光影是攝影師的玩具

嗨,大家好,歡迎回到我們的頻道 今天我們有Rara在錄影室 一位設計師要求她拍一些照片 用他們最近設計的Catsuit 所以Rara和Peter覺得 如果我們把陰影加進去,會看起來更酷 我們現在就讓你們看看 這張照片的背景 這是我第一次玩Molus G200 我有100瓦和60瓦 我付錢買了它們 在美國的時候在B&H B&H在美國的時候 我沒有被它們拒絕 沒有被它們贊助 它們給我一個夥伴 我選擇了拒絕 因為我不想要 這不是我做的原因 但我喜歡它很便宜 很小很輕 我可以做很多 抱歉噪音 風暴來了 我們繼續 我還沒有拍照 你會看到 我在電腦上 我在F4拍攝200 ISO 125秒 我先來拍一張 然後我會開始 在那裡建立燈光 好處是 當你用不斷的燈光 我會開始 近距離拍攝 在牆上拍攝 我現在很明顯 我想從這裡建立燈光 所以我會快速轉到 黑色和白色 對我來說還好 但有點無聊 加一點深度 雖然可能 太遠了 但我比較喜歡 你的臉上的燈光 我可以把陰影縮小一點 我會拍攝更多的燈光 這樣可以修正 鼻子的陰影 這樣會把燈光 調整得更好 但我想 在燈光之間 加一點激光 這樣會更有力 所以我會把激光放在 陰影的位置 我想要 陰影的高度 我想要 陰影的高度 這就是 使用不斷的燈光的優點 你可以看到 它發生在你的眼睛上 你不需要 再低一點 好 我會把燈光調低一點 而不是直接 放在蕾蕾的臉上 這樣 調低一點 嘗試把 陰影的激光放在陰影的位置 這樣會更有力 現在已經 調高一點 我會調低一點 希望可以 使用我的眼睛 這樣看起來很酷 好 讓我們來玩玩 我要調低一點 我覺得這樣會 做到我想要的 但我們來看看 燈光調低了一點 這樣很酷 我喜歡這樣 我覺得 這樣會做到我想要的 但我們來看看 我會調低一點 我想要 調低一點 我想要 調低一點 我想要 調低一點 我想要 調低一點 我想要 調低一點 酷 加一點 別的 我會調低一點 我非常喜歡 我現在 調低一點 讓我的眼睛 我想在這裏增添一種階層的興趣 你看我增添了這個陰影 然後它是 我只是要玩到 讓我們試試在這裏 哦,這很酷 是的,我喜歡這個 它增添了很多興趣在這張圖片上 你看看這張圖片 然後看看它做了什麼 我有更多興趣在這裏 我有這個很漂亮的陰影增添 我真的很喜歡 我只是把它放到某個位置 然後嘗試把 陰影的力量 放到她的臉上 再放到她的身體上 我更喜歡這個 是的,我非常滿意 讓我再增添一點 這很酷 我會在這裏拍攝 所以我想讓你融入拍攝 很酷 很好 所以它是高級時尚 但我不想有一個有力量的臉 有力量的眼睛 非常酷的形狀 酷 非常酷 很好 我喜歡這個 我非常喜歡這個 酷 好,現在我只要快速地 完成我的造型 所以我想要 是的,現在它們融合在一起 是的,我非常滿意 這個 我只要快速地做 這是我的想法 在拍攝黑白 拍攝黑白的時候 我拍攝黑白 但在拍攝數碼 我拍攝色彩 大家會說 為什麼不買一張黑白的數碼相機 我會說 我在黑白和白相中的時候 我困擾在黑白和白或黑白的位置 它在黑白和白 我只要分配色彩 來改變食材 我必須做到 But before I've taken the picture, I can't fine-tune that afterwards And I thought, this is dumb Because I shoot film in black and white So I'm stuck with Tri-X I'm stuck with L3rds All the different black and white films I'm using I'm stuck with their black and white So I decided to play with shooting color Scanning in color Then converting to black and white digitally So I can play with my red, green, blue channels And my toning of different colors To change the brightness of skin The brightness of clothes and so forth So I'm just going to do a couple of quick shots I've got the Mamiya RB67 When I shot with film positive Which means slide film I always underexpose by about a stop When I shoot with digital I normally, I'm looking at being under by about a stop Because that's where my warnings are going off on my computer I've set them down to 245 With shooting on film I tend to want to overexpose it by a stop I want to burn it more in Get more density into the actual film The digital on 200 ISO So a full stop is going to be 400 ISO So I'm going to shoot this 400 ISO With the same settings Which my memory is 125th F4 And for all the people that don't believe I know how to use a light meter If I come in here Now you'll see I got 125th F4 So that's what I was shooting Is exactly where I want to be shooting for my digital But I'm going to push this one stop over So I'm going to be on F4 And I'm going to be at 125th I'm just going to drop this down Which will lift the shadow up Let's get a focus Cool, that's really cool So all I'm waiting is I've got a sparkling Rara's eyes I'm happy with everything how that's looking I've cocked my shutter I'm at my first shot All right, cool Better I'm not wasting film I'm going to make it good Yeah, that's nice, that's really nice Sorry about the rain Cool, cool, cool, I like that Good edge, yeah Tune up, yeah, there, there, cool So now that I'm back in the office I just want to show you about why my decision is If I'm going to be shooting film I'm going to tend to be shooting color In future more than black and white And the main reason is This is a scan of the black and white T-Max picture And this is the scan of the Portra 400 So if I then I've done nothing to either of these in Lightroom Except export them And then bring them into Photoshop Even though you see all these layers here None of them are doing anything at the moment They're all sitting there empty And if I go to the black and white picture There's stuff going on here But let's bring it back to raw So that's my scan Because my scan was done as a RGB So there's a color in there Which I need to remove out in Photoshop My main thing is I don't have any way of changing this feel Of the black and white From the black and white of the film So just by me Turning all these layers back on You'll see the main changes There's a layer here Which is taking the color out of the layer A black color fill layer With a blending mode set at color The little things like dodging and burning And things like that When you're shooting with film It becomes worse Because when you dodge and burn You're actually dodging and burning the film grain And if you carefully look at an area I just cleaned up a bit of a shadow Under her eye So it's not showing a good representation So any dodging and burning you're doing You're affecting the subject As well as the film grain at the same time All my other things I use To tone a picture in black and white I can't actually use Now I've only got a monochrome image So I've got my gradient map layer Which to add contrast But all it's doing Is adding contrast to everything Including the grain Not just to the subject If I come across to the color picture And start showing you The difference I have to move If I just put a black and white color fill layer All that does is change it to black and white Keeps your luminosity exactly the same So now if I just come into Photoshop's black and white layer You'll see that If I just If I turn on and off my fill layer You can see two different tonalities You'll see her lips have changed And her skin's changing If I come up here now And just play around with some of these things I have the ability to lighten and darken Different parts of the image Which I can't do with a black and white picture So it allows me to tone up the picture The way I want to use it And you've got all of these different tools Then to build on that If I now bring in say If I bring in a hue and sat layer Underneath this now And then play around With the hue and sat of this picture You can see I can look at all these changes I can do to the toning of this picture If we come into channel mixer layer And if I turn off the stuff above and below it And come down to grain filter Bang, I've got that look I can then come Through all the difference I've got the blue filter You see how much things changed Come down to the red filter You'll see her skin really goes light and bright But then underneath this I can drop in my hue and sat layer On this And then play around with my hue and sat on this picture I know this looks revolting But it's just what I'm doing But you can now fine tune little things See how we just fine tune her face A tiny bit with this This is the reason why in future If I'm going to be shooting film It's more likely I'm going to be shooting color film So I have the ability to tone the pictures Like I do with my own work So we hope you guys enjoyed that I will throw up some other Rara videos From other commercial shoots We've done with her on the screen now