Julia bought her 1960s house in Camden from our agency in 2021. We pay her a visit to see how she's been enjoying it since.
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Hi, I'm Julia. I acquired this house in 2021 from The Modern House. I knew it and already loved it
because I used to work at the AA in London and John Winter was the fourth year studio master
in London at that time. He was building this house. It was two carriage houses which he'd bought
and he got permission to build two storeys above and he built it by hand with his friends. So
Peter Smithson poured the foundations and countless people, architects, were involved
in the building of this house. Eventually he moved out and moved to his famous house in Highgate,
the Corten House. I'm just so fond of the 1960s and earlier in terms of design.
So I knew I wanted this house before I even went inside it. So where should we go first?
So we're now walking into this tiny room which used to be John Winter's bedroom. I don't know
how they fitted a double bed in it. I've known no one else but architects pretty much all my life.
So we've got Michael Graves here who did a poster for the Institute for Architecture and Urban
Studies in New York where I used to work running the magazine Oppositions. And here's an architect,
Carlos Jimenez, from Houston and that's Aldo Rossi there and that's the Office of
Urban Architecture in Los Angeles and so on and so forth. That's the Maison d'Avere in Paris.
There's a little photo of Corbusier, Frank Gehry's drawings of his chairs. I used to live in
Santa Monica when I worked at the Getty Research Institute and was a publisher there.
And Frank Gehry and Bertha Gehry lived around the corner and they became friends of mine
and that's why I have this nice drawing of chairs by Frank. And I'm now walking into what was the
garage and it's now a guest bedroom. It's just a lovely room with a horizontal window that looks
out onto the green of the building next door. Malcolm Last designed it of Chassé Last Architects
and he did an absolutely perfect job because it's like the rest of the house which to me
is very important. Okay so I'm coming up into the main space of the house and it's an absolutely
beautiful room. You'll see it has extraordinary huge windows, lovely light and the Portuguese
laurel is a perfect thing outside the window for privacy and also just watching it. When I moved in
the bookcase was extremely different because the shelves were all to the back and basically you
could only fit CDs on them and so I had that altered but otherwise I haven't changed a thing
here. After the house was finished in 1961 it was included in a book by House and Garden,
Modern Houses and Conversions of also 1961 and it has photographs of the architect John Winter
and his wife Val and the little girl Martha and photographs of how it used to be with the kitchen
on the top floor. And the room is furnished basically mainly from my pieces that I picked
up in Los Angeles. A lot of Eames and Bertoia and Breuer and earlier than 60s Corbusier.
It all fitted very well that I should have this house as far as I'm concerned. It was like destiny.
It was like built for me and what I like. This is my office. Terribly tidied you see the boxes I took
out. So this is where I sit and work and sit and most of the time because I have this extraordinary
view of trees, non-stop trees going on forever out the window here. The very nice things about
this house that the blind comes down between the double glazing so you never have to clean it which
is absolutely fantastic. Yes so this is Marcel Breuer the long chair which he designed for the
Isercombe house which is around the corner in Belsize Park. It's unbelievably comfortable
because it supports her in all the right places. If I don't get a sofa this is my sofa because I
lie here whenever I feel I need to lie down. They wanted a kitchen moved from upstairs and they
built the kitchen over the garage. You walk in and you go down a couple of stairs and it's a whole
other space because it's a different level. It was very clever. It really makes it into a different
place than the living room but yet you can see the living room all the time and it has this gorgeous
huge window here which looks out onto nothing but green and eventually the trees in the distance of
Regent's Park. The kitchen I think is absolutely lovely. The person who bought the house, Kenneth
Brick, had very I think wonderful taste and he filled it with Eames table. This is his Eames
table and Eames chairs and this is my Castiglione lamp which I bought in Los Angeles for a song.
This is a collection of very personal things that I've collected over the years. My whole
life really began when I went to the AA, the Architecture Association in Bedford Square
and this is a drawing of one of the studios drawn in 1960 by Peter Watson who also drew
those two drawings at the far end of the room where he and I lived and that is a drawing
of Santa Monica Road where I lived. Edward Jones did that and this is a picture that encompasses,
I think it was the fourth year AA in about 1963 or 1962.
When people do come around it works very well because I can bring in two chairs and I can sit
six people around this table and I can also talk to them when I'm behind the work surfaces here
which is is really nice. I'm not isolated away from them.
So the staircase here is obviously a huge feature of this house. It's quite narrow,
it's quite steep. Many people have said put in a handrail but no because the centre metal post,
steel post is extremely strong so why don't we go up it to the bedroom which used to be a kitchen.
Here we are at the top of the house, lovely room, huge balcony, sunshine
and this used to be the kitchen, the living room. It's an absolutely fabulous room to wake up in
because I like a lot of light. I don't particularly like it dark so I don't have the curtains closed
too much. You get early morning light on the balcony so it's very conducive to getting up and
enjoying the day. I used to live on Regent's Park Road so I know this area, it feels like home
and it was lovely to move back into it. I think in conclusion I'd like to say I feel very blessed
coming back to a place that you've known and loved so long ago, had a whole life in between
knowing it as a youngster and then coming back as an old lady and living here.
The Modern House, selling thoughtfully designed homes across the UK.