播放量超高的【水彩畫】視頻合集（46個） P21 - Paint Along with Larry Hamilton - Watercolor - Woods By The Reservoir - January

Hello, I'm Larry Hamilton. Welcome to my YouTube painting channel. Thank you for watching. Today we're going to do a watercolor painting that will be basically just for YouTube visitors and not related to any particular watercolor class that I'll be teaching but I thought it's time to do another watercolor and put it on YouTube So we're going to do a winter scene. It's very cold where I'm living here and a lot of winter, a lot of snow and a lot of cold weather and so I was driving by a wooded area the other day that sort of has some streams in it that feed into a reservoir that we have nearby and I took a photograph that you may see at the top of my easel here and it's just a wooded area that has some snow banks and a lot of trees and kind of feeds into this stream that feeds into a reservoir So we're going to do that today as a winter scene and hope you like it We're going to do a watercolor on 11 by 14 Fabriano Artistico paper I'm using a 300-pound cold-pressed paper today I'm using the brushes that I have shown you in the intro to this video from Sterling Edwards as well as the paints that are from My Merry Blue Very beautiful transparent watercolor paints I'll go through those in a second but I want to just let you know that I have got the photo at the top of my easel here I also have a value map that I've done of the painting to try to help me keep the values in check so that I have at least three values a light value, a mid value and a dark value and I'll try to adhere to that during the painting process and I also have completed my sketch I'll zoom in so you can see that Hopefully it's viewable on the video And with that I think that's all I wanted to say Other than I'll go through the paints very quickly here for you And we'll get started The paints around the palette here are Neutral Tint, Cyan Blue, Ultramarine Blue, Ultramarine Violet Crimson Lake, Garnet Lake, Cadmium Red, Burnt Sienna Raw Sienna and Yellow Ochre Cupric Green, Golden Lake, Limon Yellow and Primary Yellow On the inside row is Burnt Umber, Sap Green, Auvignon Orange Primary Red Magenta and Stilted Green Brown So these are the colors from my Mary Blue That I like to use on my Some of my more professional paintings I guess you would call it And these are paints that are not Student quality, these are artist quality paints So they're a little more expensive But I find that they make very good Wonderful paintings and the transparency is Fantastic on them So to get started I'm going to Wet the top of this paper here I have it mounted on a Fiber board that I have varnished It's just taped down with masking tape And nothing else I have not pre-stretched it either It's basically as it came Right out of the package So there's some sizing on it And I'm going to put some water up here Very lightly To sort of start loosening the Soaking the paper The background in the photograph Is really pretty drab and gray As many of the days have been In this area of Indiana where I live We've had a lot of snow, a lot of cold weather As have many parts of the United States This winter Where you live it may not be As cold as this right now Particularly my friends in Australia I know they're having their summer But here it's very cold, very wintry So we will work on the winter scene Just enough water to wet the paper I'm using one of the Edwards Blending Brushes A big one-inch bristle brush Which are unique for watercolor painting Most watercolor painters use Either a synthetic brush Or a brush that has animal fur Or animal hair like sable Anyway, let's see how that looks OK, we're going to start with some Sort of a lavender color here Having a throat problem Already here this morning A little ultramarine blue A little violet, a little blue Cool blue, cool violet And we'll just start up here Putting in some nice colors into these Up here, let me get a touch of Red, alizarin type Crimson, warm it up a little bit A little more blue over here It's running, but that's OK I paint vertically Which is also a little bit unusual But I like to be able to video this Without a lot of difficulty Without having overhead cameras And that sort of thing Since I do it in my art studio Do get a little bit of running But that's not too much trouble But we'll work with it A little bit of alizarin down here Maybe warm it up just a bit Leave some room around these trees, branches Something like that OK, take it all the way down here To this edge of the water Down here in the background Change the color a little bit Something like that So I haven't masked these trees off I'm just painting around them And hopefully we'll get Some nice color in there OK, let's stop and get back And look at that I have an interesting square up here I don't like, so I'm going to See if I can modify that a little bit There we go OK, soft edges as much as possible here OK, let that set for a second As it dries off One thing about skies You don't want to keep going Back into these skies And doing a lot of work Because the more you go into the sky The more you have a potential of Causing back runs And really messing up the painting So I try to stay out of the sky Once I put the first wash on if I can I know other artists do that We'll go back into the sky many times But I don't particularly like to do that I have, and I have Received some interesting problems Out of doing that I'm mixing up a little bit of burnt sienna Here on my palette If I mix it with the ultra blue I get a gray As you can see here So the ultramarine blue And burnt sienna together Give me a gray And I can make it gray to the red side If I put more burnt sienna in it Or I can make it more to the blue side If I put more blue in it So I've got a lot of trees Floating around here in the distance I think this is still pretty wet probably But I want some soft trees Like right in here So I'm just using this brush And sort of pushing up Letting the water go where it will Mixture of grays and browns Trees as they would be in the winter time Keep from getting too close to this tree here But over here we have some trees A lot of trees in this area I'm using the edge of the brush And just sort of hitting it very lightly Change the color Add some little darker As the trees come forward They actually get more distinct You can actually see the colors more That's called atmospheric perspective Okay, over here Picking around a couple of trees This is all being done With this big bristle brush Okay, how's that looking Looking like it's a woods back there All right, so Put a few more darks in some spots Gradually picking up a little more Some more water in my palette If you make it all gray Gray sky and gray woods It's not a very pretty picture So I'm going to try to Mix it up a little bit Now I'm putting water paint On top of that And I'm going to get Some blossoms in there It may look okay But maybe I don't want those either Got some rough texture here Some very nice rough edges You put water from a brush On top of the wet painting That's what makes these blossoms And actually the water starts running Pushing the paint around Okay, I have Now that's going to need Some time to dry So I think while that's drying I'm going to come down in the foreground Start working a little bit In the foreground Pick up some of this lavender color Way too much crimson Snow will have every kind of color in it You can imagine actually Now this paper is dried out here So I'm going to kind of See if I can outline A little bit of the snow areas In the foreground here I have a stream That kind of cuts in here That I want to leave room for I think I just painted Into the stream a little bit But we'll fix that So this is all snow covered back here I'll use some white paper Here and there Try to mix up the colors a little bit So far I've only used Three colors Ultra blue, crimson lake And burnt sienna Back in the back We've got some more back here More snow Different colors reflecting on it So I'm painting around trees Painting around the stream and the creek All right So you should be able to see Trees, creek, background Yes Very light, very light Soften up some edges This brush is great for softening edges Because it has bristle You can just kind of scrub edges right out And just blend them right together Okay See, I think I'll change brushes now And get me a flat Either a one half or a three quarter Let's try the half inch here All right, now these trees Some of these trees are sycamores And they have a Sort of a grayish undertone to them And where the bark has fallen off And where the bark is on They have a dark, dark brown So I'll see if I can get Just maybe a little Payne's gray in here Or neutral tint in this case Mix it with what I got on the palette And just see if I can lay in a few I'm just touching the edge of the brush Painting down I'll put some more dark on top of that But let's go hit some more Of these other trees here Okay So these trees are going to have A little bit of sun Trying to have the sun Sort of coming from the left If I can remember that Trying to make my shadow Slide on the right See how it just runs Right down there Okay There are a lot of trees In this background The background is still Just a little wet You can put the back of your hand The back of your finger On the paper And it feels cold, cool That means there's still water in it And it's not dry yet So stay away from that for a while Let that dry, dry off a little more See if I can pick up a little Some brown here I'll get my stilda green brown Very beautiful transparent brown And we'll start in here With this big tree And we need a little more water So let's just pull it down like this If you dampen it with water And then put the paint on afterwards Or even put the paint on first Like I did there You'll get some nice Sort of rounded edges That start looking like The tree is rounded Something like that So we're getting some All I'm using is a flat brush here I'll come back with my finer brushes in a bit And put in some more Fine details in here But right now I just want to get these Basic tree shapes in Just flat brush So far I have not used a round brush Step back, look at it Let's see if it's looking okay Got to get back away from your paintings Some areas back here Could use some more dark Don't want it to be as dark As that tree in front of it But I'm going to put some more Tree-like elements back here Same with this area here Darken it up just a little Another layer Every time you do this You put another layer of paint on the paper As it starts to dry You can put another layer on And it makes more depth in the painting If you're painting around trees Try to make the same color Come out on the other side That you went in this side with That way it looks like it belongs there Okay Take the brush and just sort of pull up Get some interesting shapes And if the paper is the right amount of dryness You can take one of these scrapers At the end of your brush And pull in some marks like that And you can't see it That's because the paper is probably too dry Here, maybe it'll work If the paper is too wet It'll run back in If it's too dry, you won't see it If you get it just right You'll be able to scrape out Some of that color And leave some white tree trunks or branches In there And if that doesn't work We can always go back over it With our small brush Put some more trees in Make some of these go up above here Like this You push up and you get this You see the paper texture It's called dry brush Even though there's water in the brush When you push it, it leaves a... It skips across the paper And it makes a very nice texture That's called dry brush effect OK, I don't want to overwork that too much Put a few more browns over here on this side Just to tie the thing together There we go Gray and brown All right So we have another layer in there Looks like a lot of trees That's what we're trying for All right Now, this area Where the stream is back there We'll try to get that very dark One way to get dark Very dark is to use a very dark green Like a viridian I have cupric green in my palette Which is a very dark staining color And I have crimson lake Which is almost like alizarin crimson Those two colors together Will give me a very dark near black And if you want it to have some red in it You can put more crimson in it If you want to have more green in it You put more of your green color Whatever color you're using So back here we've got this very dark Stream running back here In snow, in winter time Streams, water Most of the time looks very dark In the photograph it actually is It's dark, it's almost black The photograph will only print Very dark colors and it makes them black Which is not always great But you have to try to temper that With your artistic license And don't make them totally black All the way over to this tree I may have another tree go through there I'll leave a little spot in case I do Tree right here that's going to go through Couple of trees All right That's the far distant part of that stream And now we're going to start bringing it forward And we'll probably add some more colors to it To change it as it comes forward Over this way Soften it up a little bit here Soft edges by just putting some water on top Okay Stream is coming around this way No room for the snow that we're going to put on top We're going to put a little gray bank around there Okay We have water coming from this side as well Okay Run it off there, run it over here Got water running this way All sort of merges right in there Okay Okay, that's enough Let me get some of this black out of my palette here If I need black again, I'll go mix it up But I don't want that to pollute the rest of my colors Particularly my white or grays for shadows Clean this Okay All right More trees here I'm going to go back and get me some more stilted green brown Get me some of my blue, ultra blue Ultra blue and stilted green brown will make a gray And we'll try to put in some more trees here Trees like that Blend them into the ground Blend them into the ground with soft water With soft edges rather with water, adding water All of a sudden we've got trees that look like they're Fully connected here Clear water, smooth it out Okay Pick up a few more colors and get some browns Restate a few of these over here These trees have to stand out from the background I did make the background a little darker So I can make the trees a little darker Go back, get some clear water Touch the bottoms, sort of blend it together If you don't do this, they look like they've been glued on Okay These sycamore trees have a lot of bark on them Falling off Spotted that they have a gray underneath Back to my tree on the left side and see how these look I'm going to put a little more color in some of them Still a little wet Let's just run this up like this We've got some more trees that sort of stick up like this Just kind of soften it, pull it together All right Looking pretty decent Take a lot of the foliage out of this There's not a lot of Not nearly as many trees in this painting As there are in the photograph That's by design Because I don't want to repaint the photograph I want to give you the impression Of a lot of trees But I don't want to paint them all Let's see here if this is going to Put in some darker shadows here in the snow Usually a little lip on top of this Comes down by the bank A little shadow there is here Around the stream Some in here Okay Over here there's a few I don't know So if we put in some Dark shadows here and there Start getting some Areas that look like it's got some shadow in it From trees or from whatever Over here we got some All right Okay step back look at it Okay now I'm going to I'm going to get out my My round brushes Probably my rigger Get a fine rigger brush Pick up some of these browns I'm going to start putting in Some more details here Like back here in the back Take these colors and mix them up Put in some fine branches here Over here let's see Get some darker colors maybe In this one that's closer Put in heavy branches here The brush I'm using for this is a rigger But it's not a Sterling Edwards rigger This is American Painter Number 4050 script liner Has very very fine bristles So I'm just going to fill this in This tree is the closest I'm going to see more branches from it Than any other one Okay there's a lot in there Let's come back and see If we can tie some of these in So they don't look like they're glued on Just merge it together Pull it down Okay something like that This tree needs to be a little darker Same here I think we're going to put in A tree here like this Soften its trunk This trunk over here is Quite as soft as I'd like it Let's put a little water in there Okay step back Take a look Okay now Not a whole lot left to do On this painting really It's looking like a nice winter scene I'm going to put some tree branches There are actually some branches On the top of this painting That sort of come down From this way So let's put those in now I want to come back and Use one of my brushes That I can get some soft Almost dry brush I'm going to get some of this Still green brown In my flat brush Kind of touch the bottom To get the water out of it As much as possible And then the top up here We're just going to Sort of brush in some Very loose Just laying it on the paper So there's just a little bit of Looks like there's Just a little bit coming off If you lay it almost Flat on the paper You end up with this Nice like that Okay I have a few out here In these trees We'll just touch those up More dry brush Probably hard to see But up close It looks pretty decent Like that These are trees that haven't Lost all their leaves yet And to match the color Of the other tree over there I'm going to get some of this Grayish blue color I've got in here And sort of do a similar thing On these other trees over here Take the water out of the bottom Of the brush With the paper towel And then it leaves you A very dry As dry as you can get it For watercolor I should say Some rough texture here Okay I'll put a few things in Maybe there's some A lot of weeds and sticks And stuff growing over here Let's put in some Using our brush We can just sort of Flick up like this Do the same thing When we do oil paintings Take a brush And just sort of flick up like that And you end up with Beautiful little things That look like weeds And all kinds of stuff in here But if you go over it Three or four times You lose it So if you hit it once And leave it alone You're in pretty good shape So something like this That's what I want to show Maybe put a few more Little trees in there Get my rigor out again Little gray There's a lot of little bushes And stuff floating around here Let's put a few more things in So I'm just taking A little darker color Adding some blue And still the green brown And ultra blue Putting in a few more trees And vertical things here That kind of tend to grow In these areas Small trees That haven't got their start yet But they're drying Maybe a few over here On this tree They've pretty much Lost their leaves And you can just flick up Some things like this To sort of finish it off Tie things together I think that's Maybe about all I want to do here Try just to See if there's a little more shadow here In some areas Got to know when to stop When to stop All right, get back Look at that Hasn't taken us an hour 60 minutes, a little less And we have a nice winter painting With a stream in there It's warm Because it's got browns in it Got some reds in it And violets I think that's all I want to do On this painting So I'll zoom back and say Hope you try this painting Thank you for watching And until I see you again This is Larry Hamilton saying so long for now