素描基礎proko（全集） 素描基礎第二季 2-16：探索性線條

【探討東西方哲學】 I could go in and do another one And this would be more searching Where I put a few down But they mostly just align They're communicating almost the same idea It's starting to get a little bit messy in here But it's still pretty clean And then I could start searching a little bit more Like I'm not really sure where things go I'm like oh no I want to put actually the oval I want it to be a little thicker I want it to be a little longer And then you start getting into this territory And I might be exaggerating here But like some drawings really do start looking like this Like I know mine do Where I'm just like just keep changing an area Like I draw the hip And then I'm like no The hip needs to come out a little more And I'm like pushing it out And eventually it just looks like this And you can kind of see the difference in here It's like super clean Just one line This one's starting to look a little more dynamic This actually feels more dynamic than this one Because it's got a little bit of energy in it And then this one has got a lot of energy But it's like bad energy It's like these are searching lines That didn't really find what they're looking for And these are searching lines That did find what they're looking for The oval's right there Here it's like I don't know what oval I was trying to draw there It's kind of everywhere So each one kind of has a purpose, right? If you're sketching If you're trying to figure out an idea You're not exactly sure what you're drawing You have a somewhat of a vague idea Like a character or whatever But you don't know exactly what it is And you are literally You're searching for that picture Then trying to go clean that first option Is probably not a good idea Because it's just going to make you afraid Of putting down one line That's not perfectly in the right spot And that's not what you want When you're exploring, right? So if you try to draw a line And you do one and you're like I wanted it over here Then you're stuck And then you're actually not exploring Your ideas very much So that's the downside of the clean line But when you already know exactly what you want And maybe you did a loose sketch And now you're cleaning it up on top With a light table Or you took it in digitally And you really want that Perfectly clean line look Then you go for that And you can undo, you can erase You can just go slow And do that tapered line that I showed you Where you connect one to the next So it has its purpose It looks really nice and solid Where the lines actually start to disappear Because they're kind of minimal, right? Because it's like one line Instead of two or three It's much simpler of a statement And so the stuff inside the line Starts to be more important On the other side of that You have that like messy searching lines Which they're bad Because they look kind of bad You wouldn't want to show that off And be like look at my drawing But they do have a purpose There is a use case for them If you just have something in your head And you're really not sure And you just want to get it out on the page You're thought vomiting down onto the page And you just It's like scribbling or doodling Then you could totally do that And that is fine Because putting down something super messy Like you put a line down You're like no It's actually right there No, I want it No, actually right there That's the line, right? Whatever It could be any shape But this line And I found it It's supposed to be right here All this other stuff I put down I don't care about it Because I'm just thought vomiting And this is good because By getting that idea out onto the page You now might have more clarity On what it is that you want to draw What that idea was in your head Because you just went in there And you just started scribbling some stuff And then you're like No, I should go over here And you don't care how messy it gets You're just putting stuff down And eventually that image starts to materialize Right in front of you on the page And then you kind of have the shapes And you become much more clear About what it is you want to draw Then at that stage You can start another drawing And now with that more clarity on what it is Now you can go into that in between Where you're still kind of searching Because you don't know exactly Where you're putting it down But you kind of know roughly Because you just did a really messy version of it And you can start doing A searching version of it Where you're not getting anxiety About getting the perfect line But you're also still trying to get it right And you're getting lines that are They're searching but they found it Right? It looks like Well, that's it right there I see it And they still have that energy And then you can go back in And clean them up So this is how I look at it Whenever I'm looking at my drawings And I'm trying to make my lines look good And I'm starting to get this sort of thing Where I'm like No, move it over A little sharper I start to go Oh God, this looks bad That's the judgment That I'm making on that page And that instantly to me becomes like Alright, I don't care about the lines anymore Let's just make this into a drawing Where I'm just trying to figure things out So, basically, this is kind of the range That I think about when I'm doing my drawings This is where I try to keep my lines And depending on the use case I'll change my mindset To tune into one of these three In conclusion You have your clean single line Single contour Still want that line to be nice and dynamic And look good Then you have your searching line Which is also dynamic and clean And still looks really good And then for the third one You have your very searching Almost lost lines But within there You've got some kind of clarity To help you get to this So clean, searching and lost Maybe we can call this lost and found Because you got lost But then it helps you to get found again Alright, anyway Hope this helps you guys Tune your brain into One of these three modes Of line cleanliness