後到最昂貴的鏡頭 這個鏡頭我無法告訴你 我對這個鏡頭的愛好 這不是一般的塑膠鏡頭 我甚至不確定這個鏡頭的元素是玻璃 也可能是塑膠 它是專門為濾鏡器 提供光散 和一種復古的 有趣的Lofi的感覺 看起來像是你用了一些 瘋狂的濾鏡在Instagram 但我最近有點陷入 創意的洞窟 我買了這個鏡頭 只是用來拍攝 我真的很享受 拍攝出來的畫質 非常獨特 你甚至無法改變焦距 它是在F8 在背後你可以看到 它有一個固定焦距 主鏡頭的焦距開關 然後它有一個系列的小孔 在外面 讓它有一個有趣的 有光散的感覺 這是一個非常酷的Lofi鏡頭 我非常喜歡這個鏡頭的感覺 如果你陷入了一個狀況 你陷入了一個洞窟 一切都看起來一樣 你正在嘗試破解這個創意的洞窟 我非常推薦這個鏡頭 它有一個EF裝置 然後你需要配合 你所擁有的現代鏡頭 我會把鏡頭的連結放在 影片下方的描述 因為鏡頭價格是20美金 然後你可能需要 20-25美金 接下來 是一個35mm F1.4鏡頭 它是一個88美金的鏡頭 它是一個非常酷的小鏡頭 它是一塊鋼製的 它有一個鋼製的鏡頭支架 一個鋼製的鏡頭支架 你真的不可能相信 你會得到這樣的鏡頭 這個價錢 我認識的很多人 他們推薦這個 是他們最便宜的鏡頭 它是100美金以下 88美金以下 F1.4鏡頭 能夠讓你得到 你想要的模糊背景 很多人 他們不喜歡的就是 他們不能得到模糊背景 這個能讓你得到模糊背景 很適合街拍 照片,家庭照片 家庭影片 它是一個非常耐用的鏡頭 如果你只想要 比模糊背景更好的東西 你不想花太多錢 88美金以下 我有一個評測 我會在這裏出版 很快 下一個 這是 同樣的廠商 TT Artisans 17mm F1.4 這是一個預算的 可以換上 Sigma 16mm F1.4 在下面的描述 我做了一個評測 和Sigma 16mm相比 我用這個鏡頭 拍了一些Youtube影片 當我拍攝那些影片 我沒有告訴大家 我從Sigma 16mm 一個400美金的鏡頭 到這個 一個118美金的鏡頭 我不記得價錢 但大概是 130美金 總之 我換了這個鏡頭 從Sigma的鏡頭 沒有人知道差別 我用這個鏡頭 拍了大概 幾百萬的影片 在我的頻道 主鏡頭和第二鏡頭 都是用這個鏡頭拍攝 對比Sigma的鏡頭 它有螺絲金屬鏡頭 有些人不喜歡這些螺絲金屬鏡頭 但是我不在乎它們 你會得到f1.2焦距 所以,再一次,低光,超級模糊的背景 唯一要提醒你 這個鏡頭的問題是 它稍微閃耀一點 所以如果你有陽光或光光直接進入鏡頭 它會閃耀 你會得到一種褪色的畫面 但我覺得它看起來還蠻酷的 它給你一個看起來 在一個復古鏡頭和一個現代鏡頭之間 最佳背景模糊 這是TT Artisan 50mm f1.2 到目前為止 所有鏡頭都是手動焦距鏡頭 這是自動焦距鏡頭 是最便宜的自動焦距鏡頭 它成為了我最喜歡的鏡頭之一 它價格大約是160美元 我不知道它的價格 但我會把連結放在下面 它是自動焦距鏡頭 它有兩個或三個焦點 我會把連結放在下面 它是一種全金屬鏡頭 金屬焦距鏡頭 它還是很輕 它有一個小型鏡頭蓋 這是一個 看起來像是一個 現代鏡頭和復古鏡頭之間的交界線 但它有自動焦距鏡頭 它還可以更新 鏡頭的硬件 它還可以更新 它還有一個USB-C插座 你把它安裝在電腦 你把鏡頭安裝在電腦 然後你可以更新鏡頭的硬件 這是一個很酷的鏡頭 價格大約是200美元 它是自動焦距鏡頭 我還有這個鏡頭的影片 我會把鏡頭的連結放在下面 這個 它真的是一個瘋狂的鏡頭 我們回到自動焦距鏡頭 它給你最瘋狂的 最獨特的背景模糊 也許是我用過最獨特的背景模糊 這是TT Artisan 35mm f0.95 非常瘋狂 如果你看這個鏡頭的開孔大小 它給你瘋狂的背景模糊 The next one's been around for a few years This is the Rokinon 12mm F2 lens This is my number one recommendation for astrophotography And sort of night time wide angle F2 is gonna get you a lot of light in And that 12mm field of view is perfect for astrophotography So you can position something in the frame Sort of maybe it's a lighthouse or a person or a mountain And then you can shoot a time lapse of the stars going by Or a long exposure of the stars in the sky And this is the cheapest lens that I know of That does that great sort of night time time lapse in astrophotography And when I buy into an APS-C system This is always the first lens that I buy Because I love to do astrophotography It's one of my favorite things And it's a bit of a shame I still haven't done a tutorial on the channel Of how to do night time astrophotography and time lapse And I've been promising that for years But I have reviewed this lens as well It's around 300 bucks when it's on sale It's about 260 or something like that Once again, great bargain lens Now this is the Viltrox 23mm f1.4 I think it's $279 It's an autofocus lens And it is a super versatile walk around photo and video lens And the images that come out of this thing are absolutely magic I have a video about this one as well One of my top recommendations As a super super versatile lens I prefer it for people that tend to do Street photography and video But not so much portraits You've got f1.4 That'll let you get a blurry background But I think 35mm or 50mm Are better focal lengths for portraits So if you're just You're somebody who wants to take pictures of your kids Or at birthday parties or something like that And you really want to get a focus on the person With a blurry background Then I would probably look at one of the 35mm or 50mm But if you shoot a lot of video as well Or if you're a true hybrid shooter Half photo half video Then this is possibly my top recommendation for the money Now the next one is the Sigma 30mm f1.4 And this is a fantastic lens This leans me a bit more towards the photo side Going from 23mm to 30mm Is going to give you a little bit more cropped in image It's going to give you a little bit more subject Separation It is an auto focus lens Which is nice And Sigma does four lenses in this range Now they've got a 16 They got a 23 They got a 30 And they got a 56 The 30 is the cheapest of all of them And it's around 300 bucks Or something like that So that's very cheap to buy a Sigma lens An auto focus lens 30mm and going to f1.4 Once again That's a theme with a lot of these lenses f1.4 And it's one of the biggest differences Between the kit lens Or probably the lens you're using And the image that you want to capture Is that f1.4 Because that is going to get you that blurry background And it's going to get you that great low light performance So if you're taking some photos And they're often looking sort of grainy and gritty and blurry Then that is your poor low light performance It means that your camera is trying to work hard Trying to it has to crank up It's what's called ISO Basically it's the equivalent of your camera squinting To see the image because it's too dark By using these lenses the f1.4 or the f1.2 lens You're going to get more light in That's going to get you a cleaner looking image Also the majority of these lenses If not all these lenses Because they are prime lenses Bar the last one I'm going to talk about here Are going to get you a sharper image Because a zoom lens has to work At all different focal length Zooming in and out And you usually sacrifice a bit of sharpness When you do that So as a rule Prime lenses are going to get you a sharper image And the final lens I'm going to talk about is this lens This is basically a replacement for your kit lens So your kit lens is a zoom lens Probably goes from 16 to 50 or 18 to 55 Or something like that The thing about your kit lens is Number one the optical quality isn't always great Because the manufacturer is trying to Just give you a lens that they throw in cheap But encourage you to buy something better The second thing is most of those lenses Start at a maximum aperture of F 3.5 And go up to 5.6 or 6.3 What that number means is That number F 3.5 F 5.6 That's how big the opening is in the back of the lens That allows the light through to hit the sensor The smaller that number The bigger the opening is It is a little bit confusing I know And so your kit lens It starts at F 3.5 When you're zoomed all the way out And when you zoom in It actually gets smaller It goes to F 5.6 or F 6.3 That means that that lens is not going to be very good In low light conditions It also means that you're not going to be able to get A very blurry background This is a lens that you would use to replace That kit lens But has the same versatility of being able to zoom So this is the Sigma 18 to 50 F 2.8 And the important thing about this lens Is that it's an F 2.8 aperture At 18 millimeters And when you zoom into 50 It's still an F 2.8 aperture So what you're going to do Is you're going to get that same versatility That you've got with your kit lens To be able to zoom in and out But you're automatically going to get A more blurry background If that's what you choose The way you choose to use the lens Set it at F 2.8 You get a blurry background Or or and you're going to get Better low light performance So if you're after a lens to replace the kit lens You like having that one lens That you zoom in and out And have that versatility But the image quality isn't good enough Then this is the lens for you Because it really is a super versatile lens Starting at 18 and going to 50 And you're going to be able to use it for portraits Walk around photos 18 is a reasonably wide So you've got a bit of a wide shot So I think if you're looking for something That is super versatile And you don't want to be changing In and out of different lenses Then this could be the lens for you Just keep in mind That you aren't going to get The same level of background blur You're not going to get the same level Of low light performance As you would with one of these other lenses That goes to F 1.4 That's going to get you that maximum background blur Or that maximum low light performance And most of the images that you've seen In professional photos That you think are really great There are a lot of them, not most of them A lot of them are shot with lenses like this That go to F 1.4 Now as I said early in the video That Rokinon lens That Rokinon 12mm F2 Is honestly one of my favorite lenses of all time And it is such a crazy good astro lens And I'm just throwing a video on screen now This is my review of that lens And what you can use it for When it comes to astrophotography And if you're into astro Or if you think you want to get into it I really suggest you check out that video