貝多芬： 小提琴協奏曲： II。小廣板 - 瑪麗亞·杜埃尼亞斯 María Dueñas, Wiener Symphoniker, Manfred Honeck - Beethoven： Violin Concerto： II. Larghetto

María Dueñas, Wiener Symphoniker, Manfred Honeck - Beethoven： Violin Concerto： II. Larghetto
瑪麗亞·杜埃尼亞斯，維也納交響樂團作曲家，曼弗雷德·霍內克 - 貝多芬： 小提琴協奏曲： II。小廣板

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The Spanish violinist María Dueñas presents her debut album with one of the most musically demanding and emotionally profound works in the repertoire – Beethoven’s Violin Concerto. “You can’t rely on virtuosity in Beethoven’s concerto; you have to reveal yourself,” says María Dueñas. And that can only be done through sound.” Recorded live at Vienna’s Musikverein with the Wiener Symphoniker and Manfred Honeck it is now the opening work on her Deutsche Grammophon debut album, Beethoven and Beyond. Featuring her own newly written cadenzas for each movement, the recording reveals María Dueñas as both performer and composer.
西班牙小提琴家瑪麗亞·杜埃尼亞斯（María Dueñas）推出了她的首張專輯，其中收錄了音樂性最強、情感最深刻的作品之一——貝多芬的小提琴協奏曲。 「你不能依賴貝多芬協奏曲的精湛技藝；你必須展現自我，」瑪麗亞·杜埃尼亞斯說。而這只能透過聲音來實現。 」該曲在維也納金色大廳與維也納交響樂團和曼弗雷德·霍內克一起現場錄製，是她為德意志留聲機發行的首張專輯《貝多芬及其他》的開場曲。該曲的每個樂章都包含她自己新創作的華彩樂段，展現了瑪麗亞·杜埃尼亞斯作為演奏家和作曲家的雙重身份。

As noted by Spanish music magazine Codalario in a review of one of her January 2023 performances at the Musikverein, Dueñas’s strength of personality emerged to the full when, during the first movement, she stepped away from tradition to offer her own cadenza. “It was like a breath of fresh air,” wrote the critic, “revealing her beautiful sound, with double and triple stops, rich trills and, above all, despite its modernity, an enormous respect for the essence of Beethoven.”
正如西班牙音樂雜誌 Codalario 在評論她 2023 年 1 月在金色大廳的一場演出時所指出的那樣，當杜埃尼亞斯在第一樂章中擺脫傳統，奉獻自己的華彩樂段時，她的個性力量得到了充分展現。 “這就像一股清新的空氣”，評論家寫道，“展現了她美妙的聲音，有雙重和三重音，有豐富的顫音，最重要的是，儘管具有現代性，但仍對貝多芬的本質充滿了敬意。”

María Dueñas, who has been studying in Vienna with the world-renowned Professor Boris Kuschnir for several years, won first prize with her interpretation of Beethoven’s Violin Concerto at the final of the Viktor Tretyakov International Violin Competition in September 2021. By then, DG had already invited her to record the work on the strength of a performance given earlier that year with the Dresdner Philharmoniker and Marek Janowski. “Beethoven’s Violin Concerto has accompanied me during the most important moments of my life,” notes Dueñas. “The move from Germany to Vienna on the recommendation of my mentor Maestro Vladimir Spivakov, my education, and now the recording – Beethoven has always played a part.” She is particularly pleased to have recorded the work with Manfred Honeck, another of her mentors.
瑪麗亞·杜尼亞斯 (María Dueñas) 多年來一直在維也納跟隨世界著名的鮑里斯·庫什尼爾 (Boris Kuschnir) 教授學習，她於 2021 年 9 月在維克多·特列季亞科夫國際小提琴比賽決賽中憑藉對貝多芬小提琴協奏曲的演繹榮獲一等獎。當時，DG 已經邀請她錄製這部作品，以紀念她當年早些時候與德累斯頓愛樂樂團和馬雷克·亞諾夫斯基的合作演出。杜尼亞斯說：“貝多芬的小提琴協奏曲陪伴了我一生中最重要的時刻。” “在我的導師弗拉基米爾·斯皮瓦科夫大師的建議下從德國搬到了維也納，我的教育，以及現在的錄音——貝多芬一直扮演著重要的角色。”她特別高興能與她的另一位導師曼弗雷德·霍內克 (Manfred Honeck) 一起錄製這部作品。

“[Dueñas’s] combination of tautness and elasticity, of drive and sensitivity, was as enchanting as the focused, luminous tone of her violin.”
Der Standard, 2023
“杜埃尼亞斯的演奏將緊緻與彈性、動力與敏感融為一體，就像她那專注、明亮的小提琴音調一樣令人著迷。”
《標準報》，2023 年

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