Domenico Dall'Oglio (c.1700-1764) - Concerto per il Violino Principale

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Composer: Domenico Dall'Oglio (c.1700-1764)
Work: Concerto (Sol maggiore) per il Violino Principale
Performers: Tommaso Luisοn (violin); Frеquеnze Diverse ensemble

Concerto per il Violino Principale
1. Allegro 0:00
2. Grave 6:20
3. Allegro 9:41

Painting: Giovanni Antonio Canal 'Canaletto' (1697-1768) - Capriccio with motifs from Padua
HD image: https://flic.kr/p/2q2M67q
Map: Antonio Zatta (1722-1797) - Il Padovano (1784)
HD image: https://flic.kr/p/2qSmf3y

Further info: https://rism.online/sources/137467
Listen free: No available

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Domenico Dall’Oglio [Dalloglio]
(Padua, c.1700 - Narva, Estonia, 1764)

Italian violinist and composer. A student of Giuseppe Tartini, he was appointed as concertmaster of the cathedral orchestra in Padua in 1721. In 1732 he was appointed violinist at the Basilica di Sant'Antonio in Padua. In 1735, however, he and his brother Giuseppe Dall’Oglio, a cellist, accepted an invitation of employment at the Russian court in St. Petersburg, where for the next 30 years they both served. Court records make frequent references to his activities as a virtuoso violinist, composer and participant in court intrigue. He died in Narva on his way back to Italy in 1764. He was known for his performance on the lute and violin, as well as his collaborations with Francesco Araja. His music includes a prologue, a concert aria, 34 violin sonatas, around 12 symphonies (six published 1735 in Paris, as well as several “Russian” symphonies), 17 violin concertos, a sonata for string quartet, several pieces for viola and basso, as well as numerous ballets. His string music reveals him as a master of the Italian 18th-century and reminiscent of Antonio Vivaldi's virtuoso style. The music theorist and Padre Martini student in Bologna, Giovanni Battista Dall'Oglio (1739-1832), was not related to him.